A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
late 18th century?
Not on view
7
John Michael Rysbrack, 1694–1770
William III
ca. 1736
Not on view
8
Peter Gaspar Scheemakers, 1691–1781
Alexander Pope
ca. 1740
Not on view
9
Thomas Banks, 1735–1805
Dr. Anthony Addington
1790
Not on view
10
George Romney, 1734–1802
Prison Scene
ca. 1790–92
On view at YUAG
11
George Romney, 1734–1802
Large Sketchbook
ca. 1780s–early 1790s
On view at YUAG
12
George Stubbs, 1724–1806
Tygers at Play
1780
13
George Romney, 1734–1802
Study of a Reclining Nude, and Seated Woman Comforted by a Child
mid- 1770s
14
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
15
William Pars, 1742–1782
Temple of Jupiter Panhellenios at Aegina
between 1764 and 1766
16
Luigi Balugani, 1737–1770
Bastimento del Nilo
undated
17
Luigi Balugani, 1737–1770
Study of an Antelope
undated
18
Print made by John Boydell, 1720–1804
The Boscawen and Sheerness Privateers
1753
19
Charles Knight, 1743–c.1826
A Band of Savoyards
1785
20
Print made by Charles Catton the elder RA, 1728–1798
The Margate Hoy
1785
21
Benjamin Green, ca. 1736–ca. 1800
[Shooting] 'Phillis', a Pointer of Lord Clermonts
1772
22
Print made by Gainsborough Dupont, 1754–1797
Eldest Princesses
1793
23
Print made by James Walker, 1748–1808
Miss Francis Woodley
1781
24
Print made by John Raphael Smith, 1752–1812
George, Prince of Wales
1783
25
Michael "Angelo" Rooker, 1746–1801
The Great Court, Trinity College, Cambridge
undated
26
Print made by James Ward, 1769–1859
The Douglas Children
1799
27
Print made by Thomas Watson, 1743–1781
Catherine, Lady Bampfylde
1779
28
Print made by John Dixon, ca. 1740–1811
Mrs. Blake as Juno
1771
29
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
30
Print made by James Watson, 1740–1790
John Marquess of Granby
undated
31
Print made by Edward Fisher, 1722–1785
John Viscount Ligonier
after 1761
32
Print made by James Ward, 1769–1859
The Hoppner Children
1799
33
Print made by William Pether, ca. 1738–1821
Rabbi with a White Turban
1778
34
Print made by Richard Earlom, 1743–1822
Bathsheba Bringing Abishag to David
1779
35
Print made by Robert Laurie, 1755?–1836
The Wane of the Honeymoon
1789
36
James Wyatt, 1746–1813
Design for Little Frogmore: Elevation
1791
37
John Alexander, 1686–before 1768
Abraham's Offering
1718
38
Henry M. Hudson, active 1782–1800
Mrs. Curtis
39
Print made by Johann Jacobus Haid, 1704–1767
L'Enfant Prodigue exigeant sa legitime
undated
40
Print made by Johann Jacobus Haid, 1704–1767
Le depart de l'Enfant Prodigue
undated
41
Print made by Johann Jacobus Haid, 1704–1767
L'Enfant Prodigue dans la plus grande Misere
undated
42
Print made by Johann Jacobus Haid, 1704–1767
Vie debauche de l'Enfant Prodigue
undated
43
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
44
John Young, 1755–1825
Domestic Happiness
ca. 1799
45
William Ward, 1766–1826
The Effects of Youthful Extravagance and Idleness
1789
46
William Ward, 1766–1826
Jack in the Bilboes
1790
47
Print made by William Ward, 1766–1826
A Young Lady Encouraging the Low Comedian
1787
48
Sutton Nicholls, active 1725
Southampton or Bloomsbury Square
1754
49
John Boydell, 1720–1804
A View taken near Battersea Church looking towards Chelsea
1752
50
John Boydell, 1720–1804
A View of London Bridge taken near St. Olave's Stairs
1751
51
unknown artist
South Inside View of the Chapel of St. Thomas within London Bridge
1747
52
unknown artist
West inside view of the Chapel of St. Thomas within London Bridge
1747
53
unknown artist
Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V
1793
54
Francis Haward, 1759–1797
Mrs. Siddons in the Character of the Tragic-Muse
1787
55
John Jones, ca. 1745–1797
Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
1791
56
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Prudence
1782
57
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Justice
1782
58
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Charity
1781
59
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
60
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
61
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
62
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
63
Print made by unknown artist
The South Sea House
between 1720 and 1728
64
Print made by Thomas Bowles III, ca. 1712–1767
The Admiralty Office
1731
65
Francis Haward, 1759–1797
Mrs. Siddons in the Character of the Tragic Muse
1787
66
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
67
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
1785
68
George Siegmund Facius, 1750–1804
The Shepherd's Offering: West Window of the Chapel, New College Oxford
1785
69
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Temperance
1782
70
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Faith
1781
71
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Fortitude
1782
72
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
73
Print made by unknown artist
A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens
1755
74
Print made by Nathaniel Hone, 1718–1784
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772
75
Print made by Valentine Green, 1739–1813
Cupid and Psyche
1784
76
Print made by Johann Jacobus Haid, 1704–1767
Rejouissances pour le Retour de l'Enfant Prodigue
undated
77
Print made by Johann Elias Haid, 1739–1809
L'Enfant Prodigue reclamant la bonté de son Pere
undated
78
Charles Townley, 1746–c.1800
The Honorable John Forbes
1796
79
William Doughty, 1757–1782
The Honorable Augustus Keppel
1779
80
John Raphael Smith, 1752–1812
Sir William James
1783
81
James McArdell, ca. 1729–1765
Charlotte Queen of Great Britain
1761
82
Captain John Bernard Gilpin, 1701–1776
View from a Riverbank
undated
83
Print made by John Raphael Smith, 1752–1812
Louis Philippe Joseph, Duke of Orleans
ca. 1786
84
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
85
Print made by John Raphael Smith, 1752–1812
Hon. Mrs. Stanhope
1783
86
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
87
Print made by Richard Earlom, 1743–1822
Alope
1787
88
Print made by Robert Strange, 1721–1792
The Apotheosis of Princes Alfred and Octavius
1786
89
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
90
Nathaniel Parr, active 1742–1751
The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford
91
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
92
Pierre Charles Canot, ca. 1710–1777
Evening, or Sun setting
93
Print made by William Henry Toms, ca. 1700–ca. 1750
A Squadron of Ships in a calm where of one, A. presents the Stern, another B. the Head
94
James Cole, fl.1720–1743
The Royal George, a first Rate Man of War carrying 100 Guns and 780 Men
95
George Bickham the Elder, 1683/4–1758
A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire
96
unknown artist
A View of the Back Front of the House, & part of the Garden of the Earl of Burlington at Chiswick; with a distant View of the Orangery, Greenhouse, Inigo Jones's Gate, & c
97
unknown artist
A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford
98
unknown artist
A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down
99
Paul Fourdrinier, 1698–1758
Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever
100
unknown artist
A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows