A View at Girgenti in Sicily with the Temple of Concord and Juno
ca. 1818
Not on view
7
James Collinson, 1825–1881
Mother and Child by a Stile, with Culver Cliff, Isle of Wight, in the Distance
1849 to 1850
Not on view
8
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
9
William Collins, 1788–1847
May Day
between 1811 and 1812
Not on view
10
John Crome, 1768–1821
The River Wensum, Norwich
ca. 1814
Not on view
11
William Daniell, 1769–1837
Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off
1833
Not on view
12
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
13
William Henry Millais, 1828–1899
Hayes Common
1852 to 1853
Not on view
14
Thomas Daniell, 1749–1840
Ruins of the Naurattan, Sasaram, Bihar
1811
Not on view
15
Print made by Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
1898-1899
16
Samuel Palmer, 1805–1881
Guildford
1844
17
Samuel Palmer, 1805–1881
A Pastoral Scene
1835
18
Samuel Palmer, 1805–1881
Old Cedar Tree in Botanic Garden, Chelsea
1854
19
Samuel Palmer, 1805–1881
Shoreham, Kent
between 1831 and 1832
20
Print made by Samuel Palmer, 1805–1881
Harvest under a Crescent Moon
ca. 1826
21
Print made by Samuel Palmer, 1805–1881
The Willow
1850
22
Print made by Samuel Palmer, 1805–1881
The Willow
1850
23
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
24
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
25
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
26
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
27
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
28
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
29
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
30
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
31
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
32
Edward Lear, 1812–1888
Burpham Oct.4.1834
1834
33
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
34
Edward Lear, 1812–1888
Parham, October.13.1834
1834
35
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
36
Edward Lear, 1812–1888
Corpo di Cava, 28 June 1838
1838
37
Edward Lear, 1812–1888
On the Road, Two Hours from Tepelene, 19 April 1857
1857
38
Edward Lear, 1812–1888
Mt. Orfano
1867
39
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
40
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
41
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
42
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
43
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
44
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
45
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
46
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
47
William Havell, 1782–1857
Pale Melancholy
ca. 1804
48
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
49
Cornelius Varley, 1781–1873
Evening
1828
50
Cornelius Varley, 1781–1873
Cottages at Llanllyfni, North Wales
1805
51
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
52
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
53
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
54
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree Study
1807
55
George Lothian Hall, 1825–1888
The Rock of Gibraltar from the Alameida at San Roque
1844
56
James Ward, 1769–1859
A Stunted Oak
1822
57
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
58
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
59
Attributed to David Charles Read, 1790–1851
Tree
undated
60
Moses Griffith, 1747–1819
The Beautiful Vale and Mowddach River, Merionethshire
1805
61
John Baverstock Knight, 1785–1859
Tree Study
undated
62
Print made by James Basire the younger, 1769–1822
A View of Worcester College &c
1804
63
Print made by James Basire the younger, 1769–1822
A View of Worcester College &c
1804
64
Print made by James Basire the younger, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
65
Print made by James Basire the younger, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
66
Print made by James Basire the younger, 1769–1822
View of the Cathedral of Christ Church and Part of Corpus Christi College
1808
67
Print made by James S. Storer, 1771–1853
Part of Balliol College Quadrangle
1809
68
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
69
William Simpson, 1823–1899
The Village Well
1864
70
William Henry Hunt, 1790–1864
Backyard of a Cottage
ca. 1817
71
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
72
William Payne, active 1850s
On the River Tivy, near Cardigan, Wales
1826
73
Henry Morton, ca. 1807–1825
Ore Church and House
undated
74
Print made by James Basire the younger, 1769–1822
View of the Cathedral of Christ Church and Part of Corpus Christi College
1811
75
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
76
Print made by Joseph Skelton, active 1820–1850
Christ Church Cathedral and Part of Corpus Christi College
1820
77
Capt. Thomas Hastings, 1778–1854
Innisfallen Abbey, 4 September 1841
1841
78
Alfred Rosling, 1802–ca. 1880
The Foot-Bridge
1860s
79
Horatio Ross, 1801–1886
The Lone Pine Tree
ca. 1858
80
Horatio Ross, 1801–1886
The Lone Pine Tree
ca. 1858
81
John Golden Short, born ca. 1832
Hut and Cart
1870s
82
Richard Dykes Alexander, 1788–1865
Professor Henslow with Plant
ca. 1855
83
Francis Bedford, 1816–1894
Rushford Mill
ca. 1865
84
William Bambridge, 1819–1879
Group of Scotch Pines near the Obelisk, Age 104 Years
1864
85
Print made by David Allan, 1744–1796
Bauldy and Mause
1808
86
Print made by John Doyle ('H.B.'), 1797–1868
Another Saint Sebastian, Shot at by Cruel Archers
1847
87
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
88
Print made by George Presbury, active 1840
Runjeet Singh and His Suwarree, or Cavalcade of Seiks
1837
89
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
90
Henry Edridge, 1769–1821
Berry Pomeroy Church
1818
91
Robert Hills, 1769–1844
Walnut Tree
ca. 1826
92
Robert Hills, 1769–1844
In the Vaux, Jersey
ca. 1832
93
Robert Hills, 1769–1844
The Fallen Tree
1804
94
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
95
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
96
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
97
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
98
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
99
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'