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Creator Gender male

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Period 20th century

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Subject Terms geology

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The Mastif Fox
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1909
Materials & Techniques:
Wood-engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 x 4 13/16 inches (7.7 x 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape, Corsica
Creator:
John Minton, 1917–1957
Date:
1947
Materials & Techniques:
Watercolor, pen and black ink and pen and gray-blue ink with wash, white wax crayon and pastel on medium, moderately textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 19 1/2 inches (38.1 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dunvalanree
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1910
Materials & Techniques:
Etching and drypoint on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 11 5/16 x 8 7/16 inches (28.7 x 21.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Excavation
Creator:
Bernard Sickert, 1863–1932
Date:
1923
Materials & Techniques:
Pastel and black chalk on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 12 3/8 x 18 3/8 inches (31.4 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Bruce McCashin
Coal miners pushing coal filled cart
Creator:
Bruce Davidson, born 1933
Date:
1965
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Miner on Work Horse Emerging from Tunnel
Creator:
Bruce Davidson, born 1933
Date:
1965
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Coal Miners Next to Work Horse
Creator:
Bruce Davidson, born 1933
Date:
1965
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Miner next to tracks
Creator:
Bruce Davidson, born 1933
Date:
1965
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Group of Coal Miners Walking on Dirt Road
Creator:
Bruce Davidson, born 1933
Date:
1965
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

10. Listener

Listener
Creator:
Conroy Ronald Maddox, 1912–2005
Date:
1953
Materials & Techniques:
Gouache on very thick, smooth, cream wove card
Dimensions:
Sheet: 9 3/4 × 14 1/2 inches (24.8 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961
Cave Maiden
Creator:
William Lee Hankey, 1869–1952
Date:
between 1910 and 1911
Materials & Techniques:
Etching and drypoint on thin, smooth, beige wove paper
Dimensions:
Sheet: 13 3/4 x 11 1/4 inches (35 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953
No cover image available
Creator:
Joseph Gray, 1890–1962
Date:
1926
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 15/16 x 13 3/4 inches (35.4 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery