Creator Gender: male / Image Available: Available / Subject Terms: stone

1. Lion and Lioness

Creator:: George Stubbs, 1724–1806
Date:: 1770
Materials & Techniques:: Enamel on copper
Dimensions:: 9 1/2 × 11 inches (24.1 × 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Warwick Castle

Creator:: Francis Harding, active 1730–1766
Date:: ca. 1764
Materials & Techniques:: Oil on canvas
Dimensions:: 24 5/8 x 39 inches (62.5 x 99.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. St. Benet's Abbey

Creator:: Attributed to John Sell Cotman, 1782–1842
Date:: ca. 1810
Materials & Techniques:: Oil on canvas
Dimensions:: 15 × 19 inches (38.1 × 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy
On View:: Not on view

4. Corfe Castle, Dorset

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1764
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 18 inches (33.3 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Castel Sant'Angelo, Rome

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/8 × 20 1/4 inches (39.1 × 51.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. St. Augustine's Gate, Canterbury

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: ca. 1778
Materials & Techniques:: Oil on canvas
Dimensions:: 27 1/2 x 35 1/4 inches (69.9 x 89.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. St. Mary's Abbey, York

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: ca. 1778
Materials & Techniques:: Oil on canvas
Dimensions:: 28 x 36 inches (71.1 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A View Near Arundel, Sussex, with Ruins by Water

Creator:: George Smith of Chichester, 1714–1776
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 16 1/8 x 19 5/8 inches (41 x 49.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Winter Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 × 26 inches (42.5 × 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Jacob's Dream

Creator:: Sir James Thornhill, 1675–1734
Date:: 1705
Materials & Techniques:: Oil on canvas
Dimensions:: 64 1/2 x 27 1/2 inches (163.8 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Landscape with Cottages

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1827
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 17 1/4 inches (24.1 x 43.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Two Menhirs

Creator:: Bryan Wynter, 1915–1975
Date:: ca. 1950
Materials & Techniques:: Oil on board
Dimensions:: 15 3/8 x 14 3/4 inches (39.1 x 37.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
On View:: Not on view

13. A Summer Evening (Caernarfon Castle)

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1764 and 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 24 3/4 x 45 3/4 inches (62.9 x 116.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Hadrian's Villa

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1775 and 1782
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Osmington: A View to the Village

Creator:: John Fisher, 1788–1832
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 5 3/4 x 10 inches (14.6 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Lord Abergavenny's Dark Bay Carriage Horse with a Terrier

Creator:: Thomas Gooch, 1750–1802
Date:: 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 x 29 1/4 inches (62.2 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Landscape, with Dover Castle in the Distance

Creator:: Arthur Nelson, active 1765–1773
Date:: ca. 1767
Materials & Techniques:: Oil on panel
Dimensions:: 22 1/2 x 43 inches (57.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

18. Mausoleum at Outatori near Trichinopoly

Creator:: Francis Swain Ward, ca. 1734–1794
Date:: ca. 1788
Materials & Techniques:: Oil on canvas
Dimensions:: 20 1/2 x 30 inches (52.1 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Mausoleum with Stone Elephants

Creator:: Francis Swain Ward, ca. 1734–1794
Date:: 1788
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 30 1/4 inches (50.8 x 76.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. George Rogers and His Wife, Margaret Rogers (née Tyers), and His Sister, Margaret Rogers

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1748 and 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 41 × 39 inches (104.1 × 99.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Stone Village

Creator:: Walter Elmer Schofield, 1867–1944
Date:: ca. 1930
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 36 inches (76.2 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Nancy M. Berman and Alan Bloch
On View:: Not on view

22. Hanson Toot, View in Dovedale

Creator:: John Linnell, 1792–1882
Date:: 1815, reworked, 1846, 1854, and 1870
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 x 35 1/2 inches (62.2 x 90.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Self-Portrait with His Father and His Brother

Creator:: John Hamilton Mortimer, 1740–1779
Date:: early 1760s
Materials & Techniques:: Oil on canvas
Dimensions:: 30 × 25 inches (76.2 × 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Saltwood Castle

Creator:: George Lambert, 1700–1765
Date:: 1762
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 36 3/4 inches (50.2 x 93.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Mameluke purchasing an Arabian stallion

Creator:: George Henry Laporte, 1799–1873
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/8 x 21 1/8 inches (43.5 x 53.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Christ and the Woman of Samaria

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. London (Plate 39)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Urizen (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The First Book of Urizen, Plate 15 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Death's Door (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "Highgates heights & Hampsteads..." (Plate 84)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "Albion cold lays on his Rock..." (Plate 94)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. II. "Reason or the ratio of all we have already known..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "Such are Cathedrons golden Halls..." (Plate 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

41. Segni, 6 October 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite, black chalk, and white gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 10 x 13 11/16 inches (25.4 x 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

42. Furness Abbey East, 29 August 1836

Creator:: Edward Lear, 1812–1888
Date:: 1836
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 7 7/8 x 12 inches (20 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

43. Turin, Italy

Creator:: Edward Lear, 1812–1888
Date:: after 1872
Materials & Techniques:: Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Abydos, 1:00 pm, 12 January 1867 (134)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 12 inches (15.6 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

45. Abu Simbel

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 x 7 1/2 inches (12.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

46. Abu Simbel, 10:30 am, 9 February 1867 (383)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, and white gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 7/8 x 10 1/8 inches (9.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

47. S. Pietro Degli Agostiniani. Leonessa.

Creator:: Edward Lear, 1812–1888
Date:: 1844
Materials & Techniques:: Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 9 11/16 inches (25.1 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

48. Near Wady Halfeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 1/4 x 9 7/8 inches (8.3 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

49. Memphis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 3/4 x 7 11/16 inches (9.5 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

50. Memphis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 9/16 x 6 9/16 inches (9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

51. Ramle

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 15/16 inches (8.9 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

52. Villa Torlania, formerly Villa Conti, Erascati

Creator:: Edward Lear, 1812–1888
Date:: ca. 1844
Materials & Techniques:: Graphite on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 5 1/4 x 9 11/16 inches (13.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

53. Villa d'Este

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 6 7/8 x 10 11/16 inches (17.5 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

54. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Bristol High Cross

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1734
Materials & Techniques:: Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Arrival of Ferries at London Bridge (?)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Study of a Cottage Interior

Creator:: John Henry Mole, 1814–1886
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 11/16 inches (29.5 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ancienne Porte a Stirling

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Scene Illustration: Milton's 'L'Allegro'

Creator:: Print made by Benjamin Fawcett, 1808–1893
Date:: between 1860 and 1885
Materials & Techniques:: Wood-engraving, printed in color with additional hand-coloring on moderately thick, smooth, cream card
Dimensions:: Sheet: 6 13/16 x 9 3/4 inches (17.3 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Near the Caravan Bridge, Smyrna

Creator:: William James Muller, 1812–1845
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 x 20 3/4 inches (35.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Bishop's Palace, Wells, Somerset: Section of Turret

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black ink, and purple wash applied with brush and pen on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 x 9 inches (38.4 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Bishop's Palace, Wells, Somerset: Elevation of the Great Hall

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black, gray and violet ink with graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 x 9 inches (38.4 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Tribunal House, Glastonbury, Somerset: Elevation and Details of Stone Fireplace

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 3/4 inches (37.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Man with a Gaff, June 13, 1851

Creator:: Frederick William Hulme, 1816–1884
Date:: 1851
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Bothwell Castle, Lanarkshire

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1798
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 17 × 24 3/4 inches (43.2 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Crucifixion

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 4 1/2 inches (18.7 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. The Late Entrance to Ber Street, Norwich

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Ticket: Anacreontic Society Meeting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1779
Materials & Techniques:: Stipple and line engraving and etching in black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 8 3/4 inches (16.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

74. Jack Sheppard Committing the Robbery in Willesden Church

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.8 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

75. Tree amidst Houses

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 7 3/4 inches (15.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

76. The Arches Near the East Gate, Bury St. Edmunds Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

77. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

78. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Royal Naval School at New Cross

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: undated
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 14 1/16 x 18 3/4 inches (35.7 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. St. Bartholomew's Gateway

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 16 x 10 3/16 inches (40.6 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

83. Mytton Hall

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 6 1/16 x 11 7/16 inches (15.4 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

84. Mytton Hall

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:: Sheet: 6 1/16 x 10 15/16 inches (15.4 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

85. Mytton Hall

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 5 7/8 x 11 1/8 inches (14.9 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

86. The Terrace, Cintra

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

87. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Ceres' Handmaid

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 6 7/8 inches (24.9 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

89. [One of] Five Designs for a Church

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite and pen and brown and red ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 21 × 13 1/8 inches (53.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Stone Breaker

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1925
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/16 x 10 13/16 inches (20.8 x 27.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

91. Barbara

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: between 1928 and 1930
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 8 3/8 inches (27.6 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

92. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and engraving; first published state on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Inside View of Tintern Abbey looking from the Nave to the East Window

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 10 5/8 inches (38.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. St. Paul's from Southwark by Sunset

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1832
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/4 × 35 1/4 inches (59.1 × 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Druidical Stone at Strather, near Barvas, Isle of Lewis

Creator:: William Daniell, 1769–1837
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Design for Grosvenor Bridge, Chester

Creator:: Thomas Harrison, 1744–1829
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Castle Acre Priory

Creator:: Thomas Hearne, 1744–1817
Date:: 1771
Materials & Techniques:: Pen and black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Stones Found in a Pitt, in Ringfield Near Beccles, Suffolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 10 3/4 inches (18.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Building of Waterloo Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1816
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

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Subject Terms stone

Search Results

1. Lion and Lioness

2. Warwick Castle

3. St. Benet's Abbey

4. Corfe Castle, Dorset

5. Castel Sant'Angelo, Rome

6. St. Augustine's Gate, Canterbury

7. St. Mary's Abbey, York

8. A View Near Arundel, Sussex, with Ruins by Water

9. Winter Landscape

10. Jacob's Dream

11. Landscape with Cottages

12. Two Menhirs

13. A Summer Evening (Caernarfon Castle)

14. Hadrian's Villa

15. Osmington: A View to the Village

16. Lord Abergavenny's Dark Bay Carriage Horse with a Terrier

17. Landscape, with Dover Castle in the Distance

18. Mausoleum at Outatori near Trichinopoly

19. Mausoleum with Stone Elephants

20. George Rogers and His Wife, Margaret Rogers (née Tyers), and His Sister, Margaret Rogers

21. Stone Village

22. Hanson Toot, View in Dovedale

23. Self-Portrait with His Father and His Brother

24. Saltwood Castle

25. Mameluke purchasing an Arabian stallion

26. Christ and the Woman of Samaria

27. London (Plate 39)

28. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

29. Urizen (Plate 14)

30. The First Book of Urizen, Plate 15 (Bentley 14)

31. Death's Door (Plate 17)

32. I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

33. "Highgates heights & Hampsteads..." (Plate 84)

34. "Albion cold lays on his Rock..." (Plate 94)

35. II. "Reason or the ratio of all we have already known..." (Plate 11)

36. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

37. "Such are Cathedrons golden Halls..." (Plate 73)

38. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

39. "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

40. Sealing the Stone and Setting a Watch

41. Segni, 6 October 1838

42. Furness Abbey East, 29 August 1836

43. Turin, Italy

44. Abydos, 1:00 pm, 12 January 1867 (134)

45. Abu Simbel

46. Abu Simbel, 10:30 am, 9 February 1867 (383)

47. S. Pietro Degli Agostiniani. Leonessa.

48. Near Wady Halfeh

49. Memphis

50. Memphis

51. Ramle

52. Villa Torlania, formerly Villa Conti, Erascati

53. Villa d'Este

54. Views in the Levant: Temple Ruins at Paestum

55. Bristol High Cross

56. The Arrival of Ferries at London Bridge (?)

57. Study of a Cottage Interior

58. Ancienne Porte a Stirling

59. Vue Generale de l'Eglise de l'Abbaye de Tournus

60. Scene Illustration: Milton's 'L'Allegro'

61. Near the Caravan Bridge, Smyrna

62. Bishop's Palace, Wells, Somerset: Section of Turret

63. Bishop's Palace, Wells, Somerset: Elevation of the Great Hall

64. Tribunal House, Glastonbury, Somerset: Elevation and Details of Stone Fireplace

65. Man with a Gaff, June 13, 1851

66. Death's Door

67. Bothwell Castle, Lanarkshire

68. The Crucifixion

69. The Late Entrance to Ber Street, Norwich

70. Beeston Priory, Beeston Regis

71. Windsor Bridge

72. Ticket: Anacreontic Society Meeting

73. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire