A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves
8
Pierre Charles Canot, ca. 1710–1777
Storm, Representing that Violent one, which drove his Majesty King George I into Rye
9
Pierre Charles Canot, ca. 1710–1777
Shipwrack
10
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758
1762
11
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
12
Pierre Charles Canot, ca. 1710–1777
At Portsmouth with part of the Common
1754
13
Pierre Charles Canot, ca. 1710–1777
At Deptford with part of the town
1753
14
Pierre Charles Canot, ca. 1710–1777
At Chatham with Village of Brompton adjacent
1755
15
Pierre Charles Canot, ca. 1710–1777
At Chatham with Village of Brompton adjacent
1755
16
Pierre Charles Canot, ca. 1710–1777
At Woolwich with part of the Town
1753
17
Pierre Charles Canot, ca. 1710–1777
At Sheerness
1755
18
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
19
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: An East View of Montreal in Canada
1762
20
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A Southwest View of the City of New York, in North America
1758-1760
21
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South East View of the City of New York in North America
1763
22
Pierre Charles Canot, ca. 1710–1777
Night & a Ship on fire
23
Pierre Charles Canot, ca. 1710–1777
Morning, or Sun rising
24
Pierre Charles Canot, ca. 1710–1777
Lambeth. The Archbishop of Canterbury's Palace
25
Pierre Charles Canot, ca. 1710–1777
Evening, or Sun setting
26
Print made by Pierre Charles Canot, ca. 1710–1777
Two Sprays of Imaginary Flowers
1760
27
Print made by Pierre Charles Canot, ca. 1710–1777
Two Sprays of Imaginary Flowers
1760
28
Print made by Pierre Charles Canot, ca. 1710–1777
Two Sprays of Imaginary Flowers
1760
29
Pierre Charles Canot, ca. 1710–1777
The New Building on Shrubs Hill
1772
30
Charles Grignion, 1717–1810
A Perspective View of the Foundling Hospital with Emblematic Figures
1749
31
Pierre Charles Canot, ca. 1710–1777
View of the Canal in St. James's Park
1746
32
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
33
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
34
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
35
Pierre Charles Canot, ca. 1710–1777
Burton Constable; page 53 (Volume One)
36
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
37
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
38
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
39
Pierre Charles Canot, ca. 1710–1777
The Stag at Bay
undated
40
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
41
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
42
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
43
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
44
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
45
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
46
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
47
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
1735
48
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
1735
49
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
50
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
51
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
52
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
53
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
54
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
55
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
56
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
57
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
58
Print made by Pierre Charles Canot, ca. 1710–1777
Shipwreck
1745
59
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
60
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
61
Pierre Charles Canot, ca. 1710–1777
Representation of the Glarious Defeat of the French Fleet off Belleisle on the 20 November 1759
1759
62
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's dockyard, at Sheerness
1755
63
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical plan of his Majesty's Dockyard near Portsmouth
1754
64
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, at Woolwich
1753
65
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, Deptford
1755
66
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, near Plymouth
1756
67
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, at Chatham
1755
68
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
69
Pierre Charles Canot, ca. 1710–1777
A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew
ca. 1764
70
Pierre Charles Canot, ca. 1710–1777
A Brisk Gale
ca. 1765
71
Pierre Charles Canot, ca. 1710–1777
Classical landscape with cow herd and cows fording a stream
1744
72
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A View of Louisburg in North America, taken near the Light House when that City was besieged in 1758
1758-1760
73
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A View at the Entrance of the Harbour of the Havana, taken from within the Wrecks
1758-1760
74
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South West View of the City of New York in North America
1763
75
Pierre Charles Canot, ca. 1710–1777
Views in the River and Gulph of St. Lawrence: A View of Pierced Island, a Rock in the Gulf of St. Lawrence
1760
76
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A South East View of the City of New York in North America
1758-1760
77
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A View of the Market - Place in the City of the Havana
1758-1760
78
Print made by Pierre Charles Canot, ca. 1710–1777
Ships of the Secret Expedition against the Havannah