Landscape with Two Men and a Castle Ruin on the Riverbank
1783
9
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
10
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
11
Rev. William Gilpin, 1724–1804
Landscape with Two Men on a Hill and a Castle in the Distance
between 1762 and 1783
12
Rev. William Gilpin, 1724–1804
Landscape with Trees in Foreground
between 1762 and 1783
13
Rev. William Gilpin, 1724–1804
A Castle at the Edge of a Lake
between 1762 and 1783
14
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
15
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
16
Rev. William Gilpin, 1724–1804
View of Castle Ruin
between 1762 and 1783
17
Rev. William Gilpin, 1724–1804
Landscape with House at the Riverbank
between 1762 and 1783
18
Rev. William Gilpin, 1724–1804
Landscape with Large Cruciform
1769
19
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Cliff
1769
20
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
21
Rev. William Gilpin, 1724–1804
Landscape
1765
22
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
23
Rev. William Gilpin, 1724–1804
Two Men in a Landscape and a Castle on a Hill
1769
24
Rev. William Gilpin, 1724–1804
Pine Trees and Castle in a Landscape
between 1762 and 1783
25
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
26
Rev. William Gilpin, 1724–1804
Sketch with a Castle on a Mountaintop
between 1762 and 1783
27
Rev. William Gilpin, 1724–1804
Landscape with Castle on Riverbank
1763
28
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
29
Rev. William Gilpin, 1724–1804
Two Trees in a Landscape
between 1762 and 1783
30
Rev. William Gilpin, 1724–1804
Landscape with Castle and River
between 1762 and 1783
31
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
32
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
33
Rev. William Gilpin, 1724–1804
Landscape with Road Leading to Abbey
1762
34
Rev. William Gilpin, 1724–1804
Mountain Landscape
between 1762 and 1783
35
Rev. William Gilpin, 1724–1804
River Landscape with Castles
between 1762 and 1783
36
unknown artist
Vale of Newlands, Cumberland
undated
37
Rev. William Gilpin, 1724–1804
Mountainous landscape with winding river and castle
undated
38
Rev. William Gilpin, 1724–1804
Fir Trees in a Mountain Landscape
undated
39
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
40
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
41
Rev. William Gilpin, 1724–1804
Landscape with Lake and Mountains
undated
42
Rev. William Gilpin, 1724–1804
Knaresborough Castle, Yorkshire
undated
43
Rev. William Gilpin, 1724–1804
Bridge on the Malton Road from York
undated
44
Rev. William Gilpin, 1724–1804
River view with Ruins
undated
45
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
46
Rev. William Gilpin, 1724–1804
Mountain Landscape with Two Figures on a Winding Road
undated
47
Rev. William Gilpin, 1724–1804
Forest Scene
1771
48
Rev. William Gilpin, 1724–1804
Snowdon
undated
49
Rev. William Gilpin, 1724–1804
Castle above a Lake with Distant Mountain under Stormy Sky
undated
50
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Two Figures overlooking a Lake
between 1780 and 1790
51
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Trees - High Crags to the Right
undated
52
Rev. William Gilpin, 1724–1804
View Through the Trees
undated
53
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
54
Rev. William Gilpin, 1724–1804
Mountain View
undated
55
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
56
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
57
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
58
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
59
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
60
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album
between 1745 and 1748
61
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
62
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
64
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
65
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
66
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
67
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
68
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
69
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
70
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
71
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
72
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
73
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
74
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
75
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
76
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
77
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
78
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
79
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
80
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
81
Rev. William Gilpin, 1724–1804
River Forth with the Town and Castle of Stirling in the Distance
1780
82
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
83
unknown artist
Cumberland Landscape
undated
84
Rev. William Gilpin, 1724–1804
Wooded Landscape Overlooking an Estuary
undated
85
Rev. William Gilpin, 1724–1804
Bridgnorth Bridge, Shropshire
1799
86
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
87
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)
undated
88
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
89
Rev. William Gilpin, 1724–1804
Evening, the picturesque time of the Day, is now coming on; the Sun, varying from its meridian, is beginning to descend, and the light is more contracted (Design for Plate 20)
undated
90
Rev. William Gilpin, 1724–1804
The same idea is continued; but the sky is still more tinged with its warm evening hue (Design for Plate 21)
undated
91
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 24)
undated
92
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
93
Rev. William Gilpin, 1724–1804
A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)
undated
94
Rev. William Gilpin, 1724–1804
The mild effusions of evening light, which pervade the three last Landscapes, are here changed into a wild, turbid sky, prognosticating a storm (Design for Plate 26)
undated
95
Rev. William Gilpin, 1724–1804
The idea of a calm, freaky Sun-set upon a lake (Design for Plate 28)
undated
96
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
undated
97
Rev. William Gilpin, 1724–1804
Here the evening closes in more mildly. The Sun leaves only a faint light on the sky, but without the power of touching even the highest objects with its light (Design for Plate 30)
undated
98
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 17)
undated
99
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)
undated
100
Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)