Portraits of Two Historical or Biblical Characters (a pair)
1782
103
Robert Blyth, 1750–1784
Rustick Dance
1780
104
Robert Blyth, 1750–1784
Banditti Conversing
1779
105
Simon François Ravenet, 1706–1774
The Shepherds in Arcadia
106
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
107
Robert Blyth, 1750–1784
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
1783
108
Samuel Ireland, active 1760–died 1800
Three etchings laid down on one sheet: Three Soldiers
109
Print made by Robert Blyth, 1750–1784
Belisarius
1780
110
Print made by Robert Blyth, 1750–1784
Belisarius
1780
111
Robert Blyth, 1750–1784
Caius Marius sitting on the Ruins of Carthage (Number 34 of Catalogue Mortimer Exhibition 1968)
1782
112
Joseph Haynes, 1760–1829
Saint Paul Preaching to the Britons
1780
113
Robert Blyth, 1750–1784
Homer Repeating his Verses to the Greeks (number 41 of Catalogue Mortimer Exhibition 1968)
1781
114
William Wynne Ryland, 1732–1783
The Ratifying Magna Charta by King John (number 37 of Catalogue Mortimer Exhibition 1968)
115
Samuel Ireland, active 1760–died 1800
The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)
116
Joseph Haynes, 1760–1829
A Monumental Design (number 45 of Catalogue Mortimer Exhibition 1968)
1784
117
Joseph Haynes, 1760–1829
Death on a Pale Horse
1784
118
Samuel Ireland, active 1760–died 1800
The Death of Sir Philip Sydney (number 42 of Catalogue Mortimer Exhibition 1968)
119
Simon François Ravenet, 1706–1774
The Origin of Drawing (number 47 of Catalogue Mortimer Exhibition 1968)
120
Print made by Robert Blyth, 1750–1784
Silenus
1779
121
Print made by Robert Blyth, 1750–1784
Silenus
1779
122
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
123
John Hall, 1739–1797
Banditti at Market (number 41 of Catalogue Mortimer Exhibition 1968)
124
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
125
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
126
John Hall, 1739–1797
Banditti Gambling (number 51 of Catalogue Mortimer Exhibition 1968)
127
unknown artist
Canterbury Tales: Miller of Trumpington (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)
128
Robert Blyth, 1750–1784
Life and Death of a Soldier: Soldier's Family (notes to number 55 of Catalogue Mortimer Exhibition 1968)
1781
129
Joseph Haynes, 1760–1829
Banditti
1780
130
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
131
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)
132
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
133
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
134
John Hamilton Mortimer, 1740–1779
Tragedy
1778
135
Robert Blyth, 1750–1784
Nebuccadnezzer Recovering his Reason
1781
136
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)
1775
137
Valentine Green, 1739–1813
John Hamilton Mortimer, Esq
1779
138
John Hamilton Mortimer, 1740–1779
Revengeful Monsters (two states)
139
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
140
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
141
Robert Blyth, 1750–1784
Banditti... Representing Banditti Variously Employed: Returning Wounded from Battle
1779
142
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
143
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
144
Samuel Ireland, active 1760–died 1800
Banditti Regaling
145
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Giving Orders in Battle
1779
146
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Killing an Enemy
1779
147
Print made by Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Conversing with a Captive
1779
148
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Stripping the Slain
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
159
Joseph Haynes, 1760–1829
Woman warding off Monster (no.4 of 10)
1780
160
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
161
John Hamilton Mortimer, 1740–1779
Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor
1776
162
John Hamilton Mortimer, 1740–1779
Revengeful Monsters
1780
163
Joseph Haynes, 1760–1829
Banditti and Woman (no.8 of 10)
164
John Hamilton Mortimer, 1740–1779
Sleeping Monsters
1780
165
Francesco Bartolozzi, 1728–1815
The Death Of Sir Philip Sidney
1788
166
William Woollett, 1735–1785
Dido and Aeneas
1787
167
Joseph Haynes, 1760–1829
Two Women and a Man (no.9 of 10)
1780
168
Print made by Benedictus Antonio van Assen, active 1788–died 1817
John Hamilton Mortimer
1810
169
John Hamilton Mortimer, 1740–1779
Successful Monster (no.7 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
170
John Hamilton Mortimer, 1740–1779
Reposa (no.6 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
171
John Hamilton Mortimer, 1740–1779
Jealous Monster (no.8 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
172
John Hamilton Mortimer, 1740–1779
Tragedy (no.13 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
173
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
174
Joseph Haynes, 1760–1829
Six Banditti with Dog (no.1 of 10)
1780
175
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
176
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
177
John Hamilton Mortimer, 1740–1779
Gerard de Lairesse (no.3 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
178
John Hamilton Mortimer, 1740–1779
Banditti taking his post (no.4 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
179
John Hamilton Mortimer, 1740–1779
Salvator Rosa (no.2 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
180
John Hamilton Mortimer, 1740–1779
Banditti on the lookout (no.5 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
181
John Hamilton Mortimer, 1740–1779
Enraged Monster (no.9 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
182
John Hamilton Mortimer, 1740–1779
Musical Monster (no.11 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
183
John Hamilton Mortimer, 1740–1779
Captain of Banditti sending out a party (no.10 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
184
John Hamilton Mortimer, 1740–1779
Comedy (no.12 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
185
John Hamilton Mortimer, 1740–1779
Pastoral (no.14 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
186
John Hamilton Mortimer, 1740–1779
Elegy (no.15 from Fifteen Etching dedicated to Sir Joshua Reynolds)
1778
187
Joseph Haynes, 1760–1829
Monster (no.5 of 10)
1750
188
Joseph Haynes, 1760–1829
Winged Monster (no.10 of 10)
1780
189
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
190
Richard Brookshaw, 1736–1804
Monsieur Masson, The Tennis Player
191
unknown artist
Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)