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Creator Sickert, Walter, 1860–1942

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Subject Terms men

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Dieppe Races
Creator:
Walter Richard Sickert, 1860–1942
Date:
1885
Materials & Techniques:
Oil on panel
Dimensions:
6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Beach at Scheveningen
Creator:
Walter Richard Sickert, 1860–1942
Date:
1887
Materials & Techniques:
Oil on canvas
Dimensions:
20 x 24 inches (50.8 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Sketch for Dieppe Sands
Creator:
Walter Richard Sickert, 1860–1942
Date:
1919
Materials & Techniques:
Pen and black and red ink over graphite on thin, slightly textured, cream laid paper mounted on masonite
Dimensions:
Sheet: 7 1/8 x 10 5/8 inches (18.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
Female Nude; Self-Portrait and Head of Tom Purves
Creator:
follower of Walter Richard Sickert, 1860–1942
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 x 11 11/16 inches (32.4 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1888
Materials & Techniques:
Pen and black ink and graphite on thick, smooth, beige card
Dimensions:
Sheet: 12 3/4 x 10 1/2 inches (32.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund
Study of a Pianist and Bass Player
Creator:
Walter Richard Sickert, 1860–1942
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 15 7/8 x 11 1/4 inches (40.3 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection