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1. Figures Mourning at the Bier of a Woman

Figures Mourning at the Bier of a Woman
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 19 1/4 inches (30.5 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

2. Two Lovers (Man Awakening from a Dream)

Two Lovers (Man Awakening from a Dream)
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 19 3/4 inches (32.4 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Study of the Hermaphrodite

Study of the Hermaphrodite
Creator:
John Brown, 1749–1787
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Andromache Mourning the Death of Hector

Andromache Mourning the Death of Hector
Creator:
Gavin Hamilton, 1723–1798
Date:
between 1760 and 1763
Materials & Techniques:
Pen and brown ink with gray wash and brown wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Christ Healing the Palsied Man

Christ Healing the Palsied Man
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Use of Tears

The Use of Tears
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Watercolor and white gouache over graphite on thick, smooth card
Dimensions:
Sheet: 9 x 7 inches (22.9 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Percival Frees Belisane from the Spell of Urma

Percival Frees Belisane from the Spell of Urma
Creator:
Henry Fuseli, 1741–1825
Date:
1811
Materials & Techniques:
Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Death-Bed Scene

A Death-Bed Scene
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 9 inches (17.1 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 13/16 inches (17 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Four O'Clock in the Country

Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1788 and 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1809 and 1811
Materials & Techniques:
Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Cuckold Departs for the Hunt

The Cuckold Departs for the Hunt
Creator:
Isaac Cruikshank, 1764–1811
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Mother and Children in Bed

Mother and Children in Bed
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 7/8 inches (11.1 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

21. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Creator:
Joshua Cristall, 1768–1847
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A Dissecting Scene

A Dissecting Scene
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 x 6 1/2 inches (9.8 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

23. Female Nude on a Bed

Female Nude on a Bed
Creator:
Walter Richard Sickert, 1860–1942
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 x 13 1/8 inches (20.3 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

24. Study of a Cottage Interior

Study of a Cottage Interior
Creator:
John Henry Mole, 1814–1886
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 11/16 inches (29.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Elisha on His Death-Bed (II Kings 12:17)

Elisha on His Death-Bed (II Kings 12:17)
Creator:
Richard Westall, 1765–1836
Date:
before 1835
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 1/4 inches (8.3 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Sir Gareth and Lady Lionesse

Sir Gareth and Lady Lionesse
Creator:
David Jones, 1895–1974
Date:
ca. 1940
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 24 1/4 x 19 inches (61.6 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. The Murder of Duncan - Macbeth Stabbing Duncan

The Murder of Duncan - Macbeth Stabbing Duncan
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, textured, brown laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 9 9/16 inches (14.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Girl Standing by a Bed

Girl Standing by a Bed
Creator:
David Jones, 1895–1974
Date:
undated
Materials & Techniques:
Graphite, watercolor and pastel on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Murder of Duncan - Macbeth with the Daggers

The Murder of Duncan - Macbeth with the Daggers
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Graphite, black chalk and white chalk on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 5 1/16in. (11.1 x 12.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Christopher Sly and the Page, as His Wife

Christopher Sly and the Page, as His Wife
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Juliet About to Take her Sleeping Draught

Juliet About to Take her Sleeping Draught
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital

A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1775
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 29 inches (51.4 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Gil Blas Practicing Medicine Under Dr. Sangrado

No cover image available
Creator:
Thomas Uwins, 1782–1857
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection