Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
3
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
4
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
5
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
6
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
7
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
8
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
9
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
10
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Stage
1912
11
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
12
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
13
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
14
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
15
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
16
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
17
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
18
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
19
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
20
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
21
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
26
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
27
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
28
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
29
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
30
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
31
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
33
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
34
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
35
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
36
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
37
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
39
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
40
William Payne, active 1850s
Private View of the Royal Academy
1858
41
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
42
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
43
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
44
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
45
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
46
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
47
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
48
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
49
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
50
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
51
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
52
unknown artist
Elevation of the Ordnance Office
after 1780
53
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
54
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
55
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
56
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
57
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
58
Samuel Scott, ca. 1702–1772
The Thames with Montagu House and Westminster Bridge
undated
59
Samuel Scott, ca. 1702–1772
Westminster Bridge under Construction
undated
60
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
1912
61
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
62
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
63
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
64
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
65
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
66
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
67
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
68
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
69
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
70
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
71
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
72
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
73
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
74
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
75
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
76
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
78
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
79
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
80
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
82
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
84
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
85
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
86
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
87
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
88
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
89
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
96
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
97
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
98
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
99
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
100
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords