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1. Subterranean Pool with Sculptural Torchere

Subterranean Pool with Sculptural Torchere
Creator:
attributed to Francis Danby, 1793–1861
Date:
undated
Materials & Techniques:
Brown wash, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 9 inches (26 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Swiss Cottage, Hampstead

Swiss Cottage, Hampstead
Creator:
Robert Polhill Bevan, 1865–1925
Date:
between 1912 and 1913
Materials & Techniques:
Black chalk, graphite, and watercolor, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 13 1/2 inches (25.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Under the Hammer

Under the Hammer
Creator:
Robert Polhill Bevan, 1865–1925
Date:
between 1912 and 1913
Materials & Techniques:
Black chalk and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/16 × 12 5/16 inches (25.9 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Kensington Gardens

Kensington Gardens
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1848
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 5/8 inches (25.7 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Tintern Abbey

Tintern Abbey
Creator:
Samuel Palmer, 1805–1881
Date:
1835
Materials & Techniques:
Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Gabriel Hunt

Gabriel Hunt
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Dent de Lion, near Margate

Dent de Lion, near Margate
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1791
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Tailpiece (Plate 100)

Jerusalem, Tailpiece (Plate 100)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)

Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Chapter IX, "They lived a period of years..." (Plate 27)

Chapter IX, "They lived a period of years..." (Plate 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 28 (Bentley 27)

The First Book of Urizen, Plate 28 (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Fettered Urizen Weeping (Plate 3)

Fettered Urizen Weeping (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 4 (Bentley 24)

The First Book of Urizen, Plate 4 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Chapter II, "Muster around the bleak desarts..." (Plate 6)

Chapter II, "Muster around the bleak desarts..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Urizen Swims through Dark Waters (Plate 7)

Urizen Swims through Dark Waters (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "In living creations appear'd..." (Plate 8)

"In living creations appear'd..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Chapter III, "As the stars are apart from the earth..." (Plate 9)

Chapter III, "As the stars are apart from the earth..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen; Title Page (Plate 1)

The First Book of Urizen; Title Page (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Los howld in a dismal stupor..." (Plate 10)

"Los howld in a dismal stupor..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. From a Globe of Blood Rises Enitharmon (Plate 11)

From a Globe of Blood Rises Enitharmon (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Chapter IV, "Los smitten with astonishment..." (Plate 12)

Chapter IV, "Los smitten with astonishment..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 15 (Bentley 14)

The First Book of Urizen, Plate 15 (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Chapter V, "The globe of life blood trembled..." (Plate 17)

Chapter V, "The globe of life blood trembled..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Los with the child Orc and Enitharmon (Plate 18)

Los with the child Orc and Enitharmon (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "They call'd her Pity, and fled..." (Plate 19)

"They call'd her Pity, and fled..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Los Falls through Fire (Plate 21)

Los Falls through Fire (Plate 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The First Book of Urizen, Plate 23 (Bentley 9)

The First Book of Urizen, Plate 23 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Praying Child and Howling Dog (Plate 25)

Praying Child and Howling Dog (Plate 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. "The Ox in the slaughter house moans..." (Plate 26)

"The Ox in the slaughter house moans..." (Plate 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Chapter 3 Frontispiece (Plate 51)

Chapter 3 Frontispiece (Plate 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Widow Embracing Her Husband's Grave

The Widow Embracing Her Husband's Grave
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Plains of Bengal, from above Siligoree

Plains of Bengal, from above Siligoree
Creator:
Edward Lear, 1812–1888
Date:
1874
Materials & Techniques:
Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

41. Learning to Walk

Learning to Walk
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink over graphite on medium slightly textured cream laid paper
Dimensions:
Sheet: 10 1/4 x 10 3/4 inches (26 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Mythological Group of Women and Children

Mythological Group of Women and Children
Creator:
George Romney, 1734–1802
Date:
late 1770s to early 1780s
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 16 1/2 inches (26.4 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Prostrate Woman

Prostrate Woman
Creator:
George Romney, 1734–1802
Date:
ca. 1780
Materials & Techniques:
Brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 16 5/8 inches (26 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

44. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 9 9/16 inches (11 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 3 15/16 × 9 3/8 inches (10 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Skech for Timon of Athens

Skech for Timon of Athens
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Image: 5 1/8 × 9 7/16 inches (13 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Virgilia and Volumnia Plead with Coriolanus

Virgilia and Volumnia Plead with Coriolanus
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1795
Materials & Techniques:
Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. North Parade, Bath

North Parade, Bath
Creator:
Humphry Repton, 1752–1818
Date:
1784
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 10 3/16 x 15 1/4in. (25.9 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Gate at Blenheim

The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. A Coastal Barge

A Coastal Barge
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Gray wash, watercolor and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Mauritius - a child watching her mother walking near the sea, presumably Mrs. Chamberlayne and one of her children

Mauritius - a child watching her mother walking near the sea, presumably Mrs. Chamberlayne and one of her children
Creator:
William John Chamberlayne, 1821–1910
Date:
undated
Materials & Techniques:
Graphite, watercolor, scratching out on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 5/16 × 14 3/16 inches (26.2 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
Creator:
Print made by John W. Gear, 1806–1866
Date:
undated
Materials & Techniques:
Lithograph with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 x 14 9/16 inches (26.2 x 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

55. Off Hastings

Off Hastings
Creator:
Albert Goodwin, 1845–1932
Date:
undated
Materials & Techniques:
Watercolor on thick, rough, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/4 inches (26 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower

56. Ruin with Three Arches

Ruin with Three Arches
Creator:
William Sawrey Gilpin, 1762–1843
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

57. Landscape with Road Leading to Abbey

Landscape with Road Leading to Abbey
Creator:
Rev. William Gilpin, 1724–1804
Date:
1762
Materials & Techniques:
Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 × 13 1/4 inches (25.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

58. Young Girl Sitting on a Bank outside a Church

Young Girl Sitting on a Bank outside a Church
Creator:
John Thirtle, 1777–1839
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 13 3/4 inches (25.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Middleham, Yorkshire

Middleham, Yorkshire
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Mount Washington

Mount Washington
Creator:
Godfrey Thomas Vigne, 1801–1863
Date:
between 1855 and 1863
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 7/8 inches (26.4 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. A Roman Villa

A Roman Villa
Creator:
Lewis Vulliamy, 1791–1871
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Thugs in the School of Industry, Jubblepoor

Thugs in the School of Industry, Jubblepoor
Creator:
William Simpson, 1823–1899
Date:
undated
Materials & Techniques:
watercolor, gouache and graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. A Young Daughter of the Picts

A Young Daughter of the Picts
Creator:
Jacques Le Moyne de Morgues, ca. 1533–before 1588
Date:
ca. 1585
Materials & Techniques:
Watercolor, gouache, and gold on parchment
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Miniyeh, (El Minya)

Miniyeh, (El Minya)
Creator:
William James Muller, 1812–1845
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 16 1/2 inches (25.6 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Jamaica: Lucea, Montego Bay, in the Early Morning, From the Steamer

Jamaica: Lucea, Montego Bay, in the Early Morning, From the Steamer
Creator:
Lionel Grimston Fawkes, 1849–1931
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Mount: 10 1/4 × 22 1/4 inches (26 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. A View of Paris

A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. A Young Man with a Horse, with Studies of Hounds and Dead Hare

A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Saddling Enclosure, Epsom

The Saddling Enclosure, Epsom
Creator:
James Barenger, 1780–after 1831
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Two Riders Exercising Horses at a Gallop

Two Riders Exercising Horses at a Gallop
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and red ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 14 9/16 inches (25.9 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Fish Market, Boulogne

Fish Market, Boulogne
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 13 3/4 inches (26 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Jensen

73. Newmarket - Pulling Up

Newmarket - Pulling Up
Creator:
Lionel Edwards, 1878–1966
Date:
1933
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Clare College, Cambridge

Clare College, Cambridge
Creator:
George-Haydock Dodgson, 1811–1880
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and scratching out on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 10 3/8 × 16 3/16 inches (26.4 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Front of a Town House

The Front of a Town House
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1785
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 19 1/4 inches (29.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Horse Guards, Whitehall

Horse Guards, Whitehall
Creator:
Thomas Malton the Younger, 1748–1804
Date:
undated
Materials & Techniques:
Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 1/8 × 15 5/8 inches (30.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Windsor Castle View - King George IV Gate and the Round Tower, July 28, 1832, 11:30 am

Windsor Castle View - King George IV Gate and the Round Tower, July 28, 1832, 11:30 am
Creator:
Dr. William Crotch, 1775–1847
Date:
1832
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream laid paper
Dimensions:
Mount: 10 3/8 × 12 3/8 inches (26.4 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Death: The Fox Hoist to a Fence

The Death: The Fox Hoist to a Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Death: Huntsman Holding Fox Aloft

The Death: Huntsman Holding Fox Aloft
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 5/16 inches (26 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Snipe Shooting

Snipe Shooting
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Steeplechasing: The Field Jumping Into and Out of a Lane

Steeplechasing: The Field Jumping Into and Out of a Lane
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background

Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Steeplechasing: Three Riders Taking a Brook

Steeplechasing: Three Riders Taking a Brook
Creator:
Henry Thomas Alken, 1785–1851
Date:
ca. 1825
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Night Riders of Nacton: The Last Field near Nacton Heath

The Night Riders of Nacton: The Last Field near Nacton Heath
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Night Riders of Nacton: The Finish. Nacton Church and Village

The Night Riders of Nacton: The Finish. Nacton Church and Village
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Grouse Shooting

Grouse Shooting
Creator:
Edwin Gill, active 1810, died 1868
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 5/8 × 13 7/16 inches (27 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Five Horses near a Brook

Five Horses near a Brook
Creator:
John Frederick Herring, 1795–1865
Date:
1850
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 × 11 9/16 inches (25.6 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. A Meet at Bachelors' Hall in the Vale of Neath, Wales

A Meet at Bachelors' Hall in the Vale of Neath, Wales
Creator:
Thomas Horner, 1785–1844
Date:
undated
Materials & Techniques:
Pen and gray ink, blue wash, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Image: 9 13/16 × 17 15/16 inches (24.9 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Grouse Shooting

Grouse Shooting
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 14 inches (25.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. The Stable of an Inn

The Stable of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Horse and Rider Walking to Left in a Hilly Landscape

Horse and Rider Walking to Left in a Hilly Landscape
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and gouache on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 10 13/16 × 13 5/16 inches (27.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Pheasant Shooting

Pheasant Shooting
Creator:
Robert Dighton, 1752–1814
Date:
before 1801
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 14 1/2 inches (25.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Chapel of St. Michael's Mount

Chapel of St. Michael's Mount
Creator:
Capt. Francis Grose, 1731–1791
Date:
1786
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 16 1/2in. (26 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

96. Girl with Pail Beside the Sea

Girl with Pail Beside the Sea
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream card matted with thick, smooth, beige card
Dimensions:
Mount: 10 1/4 x 7 1/4 inches (26 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Ganesha, near Sita's Temple, Rangpur

Ganesha, near Sita's Temple, Rangpur
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/16 × 8 1/2 inches (26.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

98. Agartoza Muni

Agartoza Muni
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 7 1/2 inches (26 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

99. Narada Muni

Narada Muni
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 8 inches (26 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

100. Light of Asia

Light of Asia
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 7 9/16 inches (26 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter