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1. Taking Down Steady

No cover image available
Creator:
John R. Skeaping, 1901–1980
Date:
1963
Materials & Techniques:
Watercolor on thick, rough cream wove paper
Dimensions:
Sheet: 17 × 21 1/2 inches (43.2 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Coming Home Alone

No cover image available
Creator:
John R. Skeaping, 1901–1980
Date:
1963
Materials & Techniques:
Watercolor and gouache on thick, rough, cream wove paper
Dimensions:
Sheet: 17 × 23 1/2 inches (43.2 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Villa d'Este

Villa d'Este
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'Tis greatly wise to talk with our past hours' (Page 31)

'Tis greatly wise to talk with our past hours' (Page 31)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 'Where sense runs savage broke from reason's chain' (Page 46)

'Where sense runs savage broke from reason's chain' (Page 46)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Night the First. On Life, Death, and Immortality; Title Page

Night the First. On Life, Death, and Immortality; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

'Swift on His Downy Pinion Flies from Woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. 'What, though my soul fantastick measures trod' (Page 4)

'What, though my soul fantastick measures trod' (Page 4)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. 'Its favours here are trials, not rewards' (Page 12)

'Its favours here are trials, not rewards' (Page 12)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. 'O treacherous conscience!' (Page 27)

'O treacherous conscience!' (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. 'The vale of death! that hush'd cimmerian vale' (Page 54)

'The vale of death! that hush'd cimmerian vale' (Page 54)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

'Ungrateful, shall we grieve their hovering shades' (Page 55)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. 'This King of Terrors is the Prince of Peace' (Page 63)

'This King of Terrors is the Prince of Peace' (Page 63)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Christian Triumph; Title Page

The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. 'And vapid; sense and reason shew the door' (Page 72)

'And vapid; sense and reason shew the door' (Page 72)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. 'The thunder if in that the Almighty dwells' (Page 80)

'The thunder if in that the Almighty dwells' (Page 80)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. 'His hand the good man fastens on the skies' (Page 86)

'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. 'Is lost in love! thou great Philanthropist' (Page 87)

'Is lost in love! thou great Philanthropist' (Page 87)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. 'That touch, with charm celestial heals the soul' (Page 90)

'That touch, with charm celestial heals the soul' (Page 90)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. 'When faith is virtue, reason makes it so' (Page 92)

'When faith is virtue, reason makes it so' (Page 92)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. 'If angels tremble, 'tis at such a sight' (Page 93)

'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. 'The goddess bursts in thunder and in flame' (Page 95)

'The goddess bursts in thunder and in flame' (Page 95)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. 'The Sun beheld it – No, the shocking scene' (Page 75)

'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. 'Swift on his downy pinion flies from woe' (Page 1)

'Swift on his downy pinion flies from woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. 'The vale of death! that hush'd cimmerian vale' (Page 54)

'The vale of death! that hush'd cimmerian vale' (Page 54)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

'Ungrateful, shall we grieve their hovering shades' (Page 55)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. 'This King of Terrors is the Prince of Peace' (Page 63)

'This King of Terrors is the Prince of Peace' (Page 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. 'What, though my soul fantastick measures trod' (Page 4)

'What, though my soul fantastick measures trod' (Page 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. 'The Sun beheld it – No, the shocking scene' (Page 75)

'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. 'Is lost in love! thou great Philanthropist' (Page 87)

'Is lost in love! thou great Philanthropist' (Page 87)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. 'That touch, with charm celestial heals the soul' (Page 90)

'That touch, with charm celestial heals the soul' (Page 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. 'When faith is virtue, reason makes it so' (Page 92)

'When faith is virtue, reason makes it so' (Page 92)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. 'If angels tremble, 'tis at such a sight' (Page 93)

'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. 'Death! great proprietor of all! 'tis thine' (Page 8)

'Death! great proprietor of all! 'tis thine' (Page 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. 'The goddess bursts in thunder and in flame' (Page 95)

'The goddess bursts in thunder and in flame' (Page 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. 'Its favours here are trials, not rewards' (Page 12)

'Its favours here are trials, not rewards' (Page 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. 'But for the blessing wrestle not with heaven' (Page 88)

'But for the blessing wrestle not with heaven' (Page 88)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

63. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. 'We censure nature for a span too short' (Page 23)

'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Fruit trees, 3 April 1863

Fruit trees, 3 April 1863
Creator:
Edward Lear, 1812–1888
Date:
1863
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 16 13/16 x 10 inches (42.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

68. The Bridge

The Bridge
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 x 14 7/8 inches (43.2 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. A Dove

A Dove
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 10 7/8 inches (43.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right

Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
1793
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 × 22 inches (43.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790

Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/16 x 22 1/8 inches (40.8 x 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. View on the river Vulturnus, Sept.r 1790

View on the river Vulturnus, Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 22 1/16 inches (40.3 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Ferry over the Vulturnus, Sept.r 1790

Ferry over the Vulturnus, Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 x 22 1/4 inches (40.6 x 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Duke of Richmond: Sloops, Schooners, Rowboats

Duke of Richmond: Sloops, Schooners, Rowboats
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 17 × 15 13/16 inches (43.2 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

75. A Grecian Polacker

A Grecian Polacker
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 17 × 15 13/16 inches (43.2 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

76. Castle at Dieppe, Normandy

Castle at Dieppe, Normandy
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 21 13/16in. (42.5 x 55.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Olivia Returns to Her Family

Olivia Returns to Her Family
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 21 7/8 inches (43.2 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Bothwell Castle, Lanarkshire

Bothwell Castle, Lanarkshire
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
1798
Materials & Techniques:
Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 17 × 24 3/4 inches (43.2 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Design for Court of Edinburgh University

Design for Court of Edinburgh University
Creator:
Robert Morrison, active ca. 1791
Date:
1779
Materials & Techniques:
Watercolor, with pen in black ink, gray ink, and brown ink over graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 17 x 22 3/4 inches (43.2 x 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. The Huntsman

The Huntsman
Creator:
George Denholm Armour, 1864–1949
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on linen
Dimensions:
Sheet: 17 × 12 1/2 inches (43.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Shooting Party Returning Home

Shooting Party Returning Home
Creator:
Frederick George Byron, 1764–1794
Date:
1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 21 1/4 inches (42.9 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Shooting Party Setting Out

Shooting Party Setting Out
Creator:
Frederick George Byron, 1764–1794
Date:
1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 21 1/4 inches (42.7 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
undated
Materials & Techniques:
Graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 15/16 × 13 1/4 inches (43 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1837
Materials & Techniques:
Pen and brown ink, graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1834
Materials & Techniques:
Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1834
Materials & Techniques:
Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1837
Materials & Techniques:
garphite, pen and black, brown and red ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
undated
Materials & Techniques:
Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
undated
Materials & Techniques:
Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1834
Materials & Techniques:
Graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Rustic Lover

The Rustic Lover
Creator:
Francis Wheatley, 1747–1801
Date:
1786
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 x 13 3/4 inches (43.2 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Clare College, Cambridge

Clare College, Cambridge
Creator:
Richard Banks Harraden, 1778–1862
Date:
1841
Materials & Techniques:
Watercolor, pen and gray ink, gouache, black chalk, gum and graphite on wove paper
Dimensions:
Sheet: 16 3/4 × 24 1/8 inches (42.5 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Cremorne Gardens, Chelsea

Cremorne Gardens, Chelsea
Creator:
Walter Greaves, 1846–1930
Date:
1871
Materials & Techniques:
Pen and black ink, watercolor, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 17 × 12 3/4 inches (43.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. A Greek Girl Standing on a Balcony

A Greek Girl Standing on a Balcony
Creator:
John Frederick Lewis, 1804–1876
Date:
1840
Materials & Techniques:
Watercolor and gouache over graphite on off-white wove paper, laid down on contemporary mount
Dimensions:
Sheet: 16 3/4 x 11 7/16 inches (42.5 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Man in Egyptian Dress

Man in Egyptian Dress
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, white gouache, black chalk, red chalk, and graphite with scratching out on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 17 x 11 1/2 inches (43.2 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. A Street Scene in Granada on the Day of the Bullfight

A Street Scene in Granada on the Day of the Bullfight
Creator:
John Frederick Lewis, 1804–1876
Date:
1833
Materials & Techniques:
Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Beauvais

Beauvais
Creator:
attributed to William Henry Hunt, 1790–1864
Date:
ca. 1831
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection