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Francis Danby Hampstead Heath, Sunset
Francis Danby, 1793–1861
Hampstead Heath, Sunset
ca. 1845
Not on view
John Constable Hampstead Heath looking towards Harrow
John Constable, 1776–1837
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
Francis Towne Old Walton Bridge
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
George Smith of Chichester A View Supposedly Near Arundel, Sussex, with Figures in a Lane
George Smith of Chichester, 1714–1776
A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
Joseph Stannard Buckenham Ferry, on the River Yare, Norfolk
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
John Vanderbank A Scene from Don Quixote (Vol.II, Ch.XXIII)
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
Walter Richard Sickert Portrait of Carolina dell'Acqua
Walter Richard Sickert, 1860–1942
Portrait of Carolina dell'Acqua
1903
Not on view
George Morland Partridge Shooting
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
George Morland Pheasant Shooting
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
George Chinnery A Man Carrying Faggots
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
Sir John Lavery On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
Sir John Lavery, 1856–1941
On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
1890
Not on view
Glynn Williams "Stop"
Glynn Williams, born 1939
"Stop"
1988
Not on view
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
George Stubbs Tiger Skeleton, Lateral View (Finished Study for Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
William Hogarth An Election Entertainment, Plate I
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
William Hogarth Chairing the Members, Plate IV
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Hogarth Self-portrait
William Hogarth, 1697–1764
Self-portrait
1749
William Hogarth The Bruiser
William Hogarth, 1697–1764
The Bruiser
1763
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake Job's Evil Dreams
Print made by William Blake, 1757–1827
Job's Evil Dreams
1826
William Blake The Vision of Christ
Print made by William Blake, 1757–1827
The Vision of Christ
1826
William Blake When the Morning Stars Sang Together
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1826
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Edward Lear Siracusa, 12. June 1847
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Glade in a Forest
George Romney, 1734–1802
Glade in a Forest
undated
Victor Marie Picot Wanstead House in Essex
Victor Marie Picot, 1744–1805
Wanstead House in Essex
1775
Gerald Spencer Pryse The Fall of Ostend: La Gare Maritime
Gerald Spencer Pryse, 1882–1956
The Fall of Ostend: La Gare Maritime
1915
James Duffield Harding View of the Clifton Suspension Bridge
James Duffield Harding, 1798–1863
View of the Clifton Suspension Bridge
undated
Charles Grignion A French Petit Maître and His Valet
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
John Boydell Night
Print made by John Boydell, 1720–1804
Night
1756
William Bromley Portrait of Fuseli
Print made by William Bromley, 1769–1842
Portrait of Fuseli
undated
John Boydell The Wreck of the Nuestra Senora de los Remedios
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
Leon J. B. Sabatier Liverpool
Leon J. B. Sabatier, active 1827–m.1887
Liverpool
1840
Richard Cooper the Elder View of the Ruins of Dioclesian's Baths
Richard Cooper the Elder, 1701–1764
View of the Ruins of Dioclesian's Baths
James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
Butler Clowes The Hen Peckt Husband
Butler Clowes, active 1768, died 1782
The Hen Peckt Husband
ca. 1768
Francis David Soiron The Promenade in St. Jame's Park
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
Robert Pollard Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
Joseph Cartwright Lord Craven's Yacht, July 23, 1817
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
George Townly Stubbs 'Sweetbrier'
George Townly Stubbs, 1748–1815
'Sweetbrier'
1804
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
George Townly Stubbs 'Sweetbrier'
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
George Townly Stubbs Sharke
George Townly Stubbs, 1748–1815
Sharke
1794
John Spilsbury Countess of Ancrum
Print made by John Spilsbury, 1730–1795
Countess of Ancrum
ca. 1770
James Hardy Edmund Burke Esqr.
Print made by James Hardy, active 1770s
Edmund Burke Esqr
ca. 1780
C. Corbutt Mrs. Chambers
Print made by C. Corbutt
Mrs. Chambers
ca. 1756
James Watson Jemima, Countess Cornwallis
Print made by James Watson, 1740–1790
Jemima, Countess Cornwallis
1772
Edward Fisher Garrick Between Tragedy and Comedy
Print made by Edward Fisher, 1722–1785
Garrick Between Tragedy and Comedy
undated
Thomas Watson Warren Hastings
Print made by Thomas Watson, 1743–1781
Warren Hastings
ca. 1777
Henry Hoppner Meyer Mrs. Huddesford
Print made by Henry Hoppner Meyer, ca. 1782–1847
Mrs. Huddesford
between 1810 and 1825
John Jones Miss Frances Kemble
Print made by John Jones, ca. 1745–1797
Miss Frances Kemble
1784
John Young The Setting Sun
Print made by John Young, 1755–1825
The Setting Sun
1790
John Dean A Shepherdess
Print made by John Dean, 1754–1798
A Shepherdess
1786
Samuel Cousins Master Henry Thomas Hope
Print made by Samuel Cousins, 1801–1887
Master Henry Thomas Hope
1836
Valentine Green Catherine Hunter
Print made by Valentine Green, 1739–1813
Catherine Hunter
1771
John Varley Harlech Castle and Twgwyn Ferry
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
Richard Earlom Mrs. Gulston
Print made by Richard Earlom, 1743–1822
Mrs. Gulston
1771
John Young A Woman Swearing her Child to a Grave Citizen
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816