Creator Gender: male / Height [cm]: 42 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Creator Gender male

Height [cm] 42

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 53, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 53, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 55, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 55, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 57, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 57, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake The Complaint and the Consolation; or Night Thoughts (and title page)

William Blake, 1757–1827

The Complaint and the Consolation; or Night Thoughts (and title page)

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

ca. 1797

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 23, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 23, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 27, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 27, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 31, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Henry Swinburne View of a City Harbor

Henry Swinburne, 1743–1803

View of a City Harbor

undated

Henry Swinburne Bois, France

Henry Swinburne, 1743–1803

Bois, France

undated

Valentine Green Mrs. Cosway

Print made by Valentine Green, 1739–1813

Mrs. Cosway

1787

Newton Limbird Smith Fielding Le Crotoy from the Mouth of the Somme

Newton Limbird Smith Fielding, 1799–1856

Le Crotoy from the Mouth of the Somme

1825

Henry Swinburne View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

Henry Swinburne, 1743–1803

View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

1764

Henry Swinburne Near Agen

Henry Swinburne, 1743–1803

Near Agen

undated

Henry Swinburne Porto Azzurro

Henry Swinburne, 1743–1803

Porto Azzurro

1777 to 1778

Henry Swinburne Ducal Palace of Urbino in Marche, Italy

Henry Swinburne, 1743–1803

Ducal Palace of Urbino in Marche, Italy

1777 to 1778

Henry Swinburne The Most Considerable Remains of the Walls of Gnatia

Henry Swinburne, 1743–1803

The Most Considerable Remains of the Walls of Gnatia

1777 to 1778

Henry Swinburne Brindisi, Seen From the Bridge on the Via Traiana

Henry Swinburne, 1743–1803

Brindisi, Seen From the Bridge on the Via Traiana

1777 to 1778

Henry Swinburne Pietra Mala

Henry Swinburne, 1743–1803

Pietra Mala

1777 to 1778

Henry Swinburne Sketch of a Landscape with Hills and Valleys

Henry Swinburne, 1743–1803

Sketch of a Landscape with Hills and Valleys

undated

Henry Swinburne Welden, Germany

Henry Swinburne, 1743–1803

Welden, Germany

1779

Henry Swinburne Porto Azzurro, Tuscany, Italy

Henry Swinburne, 1743–1803

Porto Azzurro, Tuscany, Italy

1777 to 1778

Henry Swinburne View From the Garden of ye Inn at Mantes

Henry Swinburne, 1743–1803

View From the Garden of ye Inn at Mantes

undated

Henry Swinburne La Chapelle-Saint Mesmin near Orleans

Henry Swinburne, 1743–1803

La Chapelle-Saint Mesmin near Orleans

undated

Henry Swinburne Mouth of the Guadalquivir River in Spain

Henry Swinburne, 1743–1803

Mouth of the Guadalquivir River in Spain

1775 to 1776

Henry Swinburne Lormont Point, France

Henry Swinburne, 1743–1803

Lormont Point, France

undated

Henry Swinburne Near Campo Lautrecco, Naples

Henry Swinburne, 1743–1803

Near Campo Lautrecco, Naples

1777 to 1778

Henry Swinburne Part of the Ruins Seen From the East End of the Church

Henry Swinburne, 1743–1803

Part of the Ruins Seen From the East End of the Church

undated

Henry Swinburne Bagneres-de-Bigoree, France

Henry Swinburne, 1743–1803

Bagneres-de-Bigoree, France

undated

Henry Swinburne Modena, Italy

Henry Swinburne, 1743–1803

Modena, Italy

1777 to 1778

Henry Swinburne Villeneuve-les-Avignon, France

Henry Swinburne, 1743–1803

Villeneuve-les-Avignon, France

undated

Henry Swinburne Tynemouth from the Spanish Fort

Henry Swinburne, 1743–1803

Tynemouth from the Spanish Fort

undated

Henry Swinburne Dieppe

Henry Swinburne, 1743–1803

Dieppe

undated

Henry Swinburne Lectoure, France

Henry Swinburne, 1743–1803

Lectoure, France

undated

Henry Swinburne Blois, From the West

Henry Swinburne, 1743–1803

Blois, From the West

undated

Henry Swinburne Dieppe, France

Henry Swinburne, 1743–1803

Dieppe, France

undated

Henry Swinburne Vaucluse, France

Henry Swinburne, 1743–1803

Vaucluse, France

undated

Henry Swinburne Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground

Henry Swinburne, 1743–1803

Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground

undated

Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery

Henry Swinburne, 1743–1803

One of Four Sketches, of Ceilings, in the Vatican Gallery

1777 to 1778

Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery

Henry Swinburne, 1743–1803

One of Four Sketches, of Ceilings, in the Vatican Gallery

1777 to 1778

Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery

Henry Swinburne, 1743–1803

One of Four Sketches, of Ceilings, in the Vatican Gallery

1777 to 1778

Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery

Henry Swinburne, 1743–1803

One of Four Sketches, of Ceilings, in the Vatican Gallery

1777 to 1778

Henry Swinburne Bagneres-de-Bigorre, France

Henry Swinburne, 1743–1803

Bagneres-de-Bigorre, France

undated

Henry Swinburne Bagneres-de-Bigorre, France

Henry Swinburne, 1743–1803

Bagneres-de-Bigorre, France

undated

Henry Swinburne Aix la Chapelle

Henry Swinburne, 1743–1803

Aix la Chapelle

undated

Henry Swinburne Landscape with Anchored Boat and Figure

Henry Swinburne, 1743–1803

Landscape with Anchored Boat and Figure

undated

Henry Swinburne Armoured Figure

Henry Swinburne, 1743–1803

Armoured Figure

undated

Henry Swinburne The Alhambra From the Fort of St. Helena

Henry Swinburne, 1743–1803

The Alhambra From the Fort of St. Helena

1775 to 1776

Henry Swinburne Rocky Landscape with Waterfalls and Goats

Henry Swinburne, 1743–1803

Rocky Landscape with Waterfalls and Goats

undated

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Cornelius Varley Study of Boats on Shore

Cornelius Varley, 1781–1873

Study of Boats on Shore

1829

James Wyatt Cobham Hall, Kent: Vestibule

James Wyatt, 1746–1813

Cobham Hall, Kent: Vestibule

ca. 1790