Creator Gender: male / Width [cm]: 10 / Classification: Prints

1. A Society

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

2. The String Quartet

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

3. An Unwritten Novel

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

4. A Haunted House

Creator:: Print made by Vanessa Bell, 1879–1961
Date:: 1921
Materials & Techniques:: Woodcut on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

5. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 6 11/16 inches (20.4 x 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. Thel's Motto (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Chapter II, "Muster around the bleak desarts..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Urizen Swims through Dark Waters (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Fettered Urizen Weeping (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Los with the child Orc and Enitharmon (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "The Ox in the slaughter house moans..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Fettered Urizen Weeping (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Chapter II, "Muster around the bleak desarts..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Urizen Swims through Dark Waters (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Thel's Motto (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Chapter IV, "Los smitten with astonishment..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Chapter V, "The globe of life blood trembled..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Los Falls through Fire (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Praying Child and Howling Dog (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. III. "From a perception of only 3 senses..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "Therefore God becomes as we are..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. There Is No Natural Religion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. II. "Reason or the ratio of all we have already known..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Argument. "Man has no notion of moral fitness..." (Plate 2"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. I. "Man cannot naturally Percieve..."(Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. II. "Man by his reasoning power can only compare..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. IV. "None could have other than natural or organic thoughts..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. V. "Mans desires are limited by his perceptions..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. VI. "The desires & perceptions of man untaught..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Introduction to the Fables, The Shepherd and the Philosopher

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

46. Fable VI. The Miser and Plutus

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

47. Fable XIII. The Tame Stag

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

48. Fable XVI. The Pin and the Needle

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

49. Fable XXIV. The Butterfly and the Snail

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

50. Fable XXVIII. The Persian, the Sun, and the Cloud

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

51. Fable XXII. The Goat Without a Beard

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

52. Fable XXX. The Setting-dog and the Partridge

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

53. Fable XII. Pan and Fortune

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

54. Fable XLI. The Owl and the Farmer

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

55. Fable I. The Dog and the Fox

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

56. Le Repos

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Sheep of His Pasture

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1828
Materials & Techniques:: Engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Exposure of Prince Bahman

Creator:: Print made by James Parker, 1750–1805
Materials & Techniques:: Etching and line engraving with chine collé on wove paper
Dimensions:: Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Prince Amgiad and Prince Assad

Creator:: Print made by Abraham Raimbach, 1784–1868
Date:: 1802
Materials & Techniques:: Etching and line engraving with chine collé on wove paper
Dimensions:: Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Old Man of the Sea

Creator:: Print made by Charles Warren, 1767–1823
Date:: ca. 1802
Materials & Techniques:: Etching and line engraving with chine collé on wove paper
Dimensions:: Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Untitled: Alnaschar's Vision

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Image: 5 1/16 x 3 7/8in. (12.9 x 9.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Untitled: Bedreddin's flight from Cairo

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Image: 5 1/8 x 3 3/4in. (13 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Untitled: Bakbarah in the Lady's Apartment

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Untitled: The Lady of the Glass-case

Creator:: Robert Smirke, 1752–1845
Materials & Techniques:: Engraving
Dimensions:: Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Designs for the Great Room of the Society of Arts (4 of 1 sheet)

Creator:: James Mitan, 1776–1822
Date:: 1808
Materials & Techniques:: Engraving
Dimensions:: Sheet: 3 7/8 x 3 7/8in. (9.8 x 9.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Designs for the Great Room of the Society of Arts (4 of 1 sheet)

Creator:: James Mitan, 1776–1822
Date:: 1808
Materials & Techniques:: Engraving
Dimensions:: Sheet: 3 7/8 x 3 7/8in. (9.8 x 9.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Mount: 4 9/16 x 3 13/16 inches (11.6 x 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Wanderer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream card
Dimensions:: Sheet: 6 x 4 15/16 inches (15.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Morning Prayer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream card
Dimensions:: Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Mount Blanc

Creator:: Print attributed to B. R. Davies, active ca. 1833
Date:: ca. 1828
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Frame: 7 1/8 × 8 × 1/2 inches (18.1 × 20.3 × 1.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Putto Holding a Torch

Creator:: Print made by Isaac Fuller, ca. 1620–1672
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 1/2 × 4 inches (11.4 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Sir John Hawkins

Creator:: Print made by R. Clamp, fl.1789–1798
Date:: 1794
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 5 5/16 inches (18 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

73. William Dodd, L. L. D.

Creator:: John Goldar, 1729–1795
Date:: between 1775 and 1795
Materials & Techniques:: Line engraving with hand coloring on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:: Sheet: 6 3/4 × 3 15/16 inches (17.1 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

74. Mrs. Montagu

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper set in mount
Dimensions:: Mount: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

75. T. Smollett, M. D.

Creator:: Print made by John Dean, 1754–1798
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 5 1/2 × 3 3/4 inches (13.9 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

76. James Harris

Creator:: Print made by James Basire, 1730–1802
Date:: after 1776
Materials & Techniques:: Etching and line engraving on medium, moderately textured, cream wove paper, laid in mount
Dimensions:: Sheet: 6 7/16 × 4 1/8 inches (16.4 × 10.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

77. La Conversation

Creator:: Print made by Rose Joseph Lemercier, 1803–1887
Date:: 1826
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. La Prière

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 3/4 inches (18.5 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Le Silence Favorable

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Le Retour

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 x 10 7/8 inches (36.2 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Les Plaisirs Paternels

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Arms of Glasgow

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1909
Materials & Techniques:: Wood-engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 x 3 3/4 inches (7.8 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Flood

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 x 3 3/4 inches (7.3 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Interior with Woman Reading to Child

Creator:: John Calcott Horsley, 1817–1903
Date:: 1856
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 1/4 x 3 7/8in. (13.3 x 9.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Women at a Door

Creator:: John Calcott Horsley, 1817–1903
Date:: 1856
Materials & Techniques:: Etching
Dimensions:: Sheet: 4 3/4 x 3 3/4in. (12.1 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Portrait of Bindo Altoviti

Creator:: Print made by Angelica Kauffmann, 1741–1807
Date:: between 1762 and 1765
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 × 6 inches (19.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Second Dudley Lord North

Creator:: Rivers, active 1799–1804
Date:: undated
Materials & Techniques:: Engraving on medium, moderately textured, beige wove paper
Dimensions:: Mount: 23 7/8 × 17 1/16 inches (60.6 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Mr. Thomas Gray

Creator:: Print made by William Doughty, 1757–1782
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 5 7/8 × 4 1/8 inches (15 × 10.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sir Frederick William Herschel

Creator:: Edward Scriven, 1775–1841
Date:: ca.1830
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 23 15/16 × 17 1/8 inches (60.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Monument for Sir Joshua Reynolds

Creator:: George Saunders, c.1762–1839
Date:: 1792
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 6 5/8 x 4in. (16.8 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

91. ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: 1778
Materials & Techniques:: Etching on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 6 7/16 × 3 3/4 inches (16.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: 1778
Materials & Techniques:: Etching on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 6 7/16 × 4 inches (16.3 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. The Dreams of the Youthful Shakespeare

Creator:: Print made by Augustus Fox, 1800–1876
Date:: 1827
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 3 15/16 inches (15.8 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Shakspeare nursed by Tragedy and Comedy

Creator:: Charles Normand, 1765–1840
Materials & Techniques:: Engraving
Dimensions:: Image: 3 1/2 x 4in. (8.9 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. The Infant Shakspeare attended by Nature and the Passions

Creator:: Charles Normand, 1765–1840
Materials & Techniques:: Engraving
Dimensions:: Image: 3 1/2 x 4in. (8.9 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Sir William Chambers

Creator:: D. P. Pariset, born 1740, active in Britain from 1767
Date:: 1769
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 15/16 × 7 7/8 inches (48.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Ralph Cudworth

Creator:: George Vertue, 1684–1756
Date:: undated
Materials & Techniques:: Stipple and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/16 × 3 15/16 inches (16.4 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Lady Anne Fenoulhet (née Day)

Creator:: unknown artist
Date:: ca.1760
Materials & Techniques:: Mezzotint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/4 × 4 5/8 inches (14.6 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Miss Mary Palmer

Creator:: Joseph Collyer, 1748–1827
Date:: 1785
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 5/16 × 3 7/8 inches (13.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Etching and engraving; engraver's proof (a) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 7 3/8 inches (30.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Width [cm] 10

Classification Prints

Search Results

1. A Society

2. The String Quartet

3. An Unwritten Novel

4. A Haunted House

5. The Herdsman's Cottage

6. The Sleeping Shepherd

7. The Sleeping Shepherd

8. The Skylark

9. The Skylark

10. Christmas

11. Thel's Motto (Plate 1)

12. Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

13. Chapter II, "Muster around the bleak desarts..." (Plate 4)

14. Urizen Swims through Dark Waters (Plate 5)

15. Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

16. Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

17. Fettered Urizen Weeping (Plate 12)

18. Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

19. Los with the child Orc and Enitharmon (Plate 18)

20. Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

21. "The Ox in the slaughter house moans..." (Plate 23)

22. Fettered Urizen Weeping (Plate 3)

23. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

24. Chapter II, "Muster around the bleak desarts..." (Plate 6)

25. Urizen Swims through Dark Waters (Plate 7)

26. Thel's Motto (Plate 1)

27. Chapter IV, "Los smitten with astonishment..." (Plate 12)

28. Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

29. Chapter V, "The globe of life blood trembled..." (Plate 17)

30. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

31. Los Falls through Fire (Plate 21)

32. The First Book of Urizen, Plate 23 (Bentley 9)

33. Praying Child and Howling Dog (Plate 25)

34. I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

35. III. "From a perception of only 3 senses..." (Plate 5)

36. "Therefore God becomes as we are..." (Plate 9)

37. There Is No Natural Religion; Frontispiece (Plate 1)

38. II. "Reason or the ratio of all we have already known..." (Plate 11)

39. The Argument. "Man has no notion of moral fitness..." (Plate 2"

40. I. "Man cannot naturally Percieve..."(Plate 3)

41. II. "Man by his reasoning power can only compare..." (Plate 4)

42. IV. "None could have other than natural or organic thoughts..." (Plate 6)

43. V. "Mans desires are limited by his perceptions..." (Plate 7)

44. VI. "The desires & perceptions of man untaught..." (Plate 8)

45. Introduction to the Fables, The Shepherd and the Philosopher

46. Fable VI. The Miser and Plutus

47. Fable XIII. The Tame Stag

48. Fable XVI. The Pin and the Needle

49. Fable XXIV. The Butterfly and the Snail

50. Fable XXVIII. The Persian, the Sun, and the Cloud

51. Fable XXII. The Goat Without a Beard

52. Fable XXX. The Setting-dog and the Partridge

53. Fable XII. Pan and Fortune

54. Fable XLI. The Owl and the Farmer

55. Fable I. The Dog and the Fox

56. Le Repos

57. The Sheep of His Pasture

58. The Exposure of Prince Bahman

59. Prince Amgiad and Prince Assad

60. The Old Man of the Sea

61. Untitled: Alnaschar's Vision

62. Untitled: Bedreddin's flight from Cairo

63. Untitled: Bakbarah in the Lady's Apartment

64. Untitled: The Lady of the Glass-case

65. Designs for the Great Room of the Society of Arts (4 of 1 sheet)

66. Designs for the Great Room of the Society of Arts (4 of 1 sheet)

67. Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

68. The Wanderer

69. Morning Prayer

70. Mount Blanc

71. Putto Holding a Torch

72. Sir John Hawkins

73. William Dodd, L. L. D.