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1. Foxhunting: Clearing a Bank

Foxhunting: Clearing a Bank
Creator:
John Dalby, active 1826–1853
Date:
ca. 1840
Materials & Techniques:
Oil on millboard
Dimensions:
5 x 6 1/8 inches (12.7 x 15.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Man Sweeping the Interpreter's Parlour

The Man Sweeping the Interpreter's Parlour
Creator:
William Blake, 1757–1827
Date:
ca. 1822
Materials & Techniques:
White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 19, "His children exil'd from his breast...."

Jerusalem, Plate 19, "His children exil'd from his breast...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 25, "And there was heard...."

Jerusalem, Plate 25, "And there was heard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 29, "Then the Divine Vision...."

Jerusalem, Plate 29, "Then the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Jerusalem, Plate 39, "By Satans Watch-fiends...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 99, "All Human Forms identified...."

Jerusalem, Plate 99, "All Human Forms identified...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 1, Frontispiece

Jerusalem, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 51

Jerusalem, Plate 51
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 6, "His Spectre driv'n...."

Jerusalem, Plate 6, "His Spectre driv'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 78, "The Spectres of..."

Jerusalem, Plate 78, "The Spectres of..."
Creator:
William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 46, "Bath, mild Physician...."

Jerusalem, Plate 46, "Bath, mild Physician...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 47, "From Camberwell to Highgate...."

Jerusalem, Plate 47, "From Camberwell to Highgate...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 66, "In awful pomp & gold...."

Jerusalem, Plate 66, "In awful pomp & gold...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 7, "Was living: panting...."

Jerusalem, Plate 7, "Was living: panting...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Tobias and the Angel

Tobias and the Angel
Creator:
Print made by John Smith, 1652–1743
Date:
ca. 1685
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Wooded Landscape with a River Leading to Distant Buildings

Wooded Landscape with a River Leading to Distant Buildings
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Blacksmith's Shop

The Blacksmith's Shop
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1838
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Shepheard, Field and Haughton (fighting)

Shepheard, Field and Haughton (fighting)
Creator:
George Shepheard, ca. 1770–1842
Date:
undated
Materials & Techniques:
Watercolor, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 6 3/8 inches (20.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Mountainous Landscape with Figures and a Rock Above a Lake

Mountainous Landscape with Figures and a Rock Above a Lake
Creator:
attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 1/8 inches (10.8 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

33. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Creator:
Print made by George Barret, ca. 1728/32–1784
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. John Linnell

John Linnell
Creator:
George Richmond, 1809–1896
Date:
1828
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 × 6 3/8 inches (22.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Bathing Tents on the Beach, Ostend

Bathing Tents on the Beach, Ostend
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 6 5/16 inches (9 × 16.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Lord Harrington and Lord Petersham

Lord Harrington and Lord Petersham
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, over graphite; verso: graphite shading on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 6 1/4 inches (21.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. A Punca Bearer

A Punca Bearer
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 15/16 x 6 1/4 inches (25.2 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Holy Island and Castle, Northumberland

Holy Island and Castle, Northumberland
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Audacity of Jack Sheppard

Audacity of Jack Sheppard
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 3/4 x 6 15/16 inches (22.2 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

43. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

44. The Artist's Studio

The Artist's Studio
Creator:
Henry Bernard Chalon, 1771–1849
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Entrance into Borrowdale

The Entrance into Borrowdale
Creator:
Francis Towne, 1740–1816
Date:
undated
Materials & Techniques:
Watercolor and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 3/4 x 6 1/8 inches (9.5 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Steeplechasing: The Start

Steeplechasing: The Start
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 6 1/8 inches (25.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Flying Childers and Grooms

Flying Childers and Grooms
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/4 inches (9.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 6 1/4 inches (16.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Horatio Gentileschi and Edward Mascall

Horatio Gentileschi and Edward Mascall
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 6 1/4 inches (25 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood

Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 6 1/8 inches (20.6 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

53. Boat Building - Dockyard at Birmingham

Boat Building - Dockyard at Birmingham
Creator:
David Cox, 1783–1859
Date:
mid to late 1800s
Materials & Techniques:
Watercolor and graphite on thick, rough, cream laid paper
Dimensions:
Sheet: 8 3/8 x 6 3/8 inches (21.3 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765

The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Graphite, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 x 8 1/4 inches (25.7 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. A Family Group Around a Piano

A Family Group Around a Piano
Creator:
George Chinnery, 1774–1852
Date:
between 1812 and 1815
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 6 3/8 inches (14.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Club

The Club
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/4 x 6 1/4 inches (15.8 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

57. New Shoes

New Shoes
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on medium, smooth, wove paper
Dimensions:
Mount: 6 11/16 x 8 1/2 inches (17 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Studies of George III and Statesmen

Studies of George III and Statesmen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink, with graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/16 x 6 3/16 inches (20.5 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Antonio Vandyck

Antonio Vandyck
Creator:
Print made by Francesco de Grado, active 1693
Date:
ca. 1693
Materials & Techniques:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 3/8 inches (22.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Robert White, P. Vansomer, Isaac Becket, John Start and William Elder

Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 6 1/8 inches (20.6 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Glasgow Exhibition: From the Dome

Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

62. Tobit and the Angel

Tobit and the Angel
Creator:
Print made by John Smith, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 6 3/8 inches (12.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. Junius

Junius
Creator:
Print made by Thomas Bonner, ca. 1740–ca. 1812
Date:
1769
Materials & Techniques:
Etching and stipple engraving on medium, smooth, cream laid paper in contemporary laid paper insert
Dimensions:
Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

64. Fisherfolk on the Beach, Ostend

Fisherfolk on the Beach, Ostend
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. I Will Pay No More Debts of Her Contracting

I Will Pay No More Debts of Her Contracting
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1772
Materials & Techniques:
Etching on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 13 1/16 x 9 1/2 inches (33.1 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Bergues - La Tour du Marché

Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. Oberon and Puck

Oberon and Puck
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 7/16 inches (19.1 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Three Men and Two Boys Sitting on a Pier

Three Men and Two Boys Sitting on a Pier
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 5 9/16 x 7 9/16 inches (14.2 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Two Travellers Watering Three Horses

Two Travellers Watering Three Horses
Creator:
Print made by Joseph Samuel Alpenny, 1787–1858
Date:
undated
Materials & Techniques:
Etching with hand coloring on thick, slightly textured, beige card
Dimensions:
Sheet: 8 9/16 x 10 1/2 inches (21.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Lincoln from the River Witham

Lincoln from the River Witham
Creator:
Print made by S. T. Davies, active ca. 1835
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 × 8 7/8 inches (13.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Two Figures

Two Figures
Creator:
Print made by John Copley, 1875–1950
Date:
1950
Materials & Techniques:
Etching with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 9 5/16 inches (39.3 x 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

73. Tour aux Archives a Vernon

Tour aux Archives a Vernon
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Finding the Will

Finding the Will
Creator:
Sir David Wilkie, 1785–1841
Materials & Techniques:
Etching and drypoint on wove paper
Dimensions:
Plate: 5 5/8 x 6 1/4in. (14.3 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

75. A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master

A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 11/16 x 8 11/16 inches (14.4 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Elderly Couple on a Park Bench, with Two Men Beyond

Elderly Couple on a Park Bench, with Two Men Beyond
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Horseman Fording a Stream with Cattle

Horseman Fording a Stream with Cattle
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 13/16 inches (14.8 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Red-Scar, the Residence of William Cross, Esquire

Red-Scar, the Residence of William Cross, Esquire
Creator:
Thomas Higham, 1796–1844
Date:
1832
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Death of Cora

The Death of Cora
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 9/16 x 10 3/16 inches (34.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. At Rome

At Rome
Creator:
Placido Columbani, born ca. 1744, active 1801
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Men Fishing

Men Fishing
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 3/4 inches (14.7 x 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Shepherd and Flock Outside a Village

Shepherd and Flock Outside a Village
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Plate: 5 11/16 x 8 11/16 inches (14.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Three Croat Chiefs

No cover image available
Creator:
Roger Fenton, 1819–1869
Date:
1855
Materials & Techniques:
Salted paper print from wet collodion glass negative on thin, smooth, cream wove paper
Dimensions:
Image: 7 1/2 × 6 1/4 inches (19.1 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

84. Lion Atop London Brewery after German Bombing

No cover image available
Creator:
Cecil Beaton, 1904–1980
Date:
1940
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Frame: 15 5/8 × 13 1/4 × 7/8 inches (39.7 × 33.7 × 2.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

85. Absalom

No cover image available
Creator:
Stephen Frederick Gooden, 1892–1955
Date:
1923
Materials & Techniques:
Line engraving with etching on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 8 3/16 inches (18.5 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Lydia Evans Tunnard