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1. Cottage at Diss

Cottage at Diss
Creator:
Robert Dixon, 1780–1815
Date:
1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Remains of the Priory, Beeston Regis

Remains of the Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Manse, Cults, Fife: The Artist's Old Home

The Manse, Cults, Fife: The Artist's Old Home
Creator:
Sir David Wilkie, 1785–1841
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Back of a Farm House

The Back of a Farm House
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 7 inches (20.3 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Plough

The Plough
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1922
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. The Pack Bridge

The Pack Bridge
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1926
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/8 x 7 1/4 inches (28.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. The Late Entrance to Ber Street, Norwich

The Late Entrance to Ber Street, Norwich
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Warwick Castle

Warwick Castle
Creator:
Print made by James Fittler, 1758–1835
Date:
1780
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 x 12 5/16 inches (24.6 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Back of the Mills

No cover image available
Creator:
Print made by John Crome, 1768–1821
Date:
ca. 1812
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 7 9/16 inches (24.8 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection