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1
- Calais Jetty, France
- ca. 1824
- On view at YUAG
2
- William Augustus, Duke of Cumberland
- 1732
- Not on view
3
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
4
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
5
- The Barber
- between 1760 and 1769
- Not on view
6
- Alexander van Aken
- ca. 1770
- Not on view
7
- Study of Rocks and Branches
- ca. 1795
- Not on view
8
- Ruined House
- between 1807 and 1810
- Not on view
9
- An Unknown Woman in a Drawing Room
- between 1740 and 1741
- Not on view
10
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
11
- Pheasant Shooting
- mid-19th century
- Not on view
12
- Barges on a River
- 1826
- Not on view
13
- Grand Canal, Venice
- 1826
- Not on view
14
- Nude in an Interior
- ca. 1911
- Not on view
15
- Portrait of a Gentleman
- ca. 1740
- Not on view
16
- Portrait of a Lady
- ca. 1740
- Not on view
17
- In the Forest at Fontainebleau
- ca. 1825
- Not on view
18
- Southampton Water, near Hamble
- after 1837
- Not on view
19
- Mountainous Landscape with Figures and Cattle
- 1806 to 1807
- Not on view
20
- The Royal Mail Coach on the Road
- 1841
- Not on view
21
- Sketch of a Horse
- undated
22
- Farm Buildings and Well, Poland
- ca. 1908
23
- The Rising Moon
- 1857
24
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
25
- Human Skeleton, Anterior View (Final study)
- 1795 to 1806
26
- Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
- 1795 to 1806
27
- A Sleeping Leopard
- 1791
28
- Tiger Body, Lateral View
- 1795 to 1806
29
- Tiger Body, Lateral View
- 1795 to 1806
30
- Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
- 1795 to 1806
31
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
- 1795 to 1806
32
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
33
- Hudibras and the Lawyer (no.7)
34
- Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
- 1747
35
- Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
- 1747
36
- Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
- 1747
37
- Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
- 1747
38
- Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
- 1747
39
- Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
- 1747
40
- Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
- 1747
41
- Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
- 1747
42
- Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
- 1747
43
- Hogarth Painting the Comic Muse
- 1764
44
- Horse in Breton Yard
- undated
45
- Dent de Lion, Margate
- ca. 1791
46
- Jason
- 1807
47
- Chain of Alps from Grenoble to Chamberi
- 1812
48
- North Stoke. Oct. 21.1834
- 1834
49
- View Across a Meadow to a Church
- ca. 1834
50
- Amada, 9:30 am, 12 February 1867
- 1867
51
- Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
- 1867
52
- Tapha, 7:50 a.m., February 17, 1867
- 1867
53
- Hyacinthine Maccaw (Plate 9)
- 1832
54
- El Luxor
- 1867
55
- Albogasio
- 1837
56
- Platycercus Pacificus / Pacific Parrakeet (Plate 26)
- 1832
57
- Segni, 6 October 1838
- 1838
58
- Wied Zurrik (Malta)
- 1848
59
- Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
- 1866
60
- Mother and Son
- undated
61
- Prospero and Miranda
- ca. 1787
62
- Classical Male Nude with a Rearing Horse
- undated
63
- Duke of Dorset (So-called)
- undated
64
- Lear Awakened by Cordelia
- between 1774 and 1775
65
- The Parable of the Wise and Foolish Virgins
- ca. 1825
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
66
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
67
- Illustrations to Dante's Divine Comedy
- 1827
68
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
69
- Study of the Capital of a PIllar
- 1802-1804
70
- Study of the Capital of a Pillar
- 1802-1804
71
- Ruins at Capua
- 1802-1804
72
- View From Cori Towards Villetri
- 1802-1804
73
- Study No. 2: Listening
- 1914
74
- Skiddaw & Derwent water
75
- Lodore Rocks -- fall & cottage - distance
76
- View across Windermere looking to the Great Island
77
- No. View on the Road from Ambleside to Keswick from 6 mile Stone
78
- Pont Mallwyd
- 1863
79
- Huntsmen in a Wood
- 1891
80
- Miss Francis Lascelles
- undated
81
- A Pastoral Scene with Cow
- 1777
82
- Coastal Landscape Scene
- undated
83
- Mountainous Landscape, with a Small Village in its Valley
- undated
84
- Montpellier, France
- 1775
85
- The Siege of Namur
- between 1773 and 1817
86
- The Battle of the Cataplasm
- between 1773 and 1817
87
- Overthrow of Dr. Slop
- between 1773 and 1817
88
- Fitting out. - Plate 1
- 1820
89
- Wooded Landscape with Herdsman and Cows
- 1797
90
- Portrait of a Man Wearing Turban
- 1760
91
- Self-portrait
- ca. 1760
92
- Portrait of a Young Man Leaning on His Right Elbow
- 1760
93
- Ruins of the Savoy Palace, London
- undated
94
- Ruins of Richbro' Castle, Isle of Thanet
- undated
95
- Study of a Cottage by a lane
- undated
96
- Cyperus papyrus L. (Papyrus Sedge): finished drawing of steam and flowering head, with details of inflorescence left and right
- undated
97
- Landscape with Ledbury Church Spire
- undated
98
- Lake Morat from Avenches
- ca. 1780
99
- Naples from the Strada Nouva, Nov.26, 1830
- 1830
100
- Interior of an Eastern House
- between 1840 and 1851