Creator Gender: male / Width [cm]: 47 / Classification: Prints

1. Southwark Fair

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

2. Marriage à la Mode, Plate 6

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

3. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

4. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Taking of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 7/16 × 18 5/8 inches (34.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Wreck of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1825
Materials & Techniques:: Line engraving, stipple engraving, and letterpress
Dimensions:: Sheet: 26 x 18 1/2in. (66 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1825
Materials & Techniques:: Line engraving, stipple engraving and letterpress
Dimensions:: Sheet: 26 x 18 1/2in. (66 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Façade St. Jean

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Mrs. Abington as 'the Comic Muse'

Creator:: Print made by James Watson, 1740–1790
Date:: ca. 1769
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 18 1/2 inches (66.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Lady Anne Lambton and Family

Creator:: Print made by John Young, 1755–1825
Date:: 1799
Materials & Techniques:: Mezzotint (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 1/4 × 21 1/2 inches (69.2 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. The Holy Family at Night

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: ca. 1750
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 9/16 × 22 7/8 inches (44.6 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Abraham Lincoln

Creator:: Print made by James S. King, 1852–1925
Date:: 1909
Materials & Techniques:: Etching with chine collé; fourth proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 31 5/8 × 23 1/2 inches (80.3 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Diagonal Walk, fountain and canal in the Garden of Hampton Court

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The South Front of Hampton Court with part of the garden

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. An Oblique View of the East Front of Hampton Court, with part of garden

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 7/8 x 18 5/8in. (30.2 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A Perspective view of the East Front of Hampton Court, taken from the Park Gate

Creator:: Print made by John Tinney, died 1761
Date:: 1744
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 18 1/2in. (30.5 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Devonshire Square

Creator:: Sutton Nicholls, active 1725
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 13/16 x 18 3/8in. (35.1 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. William Henry West Betty

Creator:: James Heath, 1757–1834
Date:: 1806
Materials & Techniques:: Etching, line engraving, and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/2 x 18 1/2 inches (64.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Wooded Landscape with Two Country Carts and Figures

Creator:: Thomas Gainsborough, 1727–1788
Date:: 1779 to 1780
Materials & Techniques:: Etching and soft-ground etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. West Window of the Chapel, New College Oxford: The Virtues - Hope

Creator:: George Siegmund Facius, 1750–1804
Date:: 1781
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 18 3/8 inches (63.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Marriage Feast at Cana, 1952

Creator:: Sir Stanley Spencer, 1891–1959
Date:: 1952
Materials & Techniques:: Original lithograph, printed in black on gray wove paper
Dimensions:: Sheet: 21 1/2 x 18 1/2in. (54.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Admiralty Office

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Royal Exchange, London

Creator:: John Maurer, active 1713–1761
Date:: 1741
Materials & Techniques:: Engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 18 15/16 inches (43.5 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching; open etched state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Sir John Borlase Warren

Creator:: James Stow, ca. 1770–after 1820
Date:: 1799
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 15/16 × 18 5/16 inches (65.9 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 1/16 × 18 7/16 inches (58.6 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. People in a Room

Creator:: John Copley, 1875–1950
Date:: 1947
Materials & Techniques:: Etching, printed in black
Dimensions:: Plate: 11 5/16 x 18 5/8in. (28.7 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. The Front or West End of the Cathedral Church of St. Pauls, London

Creator:: William Emmett, 1671–1736
Date:: 1702
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 1/2 x 18 5/8in. (64.8 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Uxor Zelotypa

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 18 5/8 inches (39.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Sir Thomas Pasley

Creator:: Anna Maria Smith Edmonton, 1766–1833
Date:: 1796
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

55. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1549
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Panthei Fidelissime Dimensi Exterior et Interior

Creator:: Print made by unknown artist
Date:: 1553
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Miss Cumberland

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1779
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 5/8 × 18 1/2 inches (57.5 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. John Paul Jones

Creator:: Print made by Henri Toussaint, 1849–1911
Date:: 1906
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 7/16 × 21 5/8 inches (69.7 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. A View of the Mall

Creator:: John June, active 1740–1770
Date:: 1752
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 3/8 x 18 1/2in. (31.4 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A General View of the Remains of Bermondsey Abbey, Surrey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A View of Northumberland House, Charing Cross

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A View of Northumberland House, Charing Cross

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A View of the Chapter House taken from the Green

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/4 x 18 3/8in. (36.2 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Charter-House Square for Stowes Surrey

Creator:: Sutton Nicholls, active 1725
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 18 5/8in. (33 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A North View of Westminster Bridge

Creator:: Nathaniel Parr, active 1742–1751
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 18 3/8in. (32.7 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A North East View of Westminster with the Bridge, taken from Somerset Garden

Creator:: John S. Muller, ca. 1715–1792
Date:: 1794
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 18 9/16in. (32.7 x 47.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. French Songs

Creator:: Print made by John Copley, 1875–1950
Date:: 1946
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 18 5/8 inches (35.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Castello S. Angelo Di Roma

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1602
Materials & Techniques:: Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

Creator:: Robert Havell, 1769–1832
Date:: 1834
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/8 x 18 1/2in. (30.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The South - West View of the Parish Church of Ecton in Northamptonshire

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1749
Materials & Techniques:: Etching and engraving on thick, rough, beige laid paper
Dimensions:: Mount: 25 1/4 × 18 7/16 inches (64.1 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

72. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1792
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Glen Crowe, Western Highlands, Scotland

Creator:: after unknown artist
Date:: 1811
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Interview of Tom Jones and Sophia, After the Reconciliation.

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Colored stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 13/16 × 20 inches (42.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Pine Apples Raised and Sold by Henry Scott, Gardener at Weybridge

Creator:: Francois Vivares, 1709–1780
Date:: 1754
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 18 1/2in. (27.9 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 18 11/16 inches (34.4 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1770
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Marriage A-La-Mode, Plate I: The Contract

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. West Front of the Pavillon Towards the Garden, Brighton

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 x 18 3/8in. (35.6 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Penance

Creator:: Print made by William Strang, 1859–1921
Date:: 1896
Materials & Techniques:: Etching on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 18 5/8 inches (28.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

86. Temple of Baal

Creator:: Print made by William Walcot, 1874–1943
Date:: 1918
Materials & Techniques:: Etching, open biting, and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

87. View of the New Country Prison at Abingdon, Berkshire

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: undated
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 18 9/16 inches (41.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Carlinan Mill, Iverary, Scotland

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Colored aquatint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 21 1/2 inches (41.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Self-portrait of Antonie van Dyck

Creator:: Jacques Christophe Le Blon, 1667–1741
Date:: 1738
Materials & Techniques:: Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/4 × 18 5/16 inches (61.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. His Royal Highness George, Prince of Wales

Creator:: John Raphael Smith, 1752–1812
Date:: 1792
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 1/16 × 18 7/16 inches (66.2 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1759
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

95. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

96. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

97. A View of the Chapel and Hall of Oriel College, &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. South View of Christ Church, &c. from the Meadows

Creator:: Print made by James Basire II, 1769–1822
Date:: 1799
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 3/8 inches (33.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A View of the Fountain in the Temple

Creator:: Henry Fletcher, 1729–active 1750
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Spanish Mother

Creator:: Abraham Raimbach, 1784–1868
Date:: 1836
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 21 3/4 × 30 5/16 inches (55.2 × 77 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Width [cm] 47

Classification Prints

Search Results

1. Southwark Fair

2. Marriage à la Mode, Plate 6

3. A Midnight Modern Conversation

4. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

5. A View of Erith, Looking Up the Thames

6. The Taking of the Nuestra Senora de los Remedios

7. The Wreck of the Nuestra Senora de los Remedios

8. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

9. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

10. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

11. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

12. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

13. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

14. Façade St. Jean

15. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

16. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

17. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

18. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

19. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

20. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

21. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

22. Mrs. Abington as 'the Comic Muse'

23. Lady Anne Lambton and Family

24. The Holy Family at Night

25. General Washington

26. General Washington

27. Abraham Lincoln

28. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

29. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

30. The Diagonal Walk, fountain and canal in the Garden of Hampton Court

31. The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court

32. The South Front of Hampton Court with part of the garden

33. An Oblique View of the East Front of Hampton Court, with part of garden

34. A Perspective view of the East Front of Hampton Court, taken from the Park Gate

35. Southampton or Bloomsbury Square

36. Devonshire Square

37. William Henry West Betty

38. Wooded Landscape with Two Country Carts and Figures

39. West Window of the Chapel, New College Oxford: The Virtues - Hope

40. The Ceiling in the Banqueting House at Whitehall

41. The Marriage Feast at Cana, 1952

42. The South Sea House

43. The Admiralty Office

44. Royal Exchange, London

45. Mercury and Argus

46. Mercury and Argus

47. Oxford from North Hinksey

48. Mercury and Herse

49. Sir John Borlase Warren

50. West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

51. People in a Room

52. The Front or West End of the Cathedral Church of St. Pauls, London

53. Uxor Zelotypa

54. Sir Thomas Pasley

55. Pantheum Romanum nunc Mariae Cognomento

56. Panthei Fidelissime Dimensi Exterior et Interior

57. Miss Cumberland

58. John Paul Jones

59. A View of the Mall

60. A General View of the Remains of Bermondsey Abbey, Surrey

61. A View of Northumberland House, Charing Cross

62. A View of Northumberland House, Charing Cross

63. A View of the Chapter House taken from the Green

64. Charter-House Square for Stowes Surrey

65. A North View of Westminster Bridge

66. A North East View of Westminster with the Bridge, taken from Somerset Garden

67. French Songs

68. Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs

69. Castello S. Angelo Di Roma

70. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

71. The South - West View of the Parish Church of Ecton in Northamptonshire

72. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

73. Glen Crowe, Western Highlands, Scotland