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Marriage à la Mode, Plate 6
Creator:
Print made by William Hogarth, 1697–1764
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Southwark Fair
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
French Songs
Creator:
Print made by John Copley, 1875–1950
Date:
1946
Materials & Techniques:
Etching with gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 18 5/8 inches (35.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
People in a Room
Creator:
John Copley, 1875–1950
Date:
1947
Materials & Techniques:
Etching, printed in black
Dimensions:
Plate: 11 5/16 x 18 5/8in. (28.7 x 47.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Taking of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 7/16 × 18 5/8 inches (34.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wreck of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1825
Materials & Techniques:
Line engraving, stipple engraving and letterpress
Dimensions:
Sheet: 26 x 18 1/2in. (66 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1825
Materials & Techniques:
Line engraving, stipple engraving, and letterpress
Dimensions:
Sheet: 26 x 18 1/2in. (66 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A North View of Westminster Bridge
Creator:
Nathaniel Parr, active 1742–1751
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 7/8 x 18 3/8in. (32.7 x 46.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A North East View of Westminster with the Bridge, taken from Somerset Garden
Creator:
John S. Muller, ca. 1715–1792
Date:
1794
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 7/8 x 18 9/16in. (32.7 x 47.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Front or West End of the Cathedral Church of St. Pauls, London
Creator:
William Emmett, 1671–1736
Date:
1702
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 1/2 x 18 5/8in. (64.8 x 47.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside View of the East End of Merton College Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1802
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church and Part of Corpus Christi College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Balliol College Quadrangle
Creator:
Print made by James S. Storer, 1771–1853
Date:
1809
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lulworth Castle, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 18 1/2 inches (29.8 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orchard Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, original impression on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816 to 1820
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mother and Child with Border Design
Creator:
Print made by Henry Moore, 1898–1986
Date:
1976
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 22 x 18 5/16in. (55.9 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lillian Heidenberg Reitman
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Creator:
Print made by William Ward, 1766–1826
Date:
December 1, 1801
Materials & Techniques:
Mezzotint engraving printed in color with original hand coloring on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 1/2 x 18 3/8 inches (57.2 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
View of the City with the Louvre &c., taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Waterworks at Marli; and St. Germain en Laye seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-portrait
Creator:
Print made by Stephen Conroy, born 1964
Date:
2002
Materials & Techniques:
Etching on wove paper
Dimensions:
Plate: 12 x 10 1/4in. (30.5 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with contributions from family and friends in memory of Risha Stone, Yale Center for British Art volunteer (1981-2005)
Coaching [a pair]: 1. Stage Coach Setting Off
Creator:
Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South - West View of the Parish Church of Ecton in Northamptonshire
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1749
Materials & Techniques:
Etching and engraving on thick, rough, beige laid paper
Dimensions:
Mount: 25 1/4 × 18 7/16 inches (64.1 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Colored stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 19 7/8 inches (42.9 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the City with the Louvre &c. taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1792
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 18 5/8 inches (49.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart.
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1818
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 13 5/16 x 18 5/16in. (33.8 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Coaching [a pair]: 2. Arrival of the Stage Coach
Creator:
Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. TiT

TiT
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
2002
Materials & Techniques:
Screen print on white 400gsm Somerset Satin paper
Dimensions:
Sheet: 35 × 26 3/8 inches (88.9 × 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975
Gefaler Cathedral
Creator:
Print made by Axel Herman Haig, 1835–1921
Date:
1901
Materials & Techniques:
Etching on medium, smooth, beige wove paper mounted on linen
Dimensions:
Sheet: 35 7/16 × 25 13/16 inches (90 × 65.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Marriage à la Mode, Plate 4
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Marriage à la Mode, Plate 1
Creator:
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Marriage à la Mode, Plate 3
Creator:
Print made by Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Marriage à la Mode, Plate 5
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
The Temple of Aphaia at Aegina: Sections
Creator:
Edmund Turrell, active 1835–1860
Date:
1860
Materials & Techniques:
Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mousehold Heath--The Lane to the Left above Col. Harveys House
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1847
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 20 5/8 inches (40.6 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mousehold Heath-The Lane to the Left Above Col. Harvey's House
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1847
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 3/8 inches (38.1 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mousehold Heath--The Lane to the Left above Col. Harveys House
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1847
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 21 1/4 inches (42.2 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peaks Hole, Derbyshire
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1805
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
A View of the Fountain in the Temple
Creator:
Henry Fletcher, 1729–active 1750
Date:
1753
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1759
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:
Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
San Giorgio Maggiore
Creator:
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Canale Grande
Creator:
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 12 15/16 x 18 5/16 inches (32.8 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
South View of Christ Church, etc., From the Meadows...
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 18 3/8 inches (33.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Chapel and Hall of Oriel College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1801
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Cumberland
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1779
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 5/8 × 18 1/2 inches (57.5 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Abington as 'the Comic Muse'
Creator:
Print made by James Watson, 1740–1790
Date:
ca. 1769
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 1/4 × 18 1/2 inches (66.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Holy Family at Night
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
ca. 1750
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 9/16 × 22 7/8 inches (44.6 × 58.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Uxor Zelotypa
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 18 5/8 inches (39.6 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sir Thomas Pasley
Creator:
Anna Maria Smith Edmonton, 1766–1833
Date:
1796
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
Panthei Fidelissime Dimensi Exterior et Interior
Creator:
Print made by unknown artist
Date:
1553
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving, second state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:
1549
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Marriage Feast at Cana, 1952
Creator:
Sir Stanley Spencer, 1891–1959
Date:
1952
Materials & Techniques:
Original lithograph, printed in black on gray wove paper
Dimensions:
Sheet: 21 1/2 x 18 1/2in. (54.6 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
William Henry West Betty
Creator:
James Heath, 1757–1834
Date:
1806
Materials & Techniques:
Etching, line engraving, and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/2 x 18 1/2 inches (64.8 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wooded Landscape with Two Country Carts and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oxford from North Hinksey
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 1/16 × 18 7/16 inches (58.6 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the City with the Louvre & Taken from Pont Marie
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Abraham Lincoln
Creator:
Print made by James S. King, 1852–1925
Date:
1909
Materials & Techniques:
Etching (fourth proof) on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 31 5/8 × 23 1/2 inches (80.3 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Anne Lambton and Family
Creator:
Print made by John Young, 1755–1825
Date:
1799
Materials & Techniques:
Mezzotint (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 27 1/4 × 21 1/2 inches (69.2 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
John Paul Jones
Creator:
Print made by Henri Toussaint, 1849–1911
Date:
1906
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper with cream chine colle
Dimensions:
Sheet: 27 7/16 × 21 5/8 inches (69.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Façade St. Jean
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by L. Truchy, 1721–1764
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1762
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection