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Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving, first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caligula's Palace and Bridge
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elysium and Tartarus or the State of Final Retribution
Creator:
James Barry, 1741–1806
Date:
1791
Materials & Techniques:
Etching strengthened by engraving
Dimensions:
Plate: 16 1/2 x 36 3/8in. (41.9 x 92.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (II, Moon's Impressions) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by John Hoyland, 1934–2011
Date:
1971
Materials & Techniques:
Screen print on J. Green mould-made white wove paper
Dimensions:
Sheet: 28 1/8 × 40 1/2 inches (71.4 × 102.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields
No cover image available
Creator:
Print made by John Hoyland, 1934–2011
Date:
1971
Materials & Techniques:
Screen print on J. Green mould-made white wove paper
Dimensions:
Sheet: 28 × 40 1/2 inches (71.1 × 102.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields