Creator Gender: male / Subject Terms: architectural subject - YCBA Collections Search Search Results

2601. Farm Buildings in the Vaux, Jersey

Creator:: Robert Hills, 1769–1844
Date:: ca. 1832
Materials & Techniques:: Gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2602. Thatched Cottage with Barn Adjoining

Creator:: John Fulleylove, 1845–1908
Date:: 1881
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/8 × 20 inches (33.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2603. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2604. Canon Douglas Lodge Close, Sarum

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles S. Rhyne

2605. Norham Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/16 × 6 1/16 inches (10.3 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2606. St. Sepulchres, The Round Church

Creator:: John Hill, 1770–1850
Date:: 1814
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 13 9/16 inches (27.2 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Rev. Peter Rodgers

2607. Northwest View of Castle Church, Hexham, Northumberland

Creator:: Attributed to Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 1/8 inches (16.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2608. Elevation for the West Front of Parliament House, Dublin

Creator:: James Gandon, 1742–1823
Date:: ca. 1787
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 15 1/16 inches (25.1 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2609. Arcades: of Interlaced Mouldings

Creator:: C. Hacker
Date:: 1830
Materials & Techniques:: Pen and brown ink, graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2610. Design for a Farm House. Elevations of Two Fronts

Creator:: Joseph Michael Gandy, 1771–1843
Date:: between 1794 and 1797
Materials & Techniques:: Pen and gray ink, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 15/16 × 27 7/8 inches (48.1 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2611. A Georgian Mansion, front and side elevations

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, white laid paper
Dimensions:: Sheet: 15 3/4 x 30 13/16 inches (40 x 78.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2612. The Courtyard of Mr. Bank's House, Northernhay, Exeter

Creator:: John White Abbott, 1763–1851
Date:: 1816
Materials & Techniques:: Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2613. Design for a Royal Monument

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Gray wash with pen with black, gray and brown ink, with traces of graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 5/16 x 7 1/2 inches (33.8 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2614. A Difference of Opinion

Creator:: Print made by Auguste Boulard, 1852–1927
Date:: 1897
Materials & Techniques:: Etching and drypoint on vellum
Dimensions:: Sheet: 18 15/16 × 12 3/16 inches (48.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bryan Fuermann

2615. At the Cottage Gate, July 16, 1906

Creator:: Joseph Edward Southall, 1861–1944
Date:: 1906
Materials & Techniques:: Watercolor, gouache and graphite on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 8 7/8 x 5 5/8 inches (22.5 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2616. Projected Design for Fonthill Abbey, Wiltshire

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Watercolor and graphite on slightly textured, cream wove paper
Dimensions:: Frame: 28 1/2 x 43 1/2 x 2 inches (72.4 x 110.5 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2617. Totterne Inn

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1919
Materials & Techniques:: Etching; 3rd state, touched on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 inches (20.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2618. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2619. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite
Dimensions:: Sheet: 17 1/4 × 13 5/8 inches (43.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2620. View of Palace Yard on the day of the Coronation of His Majesty George IV

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1821
Materials & Techniques:: Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2621. Part of Westminster

Creator:: Print made by unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2622. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1828
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2623. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

Creator:: Print made by Thomas Hall, active early 19th century
Date:: 1808
Materials & Techniques:: Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2624. Section of the Court of Common Pleas and the Robery Room

Creator:: Studio of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2625. Elevations and Plans of the Court of Kings Bench

Creator:: Print made by unknown artist
Date:: ca. 1827
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2626. Westminster Hall

Creator:: unknown artist
Date:: ca. 1850
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2627. Ceiling of the Star Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2628. Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1845
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2629. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2630. Chimney piece, Star Chamber, Westminster

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1845
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 8 7/8 inches (28 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2631. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2632. Cotton Garden, Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2633. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

Creator:: Print made by William Francis Starling, active first half 19th century
Date:: 1843
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2634. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2635. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:: Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2636. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2637. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2638. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2639. Geometrical Construction of the Freeze and Battlements in the House of Commons

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2640. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Creator:: John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2641. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2642. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2643. Compartment on One Side, St Stephen's Chapel

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2644. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2645. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2646. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2647. Impost moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2648. Details of Imposts and Bases of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2649. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

Creator:: Print made by T. Clarke, 1799–1839
Date:: 1835
Materials & Techniques:: Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2650. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2651. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2652. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2653. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2654. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2655. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1836
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2656. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2657. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2658. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2659. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2660. Oak Door Discovered in the Speaker's State Dining Room

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2661. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2662. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2663. The King on his Throne in the House of Lords

Creator:: Print made by James Fittler, 1758–1835
Date:: 1804
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2664. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2665. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2666. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2667. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2668. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2669. View of Guy Fawkes' Tower

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2670. Sections of Room under Painted Chamber

Creator:: George Birch, 1842–1904
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2671. Ruins of Westminster Palace

Creator:: George Harley, 1791–1871
Date:: 1834
Materials & Techniques:: Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2672. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2673. House of Lords, Her Majesty Opening the Session of Parliament

Creator:: Print made by Henry Melville, active 1826–1841
Date:: ca. 1837
Materials & Techniques:: Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2674. Plan of Princes Chamber, One Pair

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2675. East Front of Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2676. Princes Chamber, East Side with the Old House of Lords

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2677. Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2678. South Side of Princes Chamber West

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2679. Window Detail, Princes Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2680. Door near Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1800 and 1807
Materials & Techniques:: Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2681. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2682. Old Palace Yard

Creator:: Frederick Mackenzie, 1788–1854
Date:: 1809
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2683. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2684. Ceiling of Front Parlor House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2685. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2686. New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

Creator:: Print made by T. Kearnan, active 1821–1850
Date:: ca. 1835
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2687. The North Prospect of Westminster Abbey

Creator:: Print made by John Collins, active ca. 1682
Date:: between 1680 and 1710
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2688. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Date:: 1739
Materials & Techniques:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2689. Houses of Parliament

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2690. View of the East End of Henry VIIth Chapel as Restored in 1813

Creator:: Print made by George Hawkins, active 1795–1810
Date:: 1814
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2691. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Creator:: Print made by Augustus Charles Pugin, 1762–1832
Date:: undated
Materials & Techniques:: Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2692. Henry the Seventh's Chapel, North Side

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: undated
Materials & Techniques:: Lithograph on slightly textured, medium, white wove paper
Dimensions:: Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2693. Buildings on East Side of Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2694. The Palaces (canceled plate)

Creator:: James McNeill Whistler, 1834–1903
Date:: ca. 1879
Materials & Techniques:: Copper printing plate
Dimensions:: Plate: 10 1/8 x 14 5/16in. (25.7 x 36.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

2695. Houses at Kingston on the Thames

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 x 7 3/4 inches (16.2 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2696. Houses at Teddington on the Thames

Creator:: attributed to Peter DeWint, 1784–1849
Date:: 1809
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2697. View of the Thames at Kingston

Creator:: attributed to Peter DeWint, 1784–1849
Date:: 1809
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 x 8 1/8 inches (16.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2698. Views in the Levant: The Colossus of Barletta

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 5 7/8 inches (21.4 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2699. Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Creator:: Lionel Grimston Fawkes, 1849–1931
Date:: 1881
Materials & Techniques:: Graphite and watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 8 3/8 inches (40 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2700. A View of the Palace of Marli toward the little Parterre

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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2601. Farm Buildings in the Vaux, Jersey

2602. Thatched Cottage with Barn Adjoining

2603. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

2604. Canon Douglas Lodge Close, Sarum

2605. Norham Castle, Northumberland

2606. St. Sepulchres, The Round Church

2607. Northwest View of Castle Church, Hexham, Northumberland

2608. Elevation for the West Front of Parliament House, Dublin

2609. Arcades: of Interlaced Mouldings

2610. Design for a Farm House. Elevations of Two Fronts

2611. A Georgian Mansion, front and side elevations

2612. The Courtyard of Mr. Bank's House, Northernhay, Exeter

2613. Design for a Royal Monument

2614. A Difference of Opinion

2615. At the Cottage Gate, July 16, 1906

2616. Projected Design for Fonthill Abbey, Wiltshire

2617. Totterne Inn

2618. Sellenger

2619. [One from] A Volume of Drawings and Prints

2620. View of Palace Yard on the day of the Coronation of His Majesty George IV

2621. Part of Westminster

2622. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

2623. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

2624. Section of the Court of Common Pleas and the Robery Room

2625. Elevations and Plans of the Court of Kings Bench

2626. Westminster Hall

2627. Ceiling of the Star Chamber

2628. Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

2629. Interior of Westminster Hall as Prepared for the Banquet

2630. Chimney piece, Star Chamber, Westminster

2631. Longitudinal Section of Westminster Hall

2632. Cotton Garden, Westminster

2633. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

2634. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

2635. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

2636. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

2637. Plate XI: St Stephen's Chapel

2638. Plate IX: St Stephen's Chapel

2639. Geometrical Construction of the Freeze and Battlements in the House of Commons

2640. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

2641. Half the Plan of Ceiling, St Stephen's Chapel

2642. Plan of Moldings, St Stephen's Chapel

2643. Compartment on One Side, St Stephen's Chapel

2644. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

2645. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

2646. Plan of Moldings, St Stephen's Chapel

2647. Impost moldings, St Stephen's Chapel

2648. Details of Imposts and Bases of Columns, St Stephen's Chapel

2649. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

2650. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

2651. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

2652. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

2653. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

2654. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

2655. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

2656. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

2657. Impost and Base of Columns, St Stephen's Chapel

2658. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

2659. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

2660. Oak Door Discovered in the Speaker's State Dining Room

2661. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

2662. Part of the Construction in the Old House of Lords

2663. The King on his Throne in the House of Lords

2664. North Side, Painted Chamber

2665. East End, Painted Chamber

2666. Door on South Side of Painted Chamber

2667. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

2668. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

2669. View of Guy Fawkes' Tower

2670. Sections of Room under Painted Chamber

2671. Ruins of Westminster Palace

2672. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

2673. House of Lords, Her Majesty Opening the Session of Parliament

2674. Plan of Princes Chamber, One Pair