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1. Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough

Prince George and Prince Edward Augustus, Sons of Frederick, Prince of Wales, with Their Tutor Dr. Francis Ayscough
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1748 and 1749
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 1/8 inches (63.5 x 76.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Margaret Callander and Her Son James Kearney

Margaret Callander and Her Son James Kearney
Creator:
Jean Laurent Mosnier, 1743/44–1808
Date:
1795
Materials & Techniques:
Oil on canvas
Dimensions:
99 3/4 x 66 inches (253.4 x 167.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Lowell Libson and Spink-Leger Pictures in honor of Brian & Katina Allen
On View:
Not on view

3. The John Bacon Family

The John Bacon Family
Creator:
Arthur Devis, 1712–1787
Date:
between 1742 and 1743
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 51 5/8 inches (76.2 x 131.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts

The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
Creator:
Attributed to Michael Chuke, 1679–1742
Date:
ca. 1715
Materials & Techniques:
Bronzed limewood
Dimensions:
Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

5. Jerusalem, Plate 1, Frontispiece

Jerusalem, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 72, "And the Thirty-two Counties...."

Jerusalem, Plate 72, "And the Thirty-two Counties...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The First Book of Urizen, Plate 16 (Bentley 17)

The First Book of Urizen, Plate 16 (Bentley 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Amateurs of Tye-Wig Music

Amateurs of Tye-Wig Music
Creator:
Edward Francis Burney, 1760–1848
Date:
ca. 1800-1815
Materials & Techniques:
Pen and ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/16 x 28 5/16in. (48.7 x 71.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Geographers

The Geographers
Creator:
John Brown, 1749–1787
Date:
undated
Materials & Techniques:
Pen and gray ink, pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 10 1/8 inches (18.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Wrapper for six prints from Alfred Crowquill's Christmas Pieces

Wrapper for six prints from Alfred Crowquill's Christmas Pieces
Creator:
Print made by Alfred Henry Forrester, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 18 1/8 × 13 5/16 inches (46 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Oracle, Representing Britannia, Hibernia, Scotia and America

The Oracle, Representing Britannia, Hibernia, Scotia and America
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1774
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 × 26 1/4 inches (55.9 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Antonius Van Dyck Eques and Peter Paul Rubens Eques

Antonius Van Dyck Eques and Peter Paul Rubens Eques
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
between 1618 and 1658
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 17 5/8 inches (32.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Medicus Alchemista

Medicus Alchemista
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 19 7/16 inches (38.5 x 49.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Geography

Geography
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Ecce Homo

Ecce Homo
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/16 × 6 5/16 inches (21.1 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. John Locke

John Locke
Creator:
Print made by John Chapman, active ca. 1792–1823
Date:
1811
Materials & Techniques:
Colored stipple engraving on thick, slightly textured beige card
Dimensions:
Sheet: 9 7/16 x 7 9/16 inches (23.9 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Ticket: Walker's Lectures

Ticket: Walker's Lectures
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Garrick, In the Character of Abel Drugger

Garrick, In the Character of Abel Drugger
Creator:
Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/8 x 15 7/8 inches (58.7 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Messrs. Morgan & Sanders, Catherine St., Strand

Messrs. Morgan & Sanders, Catherine St., Strand
Creator:
Print made by unknown artist
Date:
1809
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 7/16 inches (15.4 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection