<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Subject Terms harness

Remove constraint Subject Terms: harness

Search Results

1. The Turn Rice-Plough, Sussex

The Turn Rice-Plough, Sussex
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1909
Materials & Techniques:
Oil on canvas
Dimensions:
26 1/8 x 35 1/2 inches (66.4 x 90.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Horse and Cart

Horse and Cart
Creator:
John Constable, 1776–1837
Date:
ca. 1814
Materials & Techniques:
Oil on canvas on board
Dimensions:
6 3/8 × 10 1/2 inches (16.2 × 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire

Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire
Creator:
John Frederick Herring, 1795–1865
Date:
1838
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/8 x 50 1/8 inches (101.9 x 127.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Last of the Mail Coaches at Newcastle upon Tyne

The Last of the Mail Coaches at Newcastle upon Tyne
Creator:
James Pollard, 1792–1867
Date:
1848
Materials & Techniques:
Oil on canvas
Dimensions:
18 x 27 inches (45.7 x 68.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Royal Grey in State Harness

Royal Grey in State Harness
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
ca. 1925
Materials & Techniques:
Oil on millboard
Dimensions:
13 1/4 x 16 inches (33.7 x 40.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. The London-Faringdon Coach passing Buckland House, Berkshire

The London-Faringdon Coach passing Buckland House, Berkshire
Creator:
James Pollard, 1792–1867
Date:
1835
Materials & Techniques:
Oil on canvas
Dimensions:
19 7/8 x 27 5/8 inches (50.5 x 70.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. A Gentleman with His Pair of Bays Harnessed to a Curricle

A Gentleman with His Pair of Bays Harnessed to a Curricle
Creator:
John Cordrey, active 1765–1825
Date:
1806
Materials & Techniques:
Oil on canvas
Dimensions:
18 3/4 x 30 inches (47.6 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Sketch studies of camels

Sketch studies of camels
Creator:
Edward Lear, 1812–1888
Date:
January to April 1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 x 2 7/8 inches (12.2 x 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 8, "Rose up against me...."

Jerusalem, Plate 8, "Rose up against me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Studies of a Carthorse

Studies of a Carthorse
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 7 1/8 inches (15.2 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Horse of Ostend

The Horse of Ostend
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1921
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 10 3/4 inches (21.2 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

16. Early Spring, Gloucestershire

Early Spring, Gloucestershire
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1922
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. Man With a Horse Harnessed to a Roller

Man With a Horse Harnessed to a Roller
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 3/16 × 8 9/16 inches (15.7 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Landscape with a Fisherman

Landscape with a Fisherman
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 5/8 inches (24.8 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

19. Jack in Office

Jack in Office
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1835
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 7/8 x 17 3/16 inches (30.2 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Dusty Millers

Dusty Millers
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers)
Dimensions:
Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

21. Dusty Millers

Dusty Millers
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 6 3/4 x 9 1/2 inches (17.1 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

22. View of Buildings

View of Buildings
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 × 7 13/16 inches (16.4 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

23. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Mail Coach Behind Time

No cover image available
Creator:
Engraved by Henry Pyall, 1795–1833
Date:
1827
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection