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Christmas
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sepulchre
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1800; impression printed in 1924
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harvest under a Crescent Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
ca. 1826
Materials & Techniques:
Wood engraving on thin, smooth, cream laid paper
Dimensions:
Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun ca. 1880
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:
Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Sepulchre
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
between 1880 and 1883
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 14 3/8 inches (25.3 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Christmas

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Christmas

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:
Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Christmas

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Rispah: 2nd Book of Samuel, Chap. 21
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 11 inches (21 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Rispah: 2nd Book of Samuel, Chap. 21
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rispah: 2nd Book of Samuel, Chap. 21
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 12 3/8 × 13 1/4 inches (31.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Jerusalem, Tailpiece (Plate 100)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"One hair nor particle of dust..." (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"From every-one of the Four Regions..." (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"But when they saw Albion fall'n..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"What have I said? What have I done?..." (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I Want! I Want! (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"I want! I want!" (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief and white-line etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"To The Accuser who is The God of This World..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Became a Space & an Allegory..." (Plate 85)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Awake! Awake Jerusalem..." (Plate 97)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And One stood forth from the Divine Family..." (Plate 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Jehovah stood among the Druids..." (Plate 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Then all the Males conjoined into One Male..." (Plate 69)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Rose up against me thundering..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations of Imitation of Eclogue I, Page 15
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations of Imitation of Eclogue I, Page 16
Creator:
Print made by William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moon-Light
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moon-Light
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Blacksmith's Shop
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1838
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eclipse (?) Shakespeare
Creator:
Print made by John Scott, 1774–1828
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Master Lambton
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1827
Materials & Techniques:
Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ideal Pastoral Life
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Mount: 16 5/16 x 12 7/16 inches (41.5 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ideal Pastoral Life
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 x 5 9/16 inches (12.3 x 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Deluge
Creator:
Print made by J. P. Quilley, active 1828
Date:
1828
Materials & Techniques:
Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1827
Materials & Techniques:
Mezzotint with chine collé; published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 15 3/4 inches (30.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Hamlet

Hamlet
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Creator:
Print made by James H. Baker, born 1829
Date:
between 1839 and 1849
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Eclipse of the Sun as it Will Appear at London on July 14, 1748
Creator:
Print made by J. Walker, active ca. 1748
Date:
1748
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pyramus and Thisbe
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/16 × 10 1/8 inches (20.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Acteon and Diana
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/16 × 10 5/8 inches (35.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 9/16 × 7 1/16 inches (24.3 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Das Schachspiel
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 11/16 × 16 1/4 inches (32.2 × 41.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Soul Exploring the Recesses of the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cupid and Psyche
Creator:
Print made by William Say, 1768–1834
Date:
1816
Materials & Techniques:
Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Boy Lighting a Candle
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1751
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 15/16 × 8 7/8 inches (32.8 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching and engraving; first published state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Valley of the Shadow of Death
Creator:
James Gillray, 1756–1815
Date:
1808
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
Creator:
John Finlayson, 1730–1776
Date:
1768
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The New Moon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1918
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Villa Madama, Moonlight
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 1/8 inches (38.4 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Twixt Dawn and Day
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1919
Materials & Techniques:
Aquatint on wove paper
Dimensions:
Sheet: 13 5/8 × 18 inches (34.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Nightingale
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
La diavolessa bianca!
Creator:
Print made by Edward Anthony Carrick, 1905–1998
Date:
undated
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 11 x 8 inches (27.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sophia, Honour, and the Chambermaid
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Battersea Bridge
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1868
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 12 1/4in. (24.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
An Early Riser
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1897
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/16 x 13 3/4 inches (26.5 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
Creator:
Print made by Henry J. Townsend, 1810–1890
Date:
1853
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Creator:
Simon François Ravenet, 1706–1774
Date:
1753
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Breaking Up of the Agamemnon, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

96. Moonlight

Moonlight
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/8 inches (37.5 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Harvest Moon
Creator:
Print made by Charles Henry Baskett, 1872–1953
Date:
between 1910 and 1913
Materials & Techniques:
Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper laid on mount
Dimensions:
Sheet: 9 15/16 x 13 7/8 inches (25.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Emerson Tuttle
Villa Madama, Moonlight
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Villa Madama, Moonlight
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund