Creator Gender: male / Subject Terms: shepherd - YCBA Collections Search Search Results

1. Sketch from Nature in Sion Park

Creator:: Samuel Palmer, 1805–1881
Date:: 1819
Materials & Techniques:: Oil on card
Dimensions:: 7 x 8 7/8 inches (17.8 x 22.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Oil on canvas
Dimensions:: 48 × 64 3/4 inches (121.9 × 164.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Shepherd in a Landscape looking across Dedham Vale towards Langham

Creator:: John Constable, 1776–1837
Date:: ca. 1811
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 5 7/8 × 11 1/2 inches (14.9 × 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Hampstead Heath

Creator:: John Constable, 1776–1837
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 14 inches (45.1 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. Corfu from Ascension

Creator:: Edward Lear, 1812–1888
Date:: 1862
Materials & Techniques:: Oil on canvas
Dimensions:: 18 5/8 × 29 7/8 inches (47.3 × 75.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

6. Landscape with Goatherd

Creator:: Edward Lear, 1812–1888
Date:: ca. 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

7. Corfu from Ascension

Creator:: Edward Lear, 1812–1888
Date:: ca. 1860
Materials & Techniques:: oil on canvas
Dimensions:: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Sophie and Michael D. Coe, Yale MAH 1968
On View:: Not on view

8. Coastal Landscape with a Shepherd and His Flock

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1783 and 1784
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Wooded Landscape with a Cottage and Shepherd

Creator:: Thomas Gainsborough, 1727–1788
Date:: 1748 to 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 3/8 inches (43.2 x 54.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Deserter's Home

Creator:: Richard Redgrave, 1804–1888
Date:: 1847
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 40 1/4 inches (76.2 x 102.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

11. A Traveller and a Shepherd in a Landscape

Creator:: Edmund Bristow, 1787–1876
Date:: ca. 1825
Materials & Techniques:: Oil on cardboard
Dimensions:: 4 x 3 1/4 inches (10.2 x 8.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Landscape with a Shepherd

Creator:: Charles Towne, 1763–1840
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 × 32 1/4 inches (62.2 × 81.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Shepherd Boy on a Hillside

Creator:: William Turner of Oxford, 1789–1862
Date:: ca. 1840
Materials & Techniques:: Oil on panel
Dimensions:: 7 1/4 × 9 1/4 inches (18.4 × 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. A View of Cheddar Gorge

Creator:: George Vincent, 1796–1832
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Evening Pasture

Creator:: James Smetham, 1821–1889
Date:: ca. 1865
Materials & Techniques:: Oil on canvas
Dimensions:: 7 3/4 × 20 inches (19.7 × 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. David, the Future King of Israel, While a Shepherd at Bethlehem

Creator:: John Rogers Herbert, 1810–1890
Date:: 1877
Materials & Techniques:: Oil on millboard
Dimensions:: 13 3/8 x 21 7/8 inches (34 x 55.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

17. Landscape, with Dover Castle in the Distance

Creator:: Arthur Nelson, active 1765–1773
Date:: ca. 1767
Materials & Techniques:: Oil on panel
Dimensions:: 22 1/2 x 43 inches (57.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

18. Morning: Landscape with Cattle

Creator:: George Barret, ca. 1728/32–1784
Date:: ca. 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 20 × 39 1/2 inches (50.8 × 100.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Mountain Valley with Figures and Distant Village

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1773 and 1777
Materials & Techniques:: Oil on canvas
Dimensions:: 48 x 58 3/4 inches (121.9 x 149.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Shepherd Boy Playing a Flute

Creator:: John Linnell, 1792–1882
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 9 × 6 1/2 inches (22.9 × 16.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Cupid Disguised as a Shepherd Boy

Creator:: John Gibson, 1790–1866
Date:: commissioned in 1834
Materials & Techniques:: Carrara marble
Dimensions:: Overall: 51 × 21 × 16 inches (129.5 × 53.3 × 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Karen S. W. and Edward A. Friedman, Yale BA 1971, Kristin W. and Gary D. Friedman, Yale BA 1973, Ruth and Theodore N. Mirvis, and Darcy Bradbury and Eric Seiler
On View:: Not on view

22. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

33. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

34. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

35. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Lonely Tower

Creator:: Samuel Palmer, 1805–1881
Date:: 1868
Materials & Techniques:: Watercolor, gouache and gum arabic on London board: a high-quality pasteboard sheet made of Whatman's finest drawing paper
Dimensions:: Sheet: 20 1/4 x 27 7/8 inches (51.4 x 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1815 (formerly dated ca. 1803)
Materials & Techniques:: Watercolor, graphite, gum, scraping out, and stopping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Shepherd (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Little Black Boy (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Lamb (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor; verso: relief and white-line etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Songs of Innocence, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Book of Thel; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Songs of Innocence, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Infant Joy (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "Condens'd his Emanations..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Illustrations of Imitation of Eclogue I, Page 16

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Little Black Boy (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Creator:: Prints made by William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Dry Halfeh Grass

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 x 7 inches (7 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

55. Sleepest or Wakest Thou?

Creator:: Print made by Richard Ansdell, 1815–1885
Date:: ca. 1853
Materials & Techniques:: Etching on moderately thick, smooth, cream card
Dimensions:: Sheet: 4 1/4 × 5 7/8 inches (10.8 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Old Sarum

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829 to 1830
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Shepherd Boy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 11/16 x 11 15/16 inches (42.4 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Shepherd and Shepherdess

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: 1676
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 3/4 inches (19 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. The Exposition of Cyrus

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. The Return Home

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1830
Materials & Techniques:: Wood-engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:: Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Road Workers, near Lillebonne

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 3/8 inches (10.5 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. "Mark your divorce young sir, whom son I dare not call"

Creator:: James Heath, 1757–1834
Date:: 1804
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. South View of Bath

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Landscape with Shepherd and Sheep

Creator:: Thomas Barker, 1769–1847
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Changing Pasture

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Outskirts of the Forest

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. A Shepherd with Flock Beneath a Large Tree

Creator:: Arthur James Stark, 1831–1902
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:: Contemporary drawn border: 5 7/8 × 13 1/4 inches (14.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Junction of the Severn and the Wye with Chepstow in the Distance

Creator:: David Cox, 1783–1859
Date:: 1830
Materials & Techniques:: Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Tooting Church

Creator:: Print made by George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Ham Court, the Seat of John Martin, Esq.

Creator:: Print made by James Caldwall, 1739–1819
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 11/16 x 8 11/16 inches (14.4 x 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Shepherd and Flock Outside a Village

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Plate: 5 11/16 x 8 11/16 inches (14.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint and etching; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 18 inches (33 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Shepherd with Dog and Sheep

Creator:: Print made by John Boyne, ca. 1750–1810
Date:: 1806
Materials & Techniques:: Lithograph on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 8 7/8 x 12 7/16 inches (22.5 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

80. The Shepherd

Creator:: Engraved by Welby Sherman, active 1827
Date:: between 1827 and 1836
Materials & Techniques:: Engraving with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/8 x 11 9/16 inches (32.7 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. A Landscape

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1817
Materials & Techniques:: Mezzotint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 16 9/16 inches (27.4 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

82. Celadon and Amelia

Creator:: Print made by William Woollett, 1735–1785
Date:: 1766
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/8 x 22 1/4 inches (46 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Landscape with a Seated Shepherd

Creator:: Print made by William Havell, 1782–1857
Date:: 1804
Materials & Techniques:: Lithograph on moderately thick, moderately textured, gray laid paper
Dimensions:: Sheet: 12 3/16 x 8 3/4 inches (31 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

84. The Shepherd

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Stevenage

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1902
Materials & Techniques:: Etching; early proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 5 3/8 inches (25.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

86. Shepherd Seated Under a Tree

Creator:: Richard Wilson, ca. 1712–1782
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, rough, blue laid paper
Dimensions:: Mount: 18 x 12 inches (45.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Glencoe: A Shepherd Boy Crossing a Burn

Creator:: Walter Goodall, 1830–1889
Date:: 1857
Materials & Techniques:: Watercolor over graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 3/8 inches (33.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Moorland with Sheep and Shepherd

Creator:: Claude Hayes, 1852–1922
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 29 1/4 inches (49.2 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Ruins of the College of Lincluden, Near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Ruins of the College of Lincluden, near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1806
Materials & Techniques:: Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Park Landscape with Shepherd and Sheep

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Oxford from Boar's Hill

Creator:: Hugh O'Neill, 1784–1824
Date:: 1811
Materials & Techniques:: Watercolor with scratching out over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Shepherd Resting and Conversing

Creator:: James Havard Thomas, 1854–1921
Date:: 1897
Materials & Techniques:: Red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 8 3/8 inches (38.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Kate H. Goodbody (Mrs. William W.).

94. A Bard and a Shepherd

Creator:: Samuel Woodforde, 1763–1817
Date:: undated
Materials & Techniques:: Watercolor over graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 3/16 x 15 1/8 inches (51.3 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Shepherd, Shepherdess and Dog

Creator:: Michel Vincent Brandoin, 1733–1807
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 3 7/8 inches (13 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Classic Composition

Creator:: John Varley, 1778–1842
Date:: ca. 1800
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/16 x 4 9/16 inches (15.4 x 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Ruins of the College of Lincluden

Creator:: Print made by William Byrne, 1743–1805
Date:: 1782
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Shepherd Boy

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 x 5 5/8 inches (25.1 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Shepherd and Shepherdess by Moonlight

Creator:: Welby Sherman, active 1827
Date:: undated
Materials & Techniques:: Pen and ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 × 4 3/4 inches (6.4 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Landscape with beech trees and man driving cattle and sheep

Creator:: style of Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, gouache, and black chalk on medium, slightly textured, cream laid paper on blue wove paper mount
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Creator Gender male

Subject Terms shepherd

Search Results

1. Sketch from Nature in Sion Park

2. Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night

3. A Shepherd in a Landscape looking across Dedham Vale towards Langham

4. Hampstead Heath

5. Corfu from Ascension

6. Landscape with Goatherd

7. Corfu from Ascension

8. Coastal Landscape with a Shepherd and His Flock

9. Wooded Landscape with a Cottage and Shepherd

10. The Deserter's Home

11. A Traveller and a Shepherd in a Landscape

12. Landscape with a Shepherd

13. Shepherd Boy on a Hillside

14. A View of Cheddar Gorge

15. Evening Pasture

16. David, the Future King of Israel, While a Shepherd at Bethlehem

17. Landscape, with Dover Castle in the Distance

18. Morning: Landscape with Cattle

19. Mountain Valley with Figures and Distant Village

20. Shepherd Boy Playing a Flute

21. Cupid Disguised as a Shepherd Boy

22. The Rising Moon

23. The Herdsman's Cottage

24. Opening the Fold

25. The Sleeping Shepherd

26. The Rising Moon

27. The Rising Moon

28. The Rising Moon

29. The Herdsman's Cottage

30. The Sleeping Shepherd

31. The Rising Moon

32. The Rising Moon

33. The Sleeping Shepherd

34. Opening the Fold

35. A Shepherd and his Flock under the Moon and Stars

36. The Lonely Tower

37. Opening the Fold

38. Opening the Fold

39. Mer de Glace, in the Valley of Chamonix

40. The Shepherd (Plate 4)

41. The Little Black Boy (Plate 6)

42. The Lamb (Plate 18)

43. Songs of Innocence, Frontispiece (Plate 1)

44. The Book of Thel; Title Page (Plate 2)

45. Songs of Innocence, Frontispiece (Plate 1)

46. Infant Joy (Plate 14)

47. The Lamb (Plate 8)

48. "Condens'd his Emanations..." (Plate 9)

49. 'Disease invades the chastest temperence' (Page 10)

50. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

51. Illustrations of Imitation of Eclogue I, Page 16

52. The Little Black Boy (Plate 30)

53. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

54. A Dry Halfeh Grass

55. Sleepest or Wakest Thou?

56. Evening

57. Evening

58. Old Sarum

59. West Tower, Wymondham Church

60. A Shepherd Boy

61. Shepherd and Shepherdess

62. The Exposition of Cyrus

63. The Return Home

64. Wooded Landscape with Herdsman and Cows

65. Wooded Landscape with Herdsman and Cows

66. Road Workers, near Lillebonne

67. "Mark your divorce young sir, whom son I dare not call"

68. South View of Bath

69. Landscape with Shepherd and Sheep

70. Changing Pasture

71. Outskirts of the Forest

72. A Shepherd with Flock Beneath a Large Tree

73. The Junction of the Severn and the Wye with Chepstow in the Distance

74. Tooting Church