The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
7
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
8
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
9
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
10
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
1794
11
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
12
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
13
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
14
Print made by Robert Sargent Austin, 1895–1973
Salus Infirmorum
1922
15
Print made by Robert Sargent Austin, 1895–1973
Hero's Widow
1932
16
Print made by Robert Sargent Austin, 1895–1973
The Horse of Ostend
1921
17
Print made by Robert Sargent Austin, 1895–1973
Early Spring, Gloucestershire
1922
18
Print made by Edward Jay Cherry, active 1920
Architectural View
ca. 1920
19
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
20
Heneage Finch fourth Earl of Aylesford, 1751–1812
Maxstoke Priory
undated
21
Print made by David Allan, 1744–1796
Glaud and Symon
1808
22
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"