Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
202
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
203
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
204
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
205
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
206
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
207
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
208
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
209
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
210
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
211
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
212
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
213
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
214
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
215
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
216
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
217
Print made by Henry Melville, active 1826–1841
The House of Commons
1834
218
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
219
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
220
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
221
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
222
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
223
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
224
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
225
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
226
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
227
Print made by Henry Melville, active 1826–1841
The Kind Proroguing Parliament
1834
228
Print made by James Fittler, 1758–1835
The King on his Throne in the House of Lords
1804
229
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
230
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
231
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
232
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
233
Print made by unknown artist
Plate XXXIX: House of Commons as Fitted Up in 1835
ca. 1836
234
Print made by unknown artist
Staircase at Southeast Angle, Painted Chamber, Westminster
1835
235
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
236
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
237
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
238
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
239
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
240
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
241
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
242
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
243
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
244
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
245
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
246
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
247
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
248
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
249
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
250
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
251
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
252
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
253
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
254
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
255
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
256
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
257
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
258
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
259
George Harley, 1791–1871
Ruins of Westminster Palace
1834
260
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
261
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
262
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
263
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
264
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
265
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
266
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
267
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
268
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
269
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
270
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
271
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
272
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
273
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
274
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
275
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
276
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
277
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
278
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
279
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
280
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
281
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
282
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
283
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
284
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
285
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
286
Print made by unknown artist
Chance. The London Firemen's Dog
1834
287
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
288
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
289
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
290
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
291
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
292
Print made by unknown artist
Houses of Parliament
undated
293
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
294
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
295
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
296
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
297
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster