Album of Landscape and Figure Studies: Sketch of a Young Man (short list, mathematical calculations scribbled on right side of sheet)
14002
Michel Jean Cazabon, 1813–1888
North Coast of Trinidad, from the North Post
1851
14003
William Callow, 1812–1908
Château d'Ecouen
1833
14004
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
14005
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
14006
George Shepheard, ca. 1770–1842
Devereux House, the Strand, London
1811
14007
Francis Place, 1647–1728
Extensive View of Windsor Castle
undated
14008
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
14009
William Westall, 1781–1850
Whampoa and the Canton River
1845
14010
Jacques Le Moyne de Morgues, ca. 1533–before 1588
A Young Daughter of the Picts
ca. 1585
14011
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
14012
Edward Francis Burney, 1760–1848
Homage to Nelson
undated
14013
unknown artist
Interior of Milan Cathedral
undated
14014
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
14015
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
14016
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
14017
Sir George Howland Beaumont seventh Baronet, 1753–1827
Hill Sketch
undated
14018
Sir George Howland Beaumont seventh Baronet, 1753–1827
View over Valley
undated
14019
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree by Steps
undated
14020
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
14021
George Barret Jr., 1767–1842
A Cottage in the Isle of Wight
undated
14022
Sir George Howland Beaumont seventh Baronet, 1753–1827
Abbey Church at St. Albans
1781
14023
George Bryant Campion, 1796–1870
Dedham
undated
14024
Sir George Howland Beaumont seventh Baronet, 1753–1827
Figure in Tree near Pond
undated
14025
Sir George Howland Beaumont seventh Baronet, 1753–1827
Man Sitting
1811
14026
Sir George Howland Beaumont seventh Baronet, 1753–1827
Part of Brind Gill in Ligburthwaite
undated
14027
Sir George Howland Beaumont seventh Baronet, 1753–1827
Church in Trees
undated
14028
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ben Glog (North Wales)
undated
14029
Sir George Howland Beaumont seventh Baronet, 1753–1827
Bridge over Stream, North Wales
1800
14030
Richard Beavis, 1824–1896
Block House Fort, Gosport, Hampshire
undated
14031
Louis Philippe Boitard, active 1734–1760
Man Asleep with his Mouth Wide Open and Hands Crossed
undated
14032
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
14033
Richard Parkes Bonington, 1802–1828
A Seascape
undated
14034
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
14035
Louis Philippe Boitard, active 1734–1760
A Young Peasant Girl with Arms Folded
undated
14036
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
14037
follower of Thomas Shotter Boys, 1803–1874
Mantes
undated
14038
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
14039
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
14040
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
14041
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
14042
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
14043
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
14044
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
14045
Thomas Shotter Boys, 1803–1874
The Castle Mills Bridge, York
1839
14046
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
14047
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
14048
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
14049
Thomas Shotter Boys, 1803–1874
A Christening
undated
14050
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
14051
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
14052
Thomas Bradshaw, Born 1767
From the Beach near Fort Blanc, Oct. 4, 1819
1819
14053
Robert Brandard, 1805–1862
Coast Scene with Figures
undated
14054
John Thomas Smith, 1766–1833
The Smock Exposed
1817
14055
Thomas Shotter Boys, 1803–1874
Fountain in the Gardens, Paris: Evening
undated
14056
John Thomas Smith, 1766–1833
The Reconcilation
1817
14057
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
14058
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
14059
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
14060
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
14061
Richard Brookes, 1721–1763
Rough Diamonds
ca. 1760
14062
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
14063
William Henry Brooke, 1772–1860
Portrait of a Girl Sketching
undated
14064
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
14065
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
14066
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
14067
Richard Brookes, 1721–1763
Crystals and Fossils
ca. 1760
14068
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
14069
Richard Brookes, 1721–1763
Sheep, and Three Animals
ca. 1760
14070
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
14071
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
14072
Richard Brookes, 1721–1763
The Humble Bee and Insects
1760
14073
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
14074
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
14075
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
14076
Rev. James Bulwer, 1794–1879
Holyhead, Highwater
undated
14077
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
14078
Edward Francis Burney, 1760–1848
Caricature Self-Portrait
undated
14079
Edward Francis Burney, 1760–1848
Allegory of Sea Trades
undated
14080
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
14081
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
14082
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance