<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Search Results

Thomas Girtin View of the City with the Louvre &c., taken from Pont Marie
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin The Waterworks at Marli; and St. Germain en Laye seen in the distance
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
John Opie Standing Classical Male Figure with Spear
John Opie, 1761–1807
Standing Classical Male Figure with Spear
undated
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
Charles E. Wagstaff John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
Charles E. Wagstaff, 1808–
John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
1846
Alexander Bannerman James Gibbs
Alexander Bannerman, ca. 1730–1780
James Gibbs
undated
William Thomas Fry Robert Hills
William Thomas Fry, 1789–1843
Robert Hills
Edward Fisher Nathaniel Hone
Edward Fisher, 1722–1785
Nathaniel Hone
between 1758 and 1782
Alexander Bannerman William Faithorne
Alexander Bannerman, ca. 1730–1780
William Faithorne
undated
William Daniell John Hoppner, R.A.
Print made by William Daniell, 1769–1837
John Hoppner, R.A
1810
Sir George Hayter Sir George Hayter
Sir George Hayter, 1792–1871
Sir George Hayter
1822
Sir David Wilkie Benjamin Robert Haydon
Sir David Wilkie, 1785–1841
Benjamin Robert Haydon
William Daniell Thomas Hardwick
Print made by William Daniell, 1769–1837
Thomas Hardwick
between 1802 and 1814
John Smith Abraham Hondius
John Smith, 1652–1743
Abraham Hondius
Thomas Rowlandson Heads: Fancynina
Thomas Rowlandson, 1756–1827
Heads: Fancynina
1800
Thomas Rowlandson Heads: Barberorum
Thomas Rowlandson, 1756–1827
Heads: Barberorum
1800
Thomas Rowlandson Heads: Allegora
Thomas Rowlandson, 1756–1827
Heads: Allegora
1800
Thomas Rowlandson Heads: Publicorum
Thomas Rowlandson, 1756–1827
Heads: Publicorum
1800
Thomas Rowlandson Heads: Virginia
Thomas Rowlandson, 1756–1827
Heads: Virginia
1800
Anthony Walker Mr. and Mrs. Gibson
Anthony Walker, 1726–1765
Mr. and Mrs. Gibson
Thomas Rowlandson Heads: Flora
Thomas Rowlandson, 1756–1827
Heads: Flora
1800
Thomas Rowlandson Heads: Physicorum
Thomas Rowlandson, 1756–1827
Heads: Physicorum
1800
unknown artist Henry Gyles
unknown artist
Henry Gyles
Joseph C. Bentley Rievaulx Abbey
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
Charles Denton Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
Charles Denton, active 1853
Abergavenny Steeple Chase: "Taking the Wall" / Pontiff, General, Thurgarton, Dearest Mae, Ploughboy
1853
Paul van Somer Man and Woman Drinking
Print made by Paul van Somer, ca. 1649–ca. 1694
Man and Woman Drinking
undated
James Gillray Coming-In at the Death
James Gillray, 1756–1815
Coming-In at the Death
1800
James Gillray Cockney-Sportsmen Shooting-Flying
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
Joseph Grozer Evening or the Sportsman's Return
Joseph Grozer, ca. 1755–1798
Evening or the Sportsman's Return
1795
James Gillray Cockney-Sportsmen finding a Hare
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
John Harris Coaching: The Early Delivery
John Harris, 1811–1865
Coaching: The Early Delivery
1863
John Harris Fore's Stable Scenes: Thorough Breds
John Harris, 1811–1865
Fore's Stable Scenes: Thorough Breds
1846
John Harris Coaching: The Right Sort
John Harris, 1811–1865
Coaching: The Right Sort
1863
John Harris Fore's Stable Scenes: The Hunting Stud
John Harris, 1811–1865
Fore's Stable Scenes: The Hunting Stud
1846
John Harris Fores's National Sports: Racing - The Run In
John Harris, 1811–1865
Fores's National Sports: Racing - The Run In
1866
John Harris Fores's National Sports: Racing - A False Start
John Harris, 1811–1865
Fores's National Sports: Racing - A False Start
1866
John Harris Fore's Stable Scenes: The Team
John Harris, 1811–1865
Fore's Stable Scenes: The Team
1846
John Harris Fores's National Sports: Racing - Returning to Weigh
John Harris, 1811–1865
Fores's National Sports: Racing - Returning to Weigh
1866
John Harris Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
1837
John Harris Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
1837
John Robert Cozens The Bay of Naples from Capodimonte, Italy
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
Thomas Shotter Boys Brussels from the Paris Road
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
Francis Towne View on Lake Maggiore at Evening
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
William Hincks Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
William Hincks Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
Frederick Tatham Mr. William Williams
Frederick Tatham, 1805–1878
Mr. William Williams
ca. 1830
John Faber the Younger Sir Godfrey Kneller
John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
Richard James Lane Sir Thomas Lawrence
Richard James Lane, 1800–1872
Sir Thomas Lawrence
1830
unknown artist Thomas Lawrence, Late President of the Royal Academy
unknown artist
Thomas Lawrence, Late President of the Royal Academy
Alexander Bannerman Major General Lambert
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
Alphonse Legros Alphonse Legros
Alphonse Legros, 1837–1911
Alphonse Legros
Charles Baugniet Daniel Maclise
Print made by Charles Baugniet, 1814–1886
Daniel Maclise
1857
Peter DeWint Castle above a River, Woodcutters in the Foreground
Peter DeWint, 1784–1849
Castle above a River, Woodcutters in the Foreground
ca. 1820
William Sharp Thomas Paine
William Sharp, 1749–1824
Thomas Paine
1793
William Wynne Ryland King John Ratifying the Magna Charta
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
Frederick Tatham William William's Second Wife
Frederick Tatham, 1805–1878
William William's Second Wife
ca. 1830
Samuel Cousins Sir Thomas Lawrence P. R. A.
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
Richard James Lane Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
Richard James Lane, 1800–1872
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
John Faber the Younger The Swain's Amusement
Print made by John Faber the Younger, ca. 1695–1756
The Swain's Amusement
between 1748 and 1756
John Faber the Younger The Housewife's Employment
Print made by John Faber the Younger, ca. 1695–1756
The Housewife's Employment
undated
John Faber the Younger Young Male Shearing a Sheep
Print made by John Faber the Younger, ca. 1695–1756
Young Male Shearing a Sheep
undated
John Faber the Younger A Girl Spinning Thread
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
Wenceslaus Hollar Portrait of Inigo Jones
Wenceslaus Hollar, 1607–1677
Portrait of Inigo Jones
1655
Wenceslaus Hollar An Elephant and a Camel
Wenceslaus Hollar, 1607–1677
An Elephant and a Camel
1663
Bernard Lens II A Triton holding a Fish
Bernard Lens II, 1659–1725
A Triton holding a Fish
1700
Thomas Worlidge Portrait of Sir Edward Astley
Thomas Worlidge, 1700–1766
Portrait of Sir Edward Astley
1762
Anthony Walker Mr. and Mrs. Gibson
Anthony Walker, 1726–1765
Mr. and Mrs. Gibson
Henry Hoppner Meyer Thomas Gainsborough, Esq. R.A.
Henry Hoppner Meyer, ca. 1782–1847
Thomas Gainsborough, Esq. R.A
1810
Alexander Bannerman Marc Garrard
Alexander Bannerman, ca. 1730–1780
Marc Garrard
undated
William Daniell Edmund Garvey, R.A.
Print made by William Daniell, 1769–1837
Edmund Garvey, R.A
between 1802 and 1814
William Daniell Prince Hoare
Print made by William Daniell, 1769–1837
Prince Hoare
1814
Charles Townley Hogarth
Charles Townley, 1746–c.1800
Hogarth
1781
Charles Turner Prince Hoare
Charles Turner, 1774–1857
Prince Hoare
1831
Thomas Rowlandson Heads: Epicurum
Thomas Rowlandson, 1756–1827
Heads: Epicurum
1800
John Young Christ giving sight to the blind
John Young, 1755–1825
Christ giving sight to the blind
1816
Thomas Rowlandson Heads: Hazardorum
Thomas Rowlandson, 1756–1827
Heads: Hazardorum
1800
Thomas Rowlandson Heads: Billingsgatina
Thomas Rowlandson, 1756–1827
Heads: Billingsgatina
1800
Thomas Rowlandson Heads: Penserosa
Thomas Rowlandson, 1756–1827
Heads: Penserosa
1800
Thomas Rowlandson Heads: Battleorum
Thomas Rowlandson, 1756–1827
Heads: Battleorum
1800
Thomas Rowlandson Heads: Nunina.
Thomas Rowlandson, 1756–1827
Heads: Nunina
1800
John Smith Mr. and Mrs. Gibbons
John Smith, 1652–1743
Mr. and Mrs. Gibbons
Charles Denton Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
Charles Denton, active 1853
Abergavenny Steeple Chase: "Taking the Brook" / Dearest Mae, The Nun, Pontiff, General, Physician, Thurgarton, Ploughboy
1853
Charles Denton Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
Charles Denton, active 1853
Abergavenny Steeple Chase: "The Finish" / (1) General (2) Dearest Mae (3) Ploughboy
1853