Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start
1837
14806
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style
1837
14807
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
14808
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
14809
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
14810
William Pether, ca. 1738–1821
Jeremiah Meyer, Esqr. r. A., Miniature painter in Enamel to His Majesty
1789
14811
Print made by John Faber the Younger, ca. 1695–1756
Philippe Mercier
1735
14812
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
14813
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
14814
Francesco Bartolozzi, 1728–1815
Adelaide
1798
14815
Print made by Richard Earlom, 1743–1822
James McArdell
1771
14816
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
1789
14817
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
14818
Thomas Rowlandson, 1756–1827
The Love Letter
ca. 1790
14819
Thomas Rowlandson, 1756–1827
Knives or Scissors to Grind
undated
14820
Thomas Gainsborough, 1727–1788
Study of a Woman in a Mob Cap
undated
14821
Thomas Girtin, 1775–1802
Figure Costume Study: French Lady of Quality in 1501
between 1793 and 1795
14822
John Varley, 1778–1842
From an Album of Sixty-one Topographical Sketches
14823
John Varley, 1778–1842
From an Album of Sixty-one Topographical Sketches
14824
John Varley, 1778–1842
From an Album of Sixty-one Topographical Sketches
14825
John Varley, 1778–1842
From an Album of Sixty-one Topographical Sketches
14826
Thomas Rowlandson, 1756–1827
Set of Six Views in London, (Turn Pike series)
1797
14827
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
14828
Bruce Davidson, born 1933
London
1960
14829
Bruce Davidson, born 1933
London
1960
14830
Bruce Davidson, born 1933
London
1960
14831
Bruce Davidson, born 1933
Albert Hall, London
1960
14832
Thomas Girtin, 1775–1802
Rievaulx Abbey, Yorkshire
ca. 1796
14833
Bruce Davidson, born 1933
London
1960
14834
Bruce Davidson, born 1933
Albert Hall, London
1960
14835
Bruce Davidson, born 1933
London
1960
14836
Bruce Davidson, born 1933
London
1960
14837
Bruce Davidson, born 1933
London
1960
14838
Bruce Davidson, born 1933
London
1960
14839
Bruce Davidson, born 1933
Trafalgar Square, London
1960
14840
Bruce Davidson, born 1933
London
1960
14841
Bruce Davidson, born 1933
London
1960
14842
Thomas Girtin, 1775–1802
A Village in a Wood
ca. 1796
14843
Hurvin Anderson, born 1965
Title-page: Nine Etchings, a series of 9 etchings, each print signed and numbered by the artist, ed. 44, published 2005
2005
14844
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
14845
Bruce Davidson, born 1933
Two Men, One Sipping from a Mug
1960
14846
Bruce Davidson, born 1933
The North
1960
14847
Andrew Johnson, active 1935
Woodhall Spa
after 1938
14848
Wyndham Lewis, 1882–1957
Portrait of the Composer Sir Arthur Bliss
1922
14849
Wyndham Lewis, 1882–1957
Sketch at the Bottom of a Letter
1921 to 1922
14850
Wyndham Lewis, 1882–1957
Studies of Performers
1923
14851
William Roberts, 1895–1980
Eight Figures Walking
between 1912 and 1922
14852
Wyndham Lewis, 1882–1957
Poster for "Wyndham Lewis and Vorticism" exhibition, Tate Gallery, London, 6 July - 19 August, 1956
1956
14853
John Ruskin, 1819–1900
The Borghese Gardens
ca. 1840
14854
Charles Shannon, 1863–1937
Salt Water
ca. 1895
14855
Thomas Girtin, 1775–1802
Ripon Minster, Yorkshire
1800
14856
Simeon Solomon, 1840–1905
Fancy, Cupid and Pleasure
undated
14857
Denton Welsh, 1915–1948
Beehive and Cow
undated
14858
Print made by George Baxter, 1804–1867
Gems of the Great Exihibtion Number 2
1852
14859
Print made by unknown artist
Habit of an Arabian Soldier
between 1757 and 1772
14860
after Gordon Ross
Michio Itow: New Art Dancer
1918
14861
Thomas Girtin, 1775–1802
Sandsend, Yorkshire
1802
14862
Print made by Thomas Rowlandson, 1756–1827
A Mad Dog in a Coffee House
1809
14863
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802
14864
Print made by Charles Shannon, 1863–1937
Salt Water
1895
14865
Thomas Girtin, 1775–1802
Country House
ca. 1797
14866
Print made by Walter Richard Sickert, 1860–1942
Mother and Daughter
undated
14867
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
14868
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
14869
Frank Newbould, 1887–1951
North Berwick
between 1923 and 1948
14870
Edward McKnight Kauffer, 1890–1954
Official for Winter: Double Shell Lubricating Oil
1936
14871
Edward McKnight Kauffer, 1890–1954
Official for Winter: Shell Lubricating Oil
1936
14872
imitator of Thomas Girtin, 1775–1802
Valle Crucis Abbey, near Llangollen
between 1798 and 1801
14873
unknown artist
Tempio di Clitumno, Rome, after Piranesi
undated
14874
David Roberts, 1796–1864
Plaza Real and Procession
1835
14875
David Roberts, 1796–1864
Lambeth
1861
14876
unknown artist
The Watermill Above the Bridge at Charenton
undated
14877
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
14878
David Roberts, 1796–1864
The Alcazaba from the Mole, Malaga
1839
14879
William Mulready, 1786–1863
The Disobedient Prophet
1848, retouched 1863
14880
David Roberts, 1796–1864
Sidmouth
1845
14881
Joseph Noel Paton, 1821–1901
Study from Nature: Inveruglas
1857
14882
David Roberts, 1796–1864
The Church at Dixmude, West Flanders
ca. 1863
14883
David Roberts, 1796–1864
Aberothock Abbey
1848
14884
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
14885
George Siegmund Facius, 1750–1804
George III
1791
14886
Print made by Thomas Jeavons, ca. 1800–1867
Arundel Castle and Town, Sussex
1834
14887
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
14888
Edmund Ashfield, active 1669–1690?
Young Gentleman with a full Face and long, curled Wig
ca. 1680
14889
David Roberts, 1796–1864
Linlithgow Palace Courtyard, West Lothian
undated
14890
David Roberts, 1796–1864
From under the Portico of the Temple of Edfu, Upper Egypt
1846
14891
David Roberts, 1796–1864
Seville
undated
14892
David Roberts, 1796–1864
A Dame de Picpus
undated
14893
David Roberts, 1796–1864
Farm Cart at Dol, 1843
1843
14894
David Roberts, 1796–1864
Inverness
1859
14895
David Roberts, 1796–1864
The Lion Brewery on the Thames, 1860
1860
14896
David Roberts, 1796–1864
Palace on a River
undated
14897
David Roberts, 1796–1864
On the Thames
1860
14898
David Roberts, 1796–1864
A Country Church
undated
14899
David Roberts, 1796–1864
View of Kom Ombo
1838
14900
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy