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17001. Study of a Holly Tree

Study of a Holly Tree
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17002. The Lea, Near Ware

The Lea, Near Ware
Creator:
Sir David Young Cameron, 1865–1945
Date:
ca. 1902
Materials & Techniques:
Etching and drypoint in brown ink
Dimensions:
Sheet: 7 7/16 x 9 13/16in. (18.9 x 24.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17003. Almshouses, St. Cross

Almshouses, St. Cross
Creator:
Sir David Young Cameron, 1865–1945
Date:
ca. 1902
Materials & Techniques:
Etching and drypoint in brown ink
Dimensions:
Sheet: 7 3/8 x 9 3/4in. (18.7 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17004. Near Draseford

Near Draseford
Creator:
Sir David Young Cameron, 1865–1945
Date:
ca. 1902
Materials & Techniques:
Etching and drypoint in black ink
Dimensions:
Sheet: 7 1/2 x 9 3/4in. (19.1 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17005. On the Wye at Haddon

On the Wye at Haddon
Creator:
Sir David Young Cameron, 1865–1945
Date:
ca. 1902
Materials & Techniques:
Etching and drypoint in black ink
Dimensions:
Sheet: 7 1/2 x 9 7/8in. (19.1 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17006. Dovedale

Dovedale
Creator:
Sir David Young Cameron, 1865–1945
Date:
ca. 1902
Materials & Techniques:
Etching and drypoint in black ink
Dimensions:
Sheet: 7 3/8 x 5in. (18.7 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17007. The Valley of the Lathkill

The Valley of the Lathkill
Creator:
Sir David Young Cameron, 1865–1945
Date:
ca. 1902
Materials & Techniques:
Etching and drypoint in black ink
Dimensions:
Sheet: 7 1/2 x 9 15/16in. (19.1 x 25.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17008. The Lea, above Ware

The Lea, above Ware
Creator:
Sir David Young Cameron, 1865–1945
Date:
ca. 1902
Materials & Techniques:
Etching and drypoint in black ink
Dimensions:
Sheet: 7 1/2 x 9 3/4in. (19.1 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17009. Woodland Shadow

Woodland Shadow
Creator:
Robert Hills, 1769–1844
Date:
after 1801
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paer
Dimensions:
Sheet: 7 1/2 x 9 7/8 inches (19.1 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17010. The Needless Alarm. A Smoking Party

The Needless Alarm. A Smoking Party
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 11/16 x 6 1/16in. (19.5 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17011. Tree Study with Ivy Clinging to Stump

Tree Study with Ivy Clinging to Stump
Creator:
Robert Hills, 1769–1844
Date:
ca. 1826
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 1/4 inches (26.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17012. Study of Foliage

Study of Foliage
Creator:
Robert Hills, 1769–1844
Date:
after 1799
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 9 1/8 inches (29.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17013. Farm Buildings in the Vaux, Jersey

Farm Buildings in the Vaux, Jersey
Creator:
Robert Hills, 1769–1844
Date:
ca. 1832
Materials & Techniques:
Gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17014. Study of Apple Trees

Study of Apple Trees
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 3/4 inches (29.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17015. Orchard Trees at Under River near Knole

Orchard Trees at Under River near Knole
Creator:
Robert Hills, 1769–1844
Date:
ca. 1826
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/4 inches (30.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17016. The Wood

The Wood
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 7 3/8 inches (24.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17017. Study of Foxgloves

Study of Foxgloves
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 7 1/2 inches (24.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17018. Landscape with Trees

Landscape with Trees
Creator:
attributed to Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 5 7/8 inches (12.7 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17019. The Pauper Family and Footman. A Steam Packet Cabin.

The Pauper Family and Footman. A Steam Packet Cabin.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 5/8 x 6 1/8in. (19.4 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17020. Admiral Van Tromp's Duel. Comforts of a Wife.

Admiral Van Tromp's Duel. Comforts of a Wife.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 9/16 x 6 1/8in. (19.2 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17021. The Gouty Merchant and Stranger. A Card Party.

The Gouty Merchant and Stranger. A Card Party.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 11/16 x 6 1/8in. (19.5 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17022. Forest Pool

Forest Pool
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scraping out on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17023. The Englishman in France. A Cold Duck.

The Englishman in France. A Cold Duck.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 5/8 x 6 3/16in. (19.4 x 15.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17024. The Angler's Going Out. The Pleasures of Angling.

The Angler's Going Out. The Pleasures of Angling.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 5/8 x 6 3/16in. (19.4 x 15.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17025. None but the Brave deserve the Fair. Honour.

None but the Brave deserve the Fair. Honour.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 5/8 x 6 1/8in. (19.4 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17026. Lobster Sauce. The Unexpected Visit.

Lobster Sauce. The Unexpected Visit.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 3/4 x 6 1/8in. (19.7 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17027. Being well lather'd from a dish or tub./Hodge new began with grinning pain to grub. Sirrah! I tell you you're a knave. To cry up razors that can't shave.

Being well lather'd from a dish or tub./Hodge new began with grinning pain to grub. Sirrah! I tell you you're a knave. To cry up razors that can't shave.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 11/16 x 6 1/8in. (19.5 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17028. Going Out. Going Home.

Going Out. Going Home.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 1/2 x 5 15/16in. (19.1 x 15.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17029. £/Pounds. s/Shillings. p/Pence. Dancing Bears.

£/Pounds. s/Shillings. p/Pence. Dancing Bears.
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1830
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 7 11/16 x 6 1/16in. (19.5 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17030. A Yew Tree on Glaramara

A Yew Tree on Glaramara
Creator:
Charles Holyroyd, 1861–1917
Materials & Techniques:
Etching and drypoint in black/brown ink
Dimensions:
Sheet: 17 3/4 x 11 5/16in. (45.1 x 28.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17031. Portrait of the Artist

Portrait of the Artist
Creator:
E. H. Lacey, born 1892
Materials & Techniques:
Aquatint and drypoint in black ink
Dimensions:
Sheet: 11 1/8 x 7 5/8in. (28.3 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

17032. Thatched Cottage with Barn Adjoining

Thatched Cottage with Barn Adjoining
Creator:
John Fulleylove, 1845–1908
Date:
1881
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 13 1/8 × 20 inches (33.3 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17033. Girl and Youth at a Table

Girl and Youth at a Table
Creator:
Henry Fuseli, 1741–1825
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 6 1/2 inches (23.5 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17034. The Peasant's Dream, Paradise Lost, Book 1, 781-8

The Peasant's Dream, Paradise Lost, Book 1, 781-8
Creator:
Henry Fuseli, 1741–1825
Date:
1793 to 1800
Materials & Techniques:
Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17035. Study of a Lady

Study of a Lady
Creator:
Henry Fuseli, 1741–1825
Date:
undated
Materials & Techniques:
Graphite, gray wash, brown wash, and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 7 1/2 inches (24.1 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17036. An Hermaphrodite

An Hermaphrodite
Creator:
Henry Fuseli, 1741–1825
Date:
between 1795 and 1800
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 3 1/2 inches (15.2 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17037. Study of a Seated Woman

Study of a Seated Woman
Creator:
Henry Fuseli, 1741–1825
Date:
1791
Materials & Techniques:
Watercolor, graphite, pen and gray ink, gray wash, gouache, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17038. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias
Creator:
John Fulleylove, 1845–1908
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, rough, wove paper
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17039. Woman Reading, Seated Before a Window

Woman Reading, Seated Before a Window
Creator:
Henry Fuseli, 1741–1825
Date:
1805
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 7 7/8 inches (25.1 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17040. Back View of a Standing Female, Called Mrs. Fuseli

Back View of a Standing Female, Called Mrs. Fuseli
Creator:
Henry Fuseli, 1741–1825
Date:
1810
Materials & Techniques:
Watercolor, gray wash and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 8 3/4 inches (36.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17041. Figure Leaning over Stairs

Figure Leaning over Stairs
Creator:
Henry Fuseli, 1741–1825
Date:
1789
Materials & Techniques:
Pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 7 7/8 inches (30.5 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17042. Percival Frees Belisane from the Spell of Urma

Percival Frees Belisane from the Spell of Urma
Creator:
Henry Fuseli, 1741–1825
Date:
1811
Materials & Techniques:
Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17043. Ariadne Watching the Struggle of Theseus with the Minotaur

Ariadne Watching the Struggle of Theseus with the Minotaur
Creator:
Henry Fuseli, 1741–1825
Date:
1815 to 1820
Materials & Techniques:
Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17044. Study of a Back of a Female Nude, Standing

Study of a Back of a Female Nude, Standing
Creator:
attributed to Henry Fuseli, 1741–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 3 5/8 inches (16.5 x 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17045. View of Nettuno

View of Nettuno
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17046. Canon Douglas Lodge Close, Sarum

Canon Douglas Lodge Close, Sarum
Creator:
David Charles Read, 1790–1851
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles S. Rhyne

17047. Street Scene in Calais

Street Scene in Calais
Creator:
John Scarlett Davis, 1804–1845
Date:
undated
Materials & Techniques:
Watercolor with scratching out over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 5 5/8 inches (18.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17048. River Landscape - On the Thames

River Landscape - On the Thames
Creator:
George Bulteel Fisher, 1764–1834
Date:
undated
Materials & Techniques:
Watercolor, gray wash, and graphite; verso: pen and brown ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 x 20in. (38.1 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17049. Seated Lady with Book

Seated Lady with Book
Creator:
William Hoare, 1706/7–1792/99
Date:
undated
Materials & Techniques:
Red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 6 5/8 inches (25.4 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17050. Putney Church and Bridge

Putney Church and Bridge
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1772
Materials & Techniques:
Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 1/4 x 12 inches (23.5 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17051. Landscape with Cottage, Bridge and Figures

Landscape with Cottage, Bridge and Figures
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1774
Materials & Techniques:
Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 9 1/4 inches (23.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17052. Greenwich Park

Greenwich Park
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Gray wash with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 10 1/4 x 13 3/8 inches (26 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17053. Kennington Common

Kennington Common
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1776
Materials & Techniques:
Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17054. Between Chiswick and Brentford

Between Chiswick and Brentford
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1774
Materials & Techniques:
Watercolor with black ink over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 11 1/8 inches (21.3 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17055. At Mortlake

At Mortlake
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1773
Materials & Techniques:
Gray wash, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17056. Englefield House, Berkshire

Englefield House, Berkshire
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 11 3/4 inches (24.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17057. On the Thames at Barnes

On the Thames at Barnes
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
ca. 1773
Materials & Techniques:
Brown wash, gray wash, and pen and gray ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17058. The Gatehouse, Reading Abbey

The Gatehouse, Reading Abbey
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor with brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 12 inches (23.8 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17059. Norham Castle, Northumberland

Norham Castle, Northumberland
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/16 × 6 1/16 inches (10.3 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17060. The French Lady in London

The French Lady in London
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
ca. 1771
Materials & Techniques:
Gray wash black ink and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17061. Landscape with a Ruined Norman Church

Landscape with a Ruined Norman Church
Creator:
attributed to Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor with gouache over graphite on medium, smooth, beige laid paper
Dimensions:
Sheet: 13 1/8 x 19 1/8 inches (33.3 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17062. The English Lady at Paris

The English Lady at Paris
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1771
Materials & Techniques:
Gray wash with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 9 5/8 inches (31.8 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17063. Frontispiece design for John Fayram's "Eight Views after Nature"

Frontispiece design for John Fayram's "Eight Views after Nature"
Creator:
John Fayram, op.1713–1743
Date:
ca. 1739
Materials & Techniques:
Pen, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17064. A Young Girl

A Young Girl
Creator:
Attributed to Francois Theodore Rochard, 1798–1858
Date:
undated
Materials & Techniques:
Watercolor on ivory
Dimensions:
Image: 1 1/4 x 7/8 inches (3.2 x 2.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ormsbee N. Robinson

17065. St. Sepulchres, The Round Church

St. Sepulchres, The Round Church
Creator:
John Hill, 1770–1850
Date:
1814
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 x 13 9/16 inches (27.2 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Rev. Peter Rodgers

17066. Northwest View of Castle Church, Hexham, Northumberland

Northwest View of Castle Church, Hexham, Northumberland
Creator:
Attributed to Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 9 1/8 inches (16.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17067. View of the Great Eruption of Morne Soufriere, St. Vincent

View of the Great Eruption of Morne Soufriere, St. Vincent
Creator:
Rev. Lansdown Guilding, 1798–1831
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, slightly textured, beige card
Dimensions:
Sheet: 20 1/2 × 16 inches (52.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17068. Elevation for the West Front of Parliament House, Dublin

Elevation for the West Front of Parliament House, Dublin
Creator:
James Gandon, 1742–1823
Date:
ca. 1787
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 15 1/16 inches (25.1 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17069. Arcades: of Interlaced Mouldings

Arcades: of Interlaced Mouldings
Creator:
C. Hacker
Date:
1830
Materials & Techniques:
Pen and brown ink, graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17070. Wooded Landscape with Peasant and Donkeys

Wooded Landscape with Peasant and Donkeys
Creator:
follower of Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Brown and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 15 1/8 inches (27.9 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Wilmarth S. Lewis, B.A. 1918

17071. Design for a Farm House. Elevations of Two Fronts

Design for a Farm House. Elevations of Two Fronts
Creator:
Joseph Michael Gandy, 1771–1843
Date:
between 1794 and 1797
Materials & Techniques:
Pen and gray ink, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 15/16 × 27 7/8 inches (48.1 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17072. Mrs. Thomas Pownall, née Kennett

Mrs. Thomas Pownall, née Kennett
Creator:
Daniel Gardner, 1750–1805
Date:
1784
Materials & Techniques:
Pastel, gouache, and graphite on moderately thick, slightly textured, cream laid paper mounted to linen
Dimensions:
Sheet: 12 × 10 inches (30.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Edward B. Greene, B.A. 1900

17073. Design for a Medal: Frederick and Augusta, Prince and Princess of Wales

Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, over graphite with red chalk, incised and squared for transfer on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 × 7 5/8 inches (27.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17074. Mrs. Justinian Casamajor and Eight of her Children

Mrs. Justinian Casamajor and Eight of her Children
Creator:
Daniel Gardner, 1750–1805
Date:
1779
Materials & Techniques:
Gouache, pastel and oil on moderately thick, slightly textured, brown laid paper mounted to linen
Dimensions:
Sheet: 31 1/2 × 38 inches (80 × 96.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17075. Carrig Cennen Castle, Carmarthenshire

Carrig Cennen Castle, Carmarthenshire
Creator:
Rev. John Gardnor, 1729–1808
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 17 7/8 inches (34.9 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17076. Design for a Medal: Concordia Victrix

Design for a Medal: Concordia Victrix
Creator:
Hubert-François Gravelot, 1699–1773
Date:
ca. 1767
Materials & Techniques:
Graphite and black chalk, incised and squared for transfer on medium, slightly textured, gray laid paper
Dimensions:
Mount: 11 × 7 7/8 inches (27.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17077. A Georgian Mansion, front and side elevations

A Georgian Mansion, front and side elevations
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, white laid paper
Dimensions:
Sheet: 15 3/4 x 30 13/16 inches (40 x 78.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17078. Sheepdog Asleep in a Landscape

Sheepdog Asleep in a Landscape
Creator:
Attributed to Andrew Geddes, 1783–1844
Date:
undated
Materials & Techniques:
Watercolor, black chalk, brown chalk, white chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17079. Layout Design for a Bookplate

Layout Design for a Bookplate
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, gray laid paper mounted on moderately thick, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 11 x 7 7/8 inches (27.9 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17080. Design for a Frontispiece: Bust of a Roman Man

Design for a Frontispiece: Bust of a Roman Man
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Red chalk and graphite, incised for transfer on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17081. Design for an Engraving: Battle of Troy with the Trojan Horse

Design for an Engraving: Battle of Troy with the Trojan Horse
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17082. Design for a Vignette: The King of France Surrounded by Courtiers

Design for a Vignette: The King of France Surrounded by Courtiers
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Mount: 11 1/8 × 11 inches (28.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17083. Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)

Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 3/8 x 11 inches (39.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17084. Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice

Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
Creator:
Hubert-François Gravelot, 1699–1773
Date:
1762
Materials & Techniques:
Graphite and red chalk, incised and squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige 19th century laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 12 x 11 1/16 inches (30.5 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17085. Design for a Frontispiece: Allegorical Landscape

Design for a Frontispiece: Allegorical Landscape
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk, incised for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, slightly textured, beige laid paper with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17086. Canonteign

Canonteign
Creator:
John White Abbott, 1763–1851
Date:
1808
Materials & Techniques:
Gray wash and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 3/8 inches (26.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17087. Figures on a Rocky River Bank at Canonteign, Devon

Figures on a Rocky River Bank at Canonteign, Devon
Creator:
John White Abbott, 1763–1851
Date:
1801
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17088. The Courtyard of Mr. Bank's House, Northernhay, Exeter

The Courtyard of Mr. Bank's House, Northernhay, Exeter
Creator:
John White Abbott, 1763–1851
Date:
1816
Materials & Techniques:
Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17089. Trees Overhanging a Lake

Trees Overhanging a Lake
Creator:
John White Abbott, 1763–1851
Date:
between 1803 and 1807
Materials & Techniques:
Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 7 3/4 inches (29.8 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17090. The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left

The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
Creator:
John White Abbott, 1763–1851
Date:
1810
Materials & Techniques:
Watercolor, gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17091. Design for a Royal Monument

Design for a Royal Monument
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Gray wash with pen with black, gray and brown ink, with traces of graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 5/16 x 7 1/2 inches (33.8 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17092. Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)

Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 8 11/16 inches (35.6 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17093. Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)

Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 x 8 7/8 inches (36.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17094. Gentle Emetic

Gentle Emetic
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17095. Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings

Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17096. John Bull and the Sinking Fund

John Bull and the Sinking Fund
Creator:
James Gillray, 1756–1815
Date:
1807
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17097. Making Decent / Broad bottomites getting into the Grand Costume

Making Decent / Broad bottomites getting into the Grand Costume
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17098. Tales of wonder

Tales of wonder
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17099. Progress of the Toilet - The Stays Plate I

Progress of the Toilet - The Stays Plate I
Creator:
James Gillray, 1756–1815
Date:
1810
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17100. Visiting the Sick

Visiting the Sick
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection