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James Gillray, 1756–1815

Effusions of a Pot of Porter

1799

James Gillray, 1756–1815

Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva

1790

Print made by Samuel Egerton Leigh, active 1786

Paille d'Avoine Paille d'Avoine

1786

James Gillray, 1756–1815

Councellor Ego. -i.e: little i, myself i

1798

James Gillray, 1756–1815

The Cabinetical Balance

1806

James Gillray, 1756–1815

Les Membres du Conseil des Cinq Cents. French Habits No. 3

1798

James Gillray, 1756–1815

"all Bond Street trembled as he strode"

1802

James Gillray, 1756–1815

[ untitled ]

1800

James Gillray, 1756–1815

Fine Bracing Weather

1808

James Gillray, 1756–1815

Président d'Administration Municipale. French Habits no 5

1798

James Gillray, 1756–1815

"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain

1798

James Gillray, 1756–1815

Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself

1798

James Gillray, 1756–1815

A Peep into the Cave of Jacobinism

1798

Thomas Rowlandson, 1756–1827

Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs

1804

James Gillray, 1756–1815

Brisk Cathartic

1804

James Gillray, 1756–1815

Taking Physic

1800

Thomas Rowlandson, 1756–1827

The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit

1805

William Heath, 1795–1840

The Cries of Westminster - No 1 Newcastle Salmon

1829

James Gillray, 1756–1815

Breathing a Vein

1804

unknown artist

Information for the Public

undated

James Gillray, 1756–1815

Charming Well Again

1804

Isaac Cruikshank, 1764–1811

General Sorrow, touring the French Directory into Russia

1799

James Gillray, 1756–1815

A Standing dish at Boodles

1800

James Gillray, 1756–1815

Brisk Cathartic

1804

John Cawse, 1779–1862

Boreas Effecting what Health & Modesty could not

1800

Henry Heath, active 1824–1835

Integrity a Farce or Every Man tried by his actions

1826

Isaac Cruikshank, 1764–1811

Royal Recreation

1795

Isaac Cruikshank, 1764–1811

Resignation the Greatest of all Virtues

1792

Thomas Rowlandson, 1756–1827

Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O

1801

Isaac Cruikshank, 1764–1811

The Maid of Bath or Mac in her Teens

1792

James Gillray, 1756–1815

A Masonic Anecdote

1786

James Gillray, 1756–1815

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

1783

Charles Williams, active 1796–1830

Close Shaveing or the will our own way

1802

Print made by unknown artist

[ Caricature of two men and a woman, one of the men blowing smoke ]

ca. 1823

unknown artist

Baudins Cockatoo

1832

Print made by Auguste Boulard, 1852–1927

A Difference of Opinion

1897

L. Truchy Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.

L. Truchy, 1721–1764

Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot

1745

unknown artist

Blue & Yellow Maccaw

1832

L. Truchy Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...

L. Truchy, 1721–1764

Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..

1745

L. Truchy Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.

L. Truchy, 1721–1764

Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her

William Elliot One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.

William Elliot, active 1774, died 1792

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad

1761

unknown artist

A View of the Town and Harbour of Montego Bay, in the Parish of St. James, Jamaica, taken from the Road leading to St. Ann's

1770

unknown artist

Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica

1770

Francis Jukes Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Francis Jukes, 1747–1812

Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

1800

James Seymour, 1702–1752

Profile of a Horse Facing Left

undated

Philip William May, 1864–1903

A Man and a Boy Riding on a Beach

undated

Philip William May, 1864–1903

The Dog Cart

undated

Attributed to William Marlow, 1740–1813

Full-length study of a Man carrying books

undated

Attributed to Leonard Raven-Hill, 1867–1942

A Riding Mishap—a gentleman is sitting on the ground after being thrown from his horse

undated

Paul Sandby, 1731–1809

Study of Cow Parsley

undated

Paul Sandby, 1731–1809

Edward Mason

between 1755 and 1760

Joseph Edward Southall, 1861–1944

At the Cottage Gate, July 16, 1906

1906

John Ruskin, 1819–1900

Study of an Oak Leaf

undated

Thomas Stothard, 1755–1834

A Tiger, Full-Length, in Profile, Walking Towards Right

undated

James Ward, 1769–1859

Studies of Dogs lying down

undated

Gangaram Chintaman Tambat, active 1790s

A Rhinoceros in the Peshwa's Menagerie at Poona

1790

William Webb, ca. 1780–1845

A Harrier

undated

James Ward, 1769–1859

Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters

undated

James Ward, 1769–1859

Study of a Plunging Eagle

undated

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

John Glover, 1767–1849

St. Davids Head, Pembrokeshire

ca. 1805

David Cox, 1783–1859

Landscape with a Man Washing His Feet at a Fountain, after Poussin

ca. 1821

Robert MacPherson, 1814–1872

Bronze Doors of the U.S. Capitol, Executed by Randolph Rogers, Rome

between 1863 and 1867

Robert MacPherson, 1814–1872

General View of the Forum of Trajan

1860s

Robert MacPherson, 1814–1872

Grand Canal, Venice (#19)

1860s

Robert MacPherson, 1814–1872

Porta St. Paolo with Pyramid of Caius Cestius

ca. 1860

Robert MacPherson, 1814–1872

Forum of Trajan

ca. 1857

Robert MacPherson, 1814–1872

Arch of Titus, Roman Forum

ca. 1860

Robert MacPherson, 1814–1872

Piazza of St. Peter's

ca. 1860

Robert MacPherson, 1814–1872

Etruscan Gateway, Perugia

ca. 1850

Robert MacPherson, 1814–1872

The Bridge and Castle of St. Angelo

ca. 1860

Robert MacPherson, 1814–1872

Bas-relief of the Biga, Arch of Titus

ca. 1860

Robert MacPherson, 1814–1872

The Dying Gladiator, Back View, Capitol

ca. 1860

Robert MacPherson, 1814–1872

Palace, Church, and Baptistery of the Lateran

ca. 1860