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17201. View of Palace Yard on the day of the Coronation of His Majesty George IV

View of Palace Yard on the day of the Coronation of His Majesty George IV
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
1821
Materials & Techniques:
Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17202. Part of Westminster

Part of Westminster
Creator:
Print made by unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17203. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1828
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17204. A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
Creator:
Print made by Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17205. Section of the Court of Common Pleas and the Robery Room

Section of the Court of Common Pleas and the Robery Room
Creator:
Studio of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17206. Elevations and Plans of the Court of Kings Bench

Elevations and Plans of the Court of Kings Bench
Creator:
Print made by unknown artist
Date:
ca. 1827
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17207. Westminster Hall

Westminster Hall
Creator:
unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17208. Ceiling of the Star Chamber

Ceiling of the Star Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17209. Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1845
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17210. Interior of Westminster Hall as Prepared for the Banquet

Interior of Westminster Hall as Prepared for the Banquet
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17211. Chimney piece, Star Chamber, Westminster

Chimney piece, Star Chamber, Westminster
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1845
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 × 8 7/8 inches (28 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17212. Longitudinal Section of Westminster Hall

Longitudinal Section of Westminster Hall
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17213. Cotton Garden, Westminster

Cotton Garden, Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17214. Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
Creator:
Print made by William Francis Starling, active first half 19th century
Date:
1843
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17215. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17216. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17217. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17218. Plate XI: St Stephen's Chapel

Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17219. Plate IX: St Stephen's Chapel

Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17220. Geometrical Construction of the Freeze and Battlements in the House of Commons

Geometrical Construction of the Freeze and Battlements in the House of Commons
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17221. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17222. Half the Plan of Ceiling, St Stephen's Chapel

Half the Plan of Ceiling, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17223. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17224. Compartment on One Side, St Stephen's Chapel

Compartment on One Side, St Stephen's Chapel
Creator:
Print made by John Le Keux, 1783–1846
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17225. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17226. Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17227. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:
Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17228. Impost moldings, St Stephen's Chapel

Impost moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17229. Details of Imposts and Bases of Columns, St Stephen's Chapel

Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17230. Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17231. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17232. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17233. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17234. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17235. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17236. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17237. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17238. Impost and Base of Columns, St Stephen's Chapel

Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17239. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17240. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17241. Oak Door Discovered in the Speaker's State Dining Room

Oak Door Discovered in the Speaker's State Dining Room
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17242. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17243. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17244. The King on his Throne in the House of Lords

The King on his Throne in the House of Lords
Creator:
Print made by James Fittler, 1758–1835
Date:
1804
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17245. North Side, Painted Chamber

North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17246. East End, Painted Chamber

East End, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17247. Door on South Side of Painted Chamber

Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17248. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17249. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17250. View of Guy Fawkes' Tower

View of Guy Fawkes' Tower
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17251. Sections of Room under Painted Chamber

Sections of Room under Painted Chamber
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17252. Ruins of Westminster Palace

Ruins of Westminster Palace
Creator:
George Harley, 1791–1871
Date:
1834
Materials & Techniques:
Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17253. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17254. Near Chiavenna

Near Chiavenna
Creator:
unknown artist
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 9 1/2in. (38.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17255. House of Lords, Her Majesty Opening the Session of Parliament

House of Lords, Her Majesty Opening the Session of Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
ca. 1837
Materials & Techniques:
Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17256. Plan of Princes Chamber, One Pair

Plan of Princes Chamber, One Pair
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17257. East Front of Princes Chamber

East Front of Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17258. Princes Chamber, East Side with the Old House of Lords

Princes Chamber, East Side with the Old House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17259. Princes Chamber

Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17260. South Side of Princes Chamber West

South Side of Princes Chamber West
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17261. Window Detail, Princes Chamber

Window Detail, Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17262. Door near Painted Chamber

Door near Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17263. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17264. Old Palace Yard

Old Palace Yard
Creator:
Frederick Mackenzie, 1788–1854
Date:
1809
Materials & Techniques:
Graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17265. Drawing Room Ceiling, No. 3 Old Palace Yard

Drawing Room Ceiling, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17266. Ceiling of Front Parlor House in Old Palace Yard

Ceiling of Front Parlor House in Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17267. Buildings Overlooking Water, near Naples

Buildings Overlooking Water, near Naples
Creator:
Monro School
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17268. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17269. New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
ca. 1835
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17270. The North Prospect of Westminster Abbey

The North Prospect of Westminster Abbey
Creator:
Print made by John Collins, active ca. 1682
Date:
between 1680 and 1710
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17271. The South-East Prospect of King Henry The VII's Chapel at Westminster

The South-East Prospect of King Henry The VII's Chapel at Westminster
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Line engraving on moderately textured, medium, white laid paper
Dimensions:
Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17272. Houses of Parliament

Houses of Parliament
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17273. View of the East End of Henry VIIth Chapel as Restored in 1813

View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17274. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17275. Henry the Seventh's Chapel, North Side

Henry the Seventh's Chapel, North Side
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
undated
Materials & Techniques:
Lithograph on slightly textured, medium, white wove paper
Dimensions:
Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17276. Buildings on East Side of Dean's Yard

Buildings on East Side of Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17277. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 3/8 x 3 3/8 inches (6 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17278. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17279. The Vicar Selling his Horse

The Vicar Selling his Horse
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17280. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17281. The Family Picture

The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17282. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 3/8 x 3 3/8 inches (6 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17283. The Fair Penitent

The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17284. Attendance on a Nobleman

Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17285. The Scold, with News of Olivia

The Scold, with News of Olivia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17286. The Vicar Preaching to the Prisoners

The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17287. The Sailor's Return

The Sailor's Return
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 11/16 x 6 15/16 inches (22.1 x 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17288. The Pottery Shop

The Pottery Shop
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 13/16 x 6 1/4 inches (9.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17289. The Palaces (canceled plate)

The Palaces (canceled plate)
Creator:
James McNeill Whistler, 1834–1903
Date:
ca. 1879
Materials & Techniques:
Copper printing plate
Dimensions:
Plate: 10 1/8 x 14 5/16in. (25.7 x 36.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

17290. Jo

Jo
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 9 7/8 inches (38.1 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

17291. The Storm

The Storm
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint on thin, smooth, cream laid paper
Dimensions:
Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

17292. Île de la Cité, Paris

Île de la Cité, Paris
Creator:
James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

17293. Comforts of Bath: The Concert

Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17294. Sketch of Heads

Sketch of Heads
Creator:
James McNeill Whistler, 1834–1903
Date:
1873
Materials & Techniques:
Drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 7/8 inches (24.8 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

17295. A Nude Girl Standing

A Nude Girl Standing
Creator:
James McNeill Whistler, 1834–1903
Date:
between 1873 and 1875
Materials & Techniques:
Drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 9 5/8 inches (32.4 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

17296. A Man Reading

A Man Reading
Creator:
James McNeill Whistler, 1834–1903
Date:
between 1873 and 1877
Materials & Techniques:
Drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 9 5/8 inches (32.1 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

17297. Comforts of Bath: Coaches Arriving

Comforts of Bath: Coaches Arriving
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17298. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17299. The "Adam and Eve," Old Chelsea

The "Adam and Eve," Old Chelsea
Creator:
James McNeill Whistler, 1834–1903
Date:
1879
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 13 3/4 inches (22.2 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

17300. Comforts of Bath: The Music Master

Comforts of Bath: The Music Master
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection