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Thomas Mann Baynes Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate

1836

Thomas Mann Baynes Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

1836

Peter DeWint Houses at Kingston on the Thames

attributed to Peter DeWint, 1784–1849

Houses at Kingston on the Thames

undated

Thomas Mann Baynes Set of six with printed wrapper, Plate 6: The Morning Banquet

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 6: The Morning Banquet

1836

Ambrose Poynter Sketches from Life in Paris: Seated Woman and Standing Man

Ambrose Poynter, 1796–1886

Sketches from Life in Paris: Seated Woman and Standing Man

ca. 1835

Peter DeWint Houses at Teddington on the Thames

attributed to Peter DeWint, 1784–1849

Houses at Teddington on the Thames

1809

Peter DeWint View of the Thames at Kingston

attributed to Peter DeWint, 1784–1849

View of the Thames at Kingston

1809

Thomas Mann Baynes Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose

1836

Richard Redgrave Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837

Richard Redgrave, 1804–1888

Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837

1837

Stephen Conroy Self-portrait

Print made by Stephen Conroy, born 1964

Self-portrait

2002

Thomas Mann Baynes Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard

1836

Willey Reveley Views in the Levant: The Colossus of Barletta

Willey Reveley, 1760–1799

Views in the Levant: The Colossus of Barletta

ca. 1785

John Hall Thorpe Forget-me-nots

John Hall Thorpe, 1874–1947

Forget-me-nots

1922

Thomas Rowlandson Comforts of Bath: Private Practice Previous to the Ball

Thomas Rowlandson, 1756–1827

Comforts of Bath: Private Practice Previous to the Ball

1798

Robert John Gibbings The Lost Anchor

Robert John Gibbings, 1889–1958

The Lost Anchor

1936

Thomas Rowlandson Butterfly Hunting

Thomas Rowlandson, 1756–1827

Butterfly Hunting

ca. 1806

Thomas Rowlandson The Enraged Vicar

Thomas Rowlandson, 1756–1827

The Enraged Vicar

undated

Thomas Rowlandson Comforts of Bath: Gouty Persons Fall on Steep HIll

Thomas Rowlandson, 1756–1827

Comforts of Bath: Gouty Persons Fall on Steep HIll

1798

David Cox Pirate's Isle

David Cox, 1783–1859

Pirate's Isle

1826

David Cox The Poplar Avenue, after Hobbema

David Cox, 1783–1859

The Poplar Avenue, after Hobbema

ca. 1835

Thomas Rowlandson A Dead Horse on a Knacker's Cart

Thomas Rowlandson, 1756–1827

A Dead Horse on a Knacker's Cart

undated

Thomas Rowlandson A Death-Bed Scene

Thomas Rowlandson, 1756–1827

A Death-Bed Scene

undated

Thomas Ryder The Captive

Print made by Thomas Ryder, 1746–1810

The Captive

1786

Peter le Vasseur Portrait of William Shakespeare, 1965

Peter le Vasseur, Born 1938

Portrait of William Shakespeare, 1965

1965

Thomas Rowlandson Women Drinking Punch

Thomas Rowlandson, 1756–1827

Women Drinking Punch

undated

Thomas Rowlandson Sleeping Woman Watched by a Man

Thomas Rowlandson, 1756–1827

Sleeping Woman Watched by a Man

undated

Thomas Rowlandson A Legal Wrangle

Thomas Rowlandson, 1756–1827

A Legal Wrangle

undated

Mrs. P. D. H. Page Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]

Mrs. P. D. H. Page, 20th century

Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]

undated

Mrs. P. D. H. Page Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]

Mrs. P. D. H. Page, 20th century

Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]

undated

Lionel Grimston Fawkes Eucharis or Spider Lily

Lionel Grimston Fawkes, 1849–1931

Eucharis or Spider Lily

undated

Lionel Grimston Fawkes Windward Islands, Barbados: Our gardener Bourne at Queen's House

Lionel Grimston Fawkes, 1849–1931

Windward Islands, Barbados: Our gardener Bourne at Queen's House

undated

Lionel Grimston Fawkes Windward Islands, Barbados: Weeks, General Gamble's coachman

Lionel Grimston Fawkes, 1849–1931

Windward Islands, Barbados: Weeks, General Gamble's coachman

undated

Lionel Grimston Fawkes Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Lionel Grimston Fawkes, 1849–1931

Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

1881

Lionel Grimston Fawkes Nutmeg, Trinidad

Lionel Grimston Fawkes, 1849–1931

Nutmeg, Trinidad

undated

Lionel Grimston Fawkes White Hibiscus

Lionel Grimston Fawkes, 1849–1931

White Hibiscus

undated

Samuel Cooper Portrait of a Gentleman

Samuel Cooper, 1609–1672

Portrait of a Gentleman

undated

George Siegmund Facius Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."

George Siegmund Facius, 1750–1804

Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."

1789

George Siegmund Facius Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."

George Siegmund Facius, 1750–1804

Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."

1803

Samuel Cooper Charles Stuart, third Duke of Richmond and sixth Duke of Lennox

Samuel Cooper, 1609–1672

Charles Stuart, third Duke of Richmond and sixth Duke of Lennox

between 1661 and 1667

James Scouler Portrait of a Lady

James Scouler, 1741–1812

Portrait of a Lady

1781

unknown artist A View of the Palace of Marli toward the little Parterre

unknown artist

A View of the Palace of Marli toward the little Parterre

William Henry Simmons The Return (First Class)

Print made by William Henry Simmons, 1811–1882

The Return (First Class)

1857

I. Pane A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles

I. Pane

A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles

unknown artist A View of the Palace of Marli toward the little Parterre

unknown artist

A View of the Palace of Marli toward the little Parterre

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

John Tinney A View of the Flower Gardens of Seaux & of ye great Canal at a Distance

John Tinney, died 1761

A View of the Flower Gardens of Seaux & of ye great Canal at a Distance

undated

Henry Bone Portrait of Samuel Lyons

Henry Bone, 1755–1834

Portrait of Samuel Lyons

1803

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

Robert Thew Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle

Robert Thew, 1758–1802

Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle

1803

Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

unknown artist View of one Wing of Fountainebleau, taken from the Court of Fountains

unknown artist

View of one Wing of Fountainebleau, taken from the Court of Fountains

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

Jake Chapman Untitled

Jake Chapman, born 1966

Untitled

1999

John Maurer A Perspective View of Covent Garden

John Maurer, active 1713–1761

A Perspective View of Covent Garden

John Tinney A View of the Palace of Versailles towards ye Garden

John Tinney, died 1761

A View of the Palace of Versailles towards ye Garden

James Seymour Six Studies of Horses and Riders

James Seymour, 1702–1752

Six Studies of Horses and Riders

undated

Thomas Bowles The South West Prospect of London, from Somerset Gardens to the Tower

Thomas Bowles, ca. 1712–died 1753

The South West Prospect of London, from Somerset Gardens to the Tower

unknown artist Morning

unknown artist

Morning

1799

unknown artist Evening

unknown artist

Evening

1799

Thomas Bowles An Inside View of the Church of St. Stephen Walbrooke London

Thomas Bowles, ca. 1712–died 1753

An Inside View of the Church of St. Stephen Walbrooke London

George Alken Foxhunting: Rider, Taking a Fence

George Alken, 1794–active 1837

Foxhunting: Rider, Taking a Fence

undated

Henry Thomas Alken "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.

Henry Thomas Alken, 1785–1851

"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc

1821

John Maurer A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

Print made by John Maurer, active 1713–1761

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746

Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses

Henry Thomas Alken, 1785–1851

"Landscape Scenery", No. 13: Groups of Infantry and Army Horses

1821

Henry Thomas Alken "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

Henry Thomas Alken, 1785–1851

"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

1823

Henry Thomas Alken "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

Henry Thomas Alken, 1785–1851

"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

1823

Henry Thomas Alken Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Henry Thomas Alken, 1785–1851

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

between 1818 and 1822

Henry Thomas Alken Horse and Dog

Henry Thomas Alken, 1785–1851

Horse and Dog

undated

Henry Thomas Alken "Scraps", No. 8: Scenes of a Lancer and Other Cavalry

Henry Thomas Alken, 1785–1851

"Scraps", No. 8: Scenes of a Lancer and Other Cavalry

1823

Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Henry Thomas Alken, 1785–1851

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

between 1818 and 1822

Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Henry Thomas Alken, 1785–1851

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth

between 1818 and 1822

Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Henry Thomas Alken, 1785–1851

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers

between 1818 and 1822

Henry Thomas Alken Hooded Damascene Cavalryman Riding

Henry Thomas Alken, 1785–1851

Hooded Damascene Cavalryman Riding

undated

Henry Thomas Alken Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through

Henry Thomas Alken, 1785–1851

Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through

undated

Henry Thomas Alken Wounded Turkish Cavalryman in Danger of Failling From His Horse...

Henry Thomas Alken, 1785–1851

Wounded Turkish Cavalryman in Danger of Failling From His Horse..

undated

Henry Thomas Alken, 1785–1851

Head of a Foxhound, in Profile Right

undated

Henry Thomas Alken Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right

Henry Thomas Alken, 1785–1851

Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right

undated

Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt

Henry Thomas Alken, 1785–1851

Knight Falling From His Horse at a Squire's Tilt

undated

Henry Thomas Alken A Character (? Macbeth) in Renaissance Dress...

Henry Thomas Alken, 1785–1851

A Character (? Macbeth) in Renaissance Dress..

undated

Henry Thomas Alken Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail

Henry Thomas Alken, 1785–1851

Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail

undated

Henry Thomas Alken, 1785–1851

Head of a Pointer, in Profile Left

undated

Henry Thomas Alken Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat

Henry Thomas Alken, 1785–1851

Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat

undated

Henry Thomas Alken, 1785–1851

Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right

undated

Henry Thomas Alken Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background

Henry Thomas Alken, 1785–1851

Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background

undated

Henry Thomas Alken, 1785–1851

Head and Neck of a Horse, Profile Left

undated

Henry Thomas Alken Poachers Surprised

Henry Thomas Alken, 1785–1851

Poachers Surprised

undated

Henry Thomas Alken, 1785–1851

Head and Shoulders of a Boxer Dog, Profile Right

undated

Eric Gill Adam and Eve

Eric Gill, 1882–1940

Adam and Eve

1926

Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

between 1831 and 1832