"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
17402
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
17403
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
17404
Eric Gill, 1882–1940
Ex Libris Richard Isdell-Carpenter
1936
17405
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
17406
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
17407
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
17408
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
17409
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
17410
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
17411
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
17412
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
17413
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
17414
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
17415
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
17416
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
17417
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
17418
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
17419
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
17420
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
17421
Alphonse Legros, 1837–1911
Group de Fermiers
undated
17422
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
17423
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
17424
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
17425
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
17426
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
17427
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
17428
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
17429
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
17430
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
17431
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
17432
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
17433
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
17434
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
17435
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
17436
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
17437
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
17438
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
17439
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Left
undated
17440
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
17441
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
17442
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
17443
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
17444
Harold Hitchcock, born 1914
Thundersley
1977
17445
Anthony Devis, 1729–1817
American Deer
undated
17446
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
17447
Thomas Daniell, 1749–1840
A Rhinoceros: Head and Shoulders, Facing Left
undated
17448
Robert Dighton, 1752–1814
William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
between 1801 and 1802
17449
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
17450
Edward Duncan, 1803–1882
Pheasant Shooting
1825
17451
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
17452
Print made by James Barry, 1741–1806
St. Sebastian
undated
17453
unknown artist
Studies of a Sleeping Lion
undated
17454
unknown artist
Head of a Male Lion
undated
17455
Sawrey Gilpin, 1733–1807
A Horse Standing, Head Turned, Wearing Quarter Sheet
undated
17456
Sawrey Gilpin, 1733–1807
Studies of Cattle
undated
17457
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
17458
unknown artist
Head of a Leopard
undated
17459
Sawrey Gilpin, 1733–1807
A Horse Grazing
undated
17460
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
17461
Sawrey Gilpin, 1733–1807
Seven Studies of Jockeys' Caps
undated
17462
Sawrey Gilpin, 1733–1807
Rubbing Down a Horse in a Paddock at a Racetrack
undated
17463
Sawrey Gilpin, 1733–1807
Hunting Sketch: Gone to Earth
undated
17464
Sawrey Gilpin, 1733–1807
Two Horses Walking to Left
undated
17465
Sawrey Gilpin, 1733–1807
Man With a Horse Harnessed to a Roller
undated
17466
Sawrey Gilpin, 1733–1807
Rider in Tricorne Hat
undated
17467
Sir Francis Grant, 1803–1878
A Grey Horse Trotting Out of a Wood
undated
17468
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
17469
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
17470
William Heath, 1795–1840
Woodcock Shooting
undated
17471
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
17472
Samuel Howitt, 1756–1822
Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
undated
17473
Samuel Howitt, 1756–1822
An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for "Aesop's Fables")
undated
17474
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
17475
Samuel Howitt, 1756–1822
A Frog Confronting a Circle of Animals
undated
17476
Samuel Howitt, 1756–1822
A Boar, a Leopard, a Lion, a Tiger, a Wolf, a Ram, and Two Eagles
undated
17477
Samuel Howitt, 1756–1822
A Raven and Two Swans
undated
17478
Samuel Howitt, 1756–1822
Two Hounds Attacking a Stag at Bay
undated
17479
Samuel Howitt, 1756–1822
An Owl, an Eagle, Two Falcons, a Vulture and Other Birds Perched in Trees
undated
17480
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
17481
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
17482
Samuel Howitt, 1756–1822
Going out of Kennel
undated
17483
Samuel Howitt, 1756–1822
Going to Cover
undated
17484
Samuel Howitt, 1756–1822
Full Cry
undated
17485
Samuel Howitt, 1756–1822
The Check
undated
17486
Samuel Howitt, 1756–1822
The Death
undated
17487
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
17488
Samuel Howitt, 1756–1822
Going Home
undated
17489
Samuel Howitt, 1756–1822
A Woodcock
undated
17490
George Jones, 1786–1869
An Elephant
ca. 1856
17491
George Jones, 1786–1869
A Polar Bear, Asleep, Front View
ca. 1856
17492
William Henry Hunt, 1790–1864
A Terrier Sitting, Looking Up to Right
undated
17493
George Jones, 1786–1869
A Male Lion, Lying Down and Half Facing Right
ca. 1856
17494
George Jones, 1786–1869
A Camel Resting
undated
17495
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816