The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
17405
Brian Hatton, 1887–1916
A Huntsman on Horseback
undated
17406
Robert Healy, 1743–1771
Tom Conolly of Castletown Hunting with His Friends
1769
17407
Robert Hills, 1769–1844
Sketch of a Horse
undated
17408
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
17409
Julius Caesar Ibbetson, 1759–1817
Acorn Strength
undated
17410
Julius Caesar Ibbetson, 1759–1817
Cutting Mistletoe from it by the Druids
undated
17411
Samuel Howitt, 1756–1822
The Kill
undated
17412
Samuel Howitt, 1756–1822
The Kill
1792
17413
Julius Caesar Ibbetson, 1759–1817
Concealing Charles II
undated
17414
Julius Caesar Ibbetson, 1759–1817
Shelter for Cattle
undated
17415
Print made by R. Benning, active 1714–1746
The Front of the Palace of the King of Prussia
17416
Julius Caesar Ibbetson, 1759–1817
Split with Wedge and Beetel
undated
17417
Julius Caesar Ibbetson, 1759–1817
Washing with Ashes
undated
17418
Julius Caesar Ibbetson, 1759–1817
Squared
undated
17419
Julius Caesar Ibbetson, 1759–1817
Blazing on the Hearth, The Father Recounting the History to His Children
undated
17420
Julius Caesar Ibbetson, 1759–1817
Sawed into Planks
undated
17421
Charles Samuel Keene, 1823–1891
An Indoor Military Riding School With an Instructor Teaching Recruits to Trot
undated
17422
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
17423
Julius Caesar Ibbetson, 1759–1817
Making into Charcoal
undated
17424
Daniel Maclise, 1806–1870
A Child Playing with a Dog
undated
17425
William Mulready, 1786–1863
Sketch of Two Figures in an Interior: One Seated, One Standing
undated
17426
Nicholas Pocock, 1740–1821
Welsh Peasant Women
undated
17427
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
17428
Robert Pollard, 1755–1838
Fly Fishing
undated
17429
Robert Pollard, 1755–1838
Anglers Packing Up
undated
17430
Robert Pollard, 1755–1838
Bottom Fishing Near Totten Mill
undated
17431
Robert Pollard, 1755–1838
Punt Fishing in the Thames
undated
17432
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
17433
James Seymour, 1702–1752
Foxhunting
undated
17434
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
17435
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
17436
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
17437
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
17438
James Seymour, 1702–1752
Mr. Woodward, Mounted
undated
17439
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
17440
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
17441
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
17442
James Seymour, 1702–1752
The Famous Childers
undated
17443
James Seymour, 1702–1752
Victorious
undated
17444
unknown artist
A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences
17445
James Ward, 1769–1859
Hereford Boar
ca. 1803
17446
John Varley, 1778–1842
Two Pack Horses
undated
17447
James Seymour, 1702–1752
Study of a Mounted Jockey, Facing Left, June 3rd, 1744
1744
17448
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
17449
Canon G. R. Winter
Eton, The Road to Montem
17450
James Seymour, 1702–1752
A Hound with head up
undated
17451
John Raphael Smith, 1752–1812
George Morland
undated
17452
Possibly Joseph Wolf, 1820–1899
Chaffinch
ca. 1840
17453
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
17454
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
17455
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
17456
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
17457
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
17458
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
17459
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
17460
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
17461
George Hunt, active 1820–1840
The Cover
1823
17462
George Hunt, active 1820–1840
Breaking Cover
1823
17463
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
17464
Print made by Francis Patton, active 1740–1770
The City of Dresden
between 1780 and 1815
17465
George Hunt, active 1820–1840
The Death
1823
17466
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Full Cry
1827
17467
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Death
1827
17468
Charles Bentley, 1806–1854
Fox Hunting: Going to Cover
1828
17469
George Hunt, active 1820–1840
The Toast
1824
17470
Richard Gilson Reeve, 1803–1889
Fox Hunters - Gone Away
1828
17471
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Getting Away
1827
17472
Charles Bentley, 1806–1854
Fox Hunting: Full Cry
1828
17473
Charles Bentley, 1806–1854
Fox Hunting: The Leap
1828
17474
Richard Gilson Reeve, 1803–1889
Fox Hunters - In Full Cry
1828
17475
Charles Bentley, 1806–1854
Fox Hunting: The Death
1828
17476
Richard Gilson Reeve, 1803–1889
Fox Hunters - Throwing Off
1828
17477
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
17478
George Hunt, active 1820–1840
Full Cry
1823
17479
Richard Gilson Reeve, 1803–1889
Fox Hunting: Drawing the Cover
1835
17480
Richard Gilson Reeve, 1803–1889
Fox Hunters - The Death
1828
17481
Richard Gilson Reeve, 1803–1889
Fox Hunting: The Full Cry
1835
17482
John Harris, 1811–1865
Fox Hunting: The Meet
1844
17483
John Harris, 1811–1865
Fox-hunting: The Brook!
1844
17484
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
17485
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - Dispatched to Head Quarters
1850
17486
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - A Turn of speed over the flat
1850
17487
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - Up to Sixteen Stone
1850
17488
John Harris, 1811–1865
Fox-hunting: Who-hoop!
1844
17489
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - A Strange country
1850
17490
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - A Mutual Determination
1850
17491
John Harris, 1811–1865
Fox Hunting: Fores's Hunting Casualties - A Rare sort for the Downs
1850
17492
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
17493
Richard Gilson Reeve, 1803–1889
Plate 2. The Repast
1813
17494
Richard Gilson Reeve, 1803–1889
Plate 3. Pheasant Shooting
1813
17495
John Harris, 1811–1865
Fox Hunting: Away!
1844
17496
Richard Gilson Reeve, 1803–1889
Plate 4. The Return
1813
17497
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
17498
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
17499
Edward Duncan, 1803–1882
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire
1833
17500
Print made by unknown artist
The Remains of the Great Temple in Palmira seen from the West. ..