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17901. A Necessary War or Quixotism Revived, or The Knight of the Little House

A Necessary War or Quixotism Revived, or The Knight of the Little House
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17902. Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3)

Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3)
Creator:
Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 16 5/8in. (24.8 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17903. The Balance of Power

The Balance of Power
Creator:
Charles Williams, active 1796–1830
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 5/8 x 10 1/16in. (34.6 x 25.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17904. The Irish Howl or the Catholics in Fitz!

The Irish Howl or the Catholics in Fitz!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 15 1/8in. (21.9 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17905. A Kashmir Bridge

A Kashmir Bridge
Creator:
Print made by Ernest Stephen Lumsden, 1883–1948
Date:
1924
Materials & Techniques:
Aquatint; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 5 5/8 × 7 3/8 inches (14.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17906. John Gilpin the Second, or City Light House Volunteers Performing Their Evolutions (from: Caricature, vol. 3)

John Gilpin the Second, or City Light House Volunteers Performing Their Evolutions (from: Caricature, vol. 3)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 13 7/8in. (23.8 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17907. Elm

Elm
Creator:
John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17908. Willow

Willow
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17909. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!
Creator:
Print made by Charles Jameson Grant, active 1830–1852
Date:
1833
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman

17910. [Golf] Henry Callender Esq're. To the Society of Goffers at Blackheath

[Golf] Henry Callender Esq're. To the Society of Goffers at Blackheath
Creator:
William Ward, 1766–1826
Date:
1812
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 25 1/2 x 16 13/16in. (64.8 x 42.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17911. Tennis Players

Tennis Players
Creator:
Print made by John Copley, 1875–1950
Date:
1918
Materials & Techniques:
Lithograph on thin, slightly textured, white laid paper
Dimensions:
Sheet: 13 11/16 x 11 7/16 inches (34.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17912. [Advertisement] Eclipse Sporting Gallery

[Advertisement] Eclipse Sporting Gallery
Creator:
Rudolf Ackermann, 1764–1834
Date:
ca. 1833
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17913. Set of Four - Fox-hunting: Throwing Off

Set of Four - Fox-hunting: Throwing Off
Creator:
Matthew Dubourg, active 1786–1838
Date:
1813
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 13 3/8 x 19 11/16in. (34 x 50cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17914. Set of four - Fox-hunting: Breaking Cover

Set of four - Fox-hunting: Breaking Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1813
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 14 1/4 x 18 1/8in. (36.2 x 46cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17915. Set of eight (1): Cries of London

Set of eight (1): Cries of London
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching with aquatint, colored by hand
Dimensions:
Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17916. [Hunting Discoveries] ... Discover when half over the next field ...

[Hunting Discoveries] ... Discover when half over the next field ...
Creator:
Henry Thomas Alken, 1785–1851
Date:
1817
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17917. [Hunting Discoveries] ... Discover if you intend to do the thing well ...

[Hunting Discoveries] ... Discover if you intend to do the thing well ...
Creator:
Henry Thomas Alken, 1785–1851
Date:
1817
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17918. Set of four - Fox-hunting. Going to Cover

Set of four - Fox-hunting. Going to Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17919. The Prospect of ye Bass from ye South shore

The Prospect of ye Bass from ye South shore
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/4 x 16 1/4in. (26 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17920. Set of four- Fox-hunting. Full Cry

Set of four- Fox-hunting. Full Cry
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17921. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
1820
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17922. [Hunting Discoveries] ... at Length perceive a light which you Discover ...

[Hunting Discoveries] ... at Length perceive a light which you Discover ...
Creator:
Henry Thomas Alken, 1785–1851
Date:
1817
Materials & Techniques:
Etching, colored by hand
Dimensions:
Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17923. Set of four- Fox-hunting. Breaking Cover

Set of four- Fox-hunting. Breaking Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17924. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
1820
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17925. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat
Creator:
Henry Thomas Alken, 1785–1851
Date:
1820
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17926. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
1820
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17927. Set of four- Fox-hunting. The Death

Set of four- Fox-hunting. The Death
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17928. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog
Creator:
Henry Thomas Alken, 1785–1851
Date:
1820
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17929. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home.

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home.
Creator:
Henry Thomas Alken, 1785–1851
Date:
1820
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17930. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive
Creator:
Henry Thomas Alken, 1785–1851
Date:
1820
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17931. [Fox-hunting] Going to Cover

[Fox-hunting] Going to Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1820-1821
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17932. [Fox-hunting] Breaking Cover

[Fox-hunting] Breaking Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1820-1821
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17933. A View of part of St. Mary's Church (a), All Saints Church (b), the Conduit (c), Carfax Church (d), & c. in the University of Oxford

A View of part of St. Mary's Church (a), All Saints Church (b), the Conduit (c), Carfax Church (d), & c. in the University of Oxford
Creator:
John Donowell, active 1753–1786
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17934. [Fox-hunting] Tree-ing the Fox

[Fox-hunting] Tree-ing the Fox
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1820-1821
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17935. The Brushwork Series: Title Page

The Brushwork Series: Title Page
Creator:
Print made by Patrick Heron, 1920–1999
Date:
1999
Materials & Techniques:
Etching; verso: screen print on 300gsm Velin Arches Blanc paper
Dimensions:
Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

17936. The Battle of Taniers, Part Second

The Battle of Taniers, Part Second
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/2 × 12 1/2 inches (26.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17937. The Brushwork Series: Colophon

The Brushwork Series: Colophon
Creator:
Print made by Patrick Heron, 1920–1999
Date:
1999
Materials & Techniques:
Screen print; verso: etching on 300gsm Velin Arches Blanc paper
Dimensions:
Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Friends of British Art Fund

17938. A View of the Back Part of the Cassina, & Part of the Serpentine River, terminated by the Cascade in the Garden of the Earl of Burlington, at Chiswick

A View of the Back Part of the Cassina, & Part of the Serpentine River, terminated by the Cascade in the Garden of the Earl of Burlington, at Chiswick
Creator:
John Donowell, active 1753–1786
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 x 16 1/4in. (26 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17939. A View of St. James's Park, taken near the Stable Yard

A View of St. James's Park, taken near the Stable Yard
Creator:
John Warwick Smith, 1749–1831
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 x 16in. (26.7 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17940. A View of the Orangerie in Lord Burlington's Garden at Chiswick

A View of the Orangerie in Lord Burlington's Garden at Chiswick
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 x 15 3/4in. (26.7 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17941. The Battle of Blenheim MDCCIV, Part the Second

The Battle of Blenheim MDCCIV, Part the Second
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 3/4 × 12 5/8 inches (27.3 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17942. A View of the Countess of Soffolks House near Twickenham

A View of the Countess of Soffolks House near Twickenham
Creator:
James Mason, 1710–1783
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17943. A View to the Grotto of the Serpentine River in the Alder Grove in the Gardens of Earl Temple at Stow, in Buckinghamshire

A View to the Grotto of the Serpentine River in the Alder Grove in the Gardens of Earl Temple at Stow, in Buckinghamshire
Creator:
George Bickham the Younger, ca. 1706–1771
Materials & Techniques:
Hand-colored engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17944. A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire

A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire
Creator:
George Bickham the Younger, ca. 1706–1771
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 10 1/2 x 15in. (26.7 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17945. A View of the Cascade, of part of the Serpentine River, & of the West Front of the House of the Earl of Burlington, at Chiswick

A View of the Cascade, of part of the Serpentine River, & of the West Front of the House of the Earl of Burlington, at Chiswick
Creator:
John Donowell, active 1753–1786
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17946. The Battle of Ramillies MDCCVI

The Battle of Ramillies MDCCVI
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17947. A View of His Majesty's Dock Yard at Plymouth, in the County of Devon, on the British Channel

A View of His Majesty's Dock Yard at Plymouth, in the County of Devon, on the British Channel
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17948. A View of His Majesty's Dock Yard at Portsmouth, in the County of Hampshire, on the British Channel

A View of His Majesty's Dock Yard at Portsmouth, in the County of Hampshire, on the British Channel
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17949. Foliage

Foliage
Creator:
Richard Pettigrew Leitch, active 1870
Date:
ca. 1870
Materials & Techniques:
Watercolor; verso: graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17950. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17951. January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)

January 1st: "of all the birds on bush or tree" (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 5/8 × 4 1/2 inches (9.2 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17952. February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17953. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17954. August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17955. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17956. A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
Creator:
Giles King, active 1732–1746
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17957. Design for a London Townhouse: Elevation

Design for a London Townhouse: Elevation
Creator:
Michael Searles, 1750–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17958. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17959. Design for a London Townhouse: Elevation

Design for a London Townhouse: Elevation
Creator:
Michael Searles, 1750–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 3/4 inches (26.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17960. Design for a Naval Monument: Elevation

Design for a Naval Monument: Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17961. A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park
Creator:
James Mason, 1710–1783
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17962. The Attack of Two Bastions, the Breaches being Made by the Miner

The Attack of Two Bastions, the Breaches being Made by the Miner
Creator:
Remi Parr, active 1723–1750
Date:
1760 to 1770
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17963. Full Cry

Full Cry
Creator:
Cecil Charles Windsor Aldin, 1870–1935
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Image: 9 11/16 × 14 3/16 inches (24.6 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17964. Windsor Castle

Windsor Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with beige chine collé
Dimensions:
Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17965. Thomas Girtin

Thomas Girtin
Creator:
Samuel William Reynolds, 1773–1835
Date:
1817
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 10 1/4 inches (38.4 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17966. The Junction of the Severn and the Wye with Chepstow in the Distance

The Junction of the Severn and the Wye with Chepstow in the Distance
Creator:
David Cox, 1783–1859
Date:
1830
Materials & Techniques:
Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17967. `Hold Back, Sir!'

`Hold Back, Sir!'
Creator:
Cecil Charles Windsor Aldin, 1870–1935
Date:
1904
Materials & Techniques:
Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17968. `Ar Never Gets Off' - Hunting Scene

`Ar Never Gets Off' - Hunting Scene
Creator:
Cecil Charles Windsor Aldin, 1870–1935
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Image: 11 5/8 × 18 15/16 inches (29.5 × 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17969. Saddled Gray Horse Walking

Saddled Gray Horse Walking
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
undated
Materials & Techniques:
Oil on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 5 5/16 × 7 9/16 inches (13.5 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17970. Going at a Rank of Hurdles with Temper and Resolution

Going at a Rank of Hurdles with Temper and Resolution
Creator:
Henry Thomas Alken, 1785–1851
Date:
1827
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17971. "Topping a Park fence and doing the thing easy"

"Topping a Park fence and doing the thing easy"
Creator:
Henry Thomas Alken, 1785–1851
Date:
1827
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17972. Grouse Shooting: The Right Sort

Grouse Shooting: The Right Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and red ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 13/16 inches (21.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17973. Foxhunting: The Death

Foxhunting: The Death
Creator:
Henry Thomas Alken, 1785–1851
Date:
ca. 1830
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 9/16 × 26 15/16 inches (24.3 × 68.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17974. Foxhunting: The Meet

Foxhunting: The Meet
Creator:
Henry Thomas Alken, 1785–1851
Date:
1822
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 7/16 × 26 7/8 inches (24 × 68.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17975. Grouse Shooting: The Wrong Sort

Grouse Shooting: The Wrong Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17976. Taking a Fence Side-Saddle

Taking a Fence Side-Saddle
Creator:
George Denholm Armour, 1864–1949
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouahce and pen with black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 10 3/4 inches (37 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17977. Some Have Greatness Thrust Upon Them

Some Have Greatness Thrust Upon Them
Creator:
George Denholm Armour, 1864–1949
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache, with pen and brown ink on linen
Dimensions:
Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17978. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17979. A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17980. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17981. Horse Loaded with Artist’s Paraphernalia

Horse Loaded with Artist’s Paraphernalia
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 12 7/8 inches (24.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17982. Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868

Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor, gouache and black chalk on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 20 1/16 × 29 7/8 inches (51 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17983. An Allegory of America Carrying the Cap of Liberty

An Allegory of America Carrying the Cap of Liberty
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 2 1/16 inches (8.3 × 5.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17984. The Lodge Gate

The Lodge Gate
Creator:
Lionel Edwards, 1878–1966
Date:
1922
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 13 7/8 x 9 13/16in. (35.2 x 24.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17985. Figure Studies

Figure Studies
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Graphite, with watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 4 3/8 inches (19.1 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17986. Newmarket - Pulling Up

Newmarket - Pulling Up
Creator:
Lionel Edwards, 1878–1966
Date:
1933
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17987. Portrait of Frank Buckle

Portrait of Frank Buckle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 11/16 × 3 7/8 inches (9.4 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17988. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
J. Couse, active 1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17989. Study of a Horse

Study of a Horse
Creator:
Gilbert Joseph Holiday, 1879 –1937
Date:
undated
Materials & Techniques:
Graphite, chalk and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17990. Sketch of a Horse

Sketch of a Horse
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
watercolor and graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 7 13/16 × 8 1/4 inches (19.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17991. The Kill

The Kill
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17992. The Front of the Palace of the King of Prussia

The Front of the Palace of the King of Prussia
Creator:
R. Benning, active 1714–1746
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17993. Forming the Civic Crown

Forming the Civic Crown
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17994. Cutting Mistletoe from it by the Druids

Cutting Mistletoe from it by the Druids
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17995. Tom Conolly of Castletown Hunting with His Friends

Tom Conolly of Castletown Hunting with His Friends
Creator:
Robert Healy, 1743–1771
Date:
1769
Materials & Techniques:
Pastel, chalk, and white gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 53 1/2 inches (51.4 × 135.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17996. Squared

Squared
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17997. Concealing Charles II

Concealing Charles II
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17998. Sawed into Planks

Sawed into Planks
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17999. Washing with Ashes

Washing with Ashes
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18000. Welsh Peasant Women

Welsh Peasant Women
Creator:
Nicholas Pocock, 1740–1821
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 4 9/16 × 3 3/8 inches (11.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection