Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
18313
Richard Pettigrew Leitch, active 1870
Landscape
ca. 1870
18314
Richard Pettigrew Leitch, active 1870
Trees and Foliage
ca. 1870
18315
Richard Pettigrew Leitch, active 1870
Trees
ca. 1870
18316
Richard Pettigrew Leitch, active 1870
Foliage
ca. 1870
18317
Thomas Stothard, 1755–1834
July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85)
undated
18318
unknown artist
Margain Abbey, Glamorganshire
1805
18319
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
18320
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
18321
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
18322
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
18323
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
18324
Thomas Stothard, 1755–1834
October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
undated
18325
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
18326
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
18327
Giles King, active 1732–1746
Water Fall at Powers Court
18328
Giles King, active 1732–1746
A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth..
18329
Giles King, active 1732–1746
Salmon Leap at Leixlip
18330
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
18331
Remi Parr, active 1723–1750
The Place given up to Plunder;..
18332
Remi Parr, active 1723–1750
An Attack & Lodgement on the Covert Way; i.e., the part which lies between the Ditch & the Glacis..
18333
Remi Parr, active 1723–1750
How Sallies are defended and repulsed;..
18334
Jake Chapman, born 1966
Untitled
1999
18335
Jake Chapman, born 1966
Untitled
1999
18336
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
18337
Thomas Bowles, ca. 1712–died 1753
A View of the Stadt House, New Church, Weighing House, and the adjacent Buildings at Amsterdam
undated
18338
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
18339
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
18340
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
18341
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
18342
James Seymour, 1702–1752
George Montague, first Earl of Halifax on His White Hunter, Ironside, With His Groom on Justice, a Chestnut Foaled in 1721
1721
18343
James Seymour, 1702–1752
Victorious
undated
18344
unknown artist
A View of St. Petersburg on either side the River Neva, between ye Admiralty & the Academy of Sciences
18345
James Seymour, 1702–1752
The Famous Childers
undated
18346
James Ward, 1769–1859
Hereford Boar
ca. 1803
18347
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
18348
James Seymour, 1702–1752
Study of a Mounted Jockey, Facing Left, June 3rd, 1744
1744
18349
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
18350
Possibly Joseph Wolf, 1820–1899
Chaffinch
ca. 1840
18351
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
18352
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
18353
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
18354
Remi Parr, active 1723–1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
18355
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
18356
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
18357
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
18358
George Hunt, active 1820–1840
The Cover
1823
18359
George Hunt, active 1820–1840
Full Cry
1823
18360
George Hunt, active 1820–1840
Breaking Cover
1823
18361
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
18362
George Hunt, active 1820–1840
The Death
1823
18363
George Hunt, active 1820–1840
The Toast
1824
18364
Charles Bentley, 1806–1854
Fox Hunting: Full Cry
1828
18365
Richard Gilson Reeve, 1803–1889
Plate 2. The Repast
1813
18366
Thomas Bowles, ca. 1712–died 1753
A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol
undated
18367
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
18368
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
18369
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
18370
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the City of Naples
undated
18371
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
18372
George Chinnery, 1774–1852
A River in Ceylon
undated
18373
George Bryant Campion, 1796–1870
Royal Horse Artillery at the Gallop
undated
18374
Thomas Sidney Cooper, 1803–1902
A Horse in Harness Seen From the Near Side
undated
18375
Print made by unknown artist
The City of Breslau
18376
Joshua Cristall, 1768–1847
A Groom, Berkshire
ca. 1816
18377
Arthur Claude Cooke, 1867–op 1890
English Dragoons and Hussars
undated
18378
Peter DeWint, 1784–1849
Still Life with a Jug and Copper Pan
undated
18379
George Dance, 1741–1825
Soldier's Head: front and back
undated
18380
Peter DeWint, 1784–1849
Building a Hayrick
undated
18381
Peter DeWint, 1784–1849
Hay Wagons
undated
18382
Possibly Anthony Vandyke Copley Fielding, 1787–1855
Landscape Near Newmarket, Suffolk
1812
18383
Peter DeWint, 1784–1849
Plough Horses
undated
18384
George-Haydock Dodgson, 1811–1880
Clare College, Cambridge
undated
18385
John Fulleylove, 1845–1908
Clare College and Bridge over the Cam with King's College in the background
1889
18386
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
18387
Michael Angelo Hayes, 1811–1880
Two Shakos of the Dublin Militia: One Green, One Red
undated
18388
Sir Alfred J. Munnings, 1878–1959
"Thorpe Station": Study of a Carriage Horse, Facing Right with a Study of a Hoof at Right
undated
18389
Robert Hills, 1769–1844
Two Studies: a Foal, and a Mare and Foal
undated
18390
Thomas Rowlandson, 1756–1827
Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds
undated
18391
Paul Sandby, 1731–1809
Two Girls Seated
undated
18392
Paul Sandby, 1731–1809
Pony and Hooded Gig
undated
18393
Paul Sandby, 1731–1809
Standing Figure of a Young Man
undated
18394
Paul Sandby, 1731–1809
Two-wheeled Tip-cart with Horses
undated
18395
Paul Sandby, 1731–1809
Girl with Packhorse
undated
18396
Print made by J. Carwitham, active 1720–1740
An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..