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18801. At Rome

At Rome
Creator:
Print made by Placido Columbani, born ca. 1744, active 1801
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 3/4 x 5 13/16 inches (22.3 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18802. I am not learned in Vaccine Matters - but I think those look like Charley's Calves

I am not learned in Vaccine Matters - but I think those look like Charley's Calves
Creator:
Hablot Knight Browne, 1815–1882
Date:
Undated
Materials & Techniques:
Black chalk and watercolor on moderately thick, moderately textured, gray laid paper
Dimensions:
Sheet: 21 1/2 x 28 7/8 inches (54.6 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18803. At the City of Albano

At the City of Albano
Creator:
Print made by Placido Columbani, born ca. 1744, active 1801
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 3/4 x 5 13/16 inches (22.2 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18804. Shooting Party Setting Out

Shooting Party Setting Out
Creator:
Frederick George Byron, 1764–1794
Date:
1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 21 1/4 inches (42.7 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18805. At Rome

At Rome
Creator:
Placido Columbani, born ca. 1744, active 1801
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18806. A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master

A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 11/16 x 8 11/16 inches (14.4 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18807. Shepherd and Flock Outside a Village

Shepherd and Flock Outside a Village
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Plate: 5 11/16 x 8 11/16 inches (14.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18808. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18809. Sion House

Sion House
Creator:
William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18810. Six Snipe and four herons on two plates on one for 'A New Drawing Book..of various kinds of birds, Drawn from the Life by Francis Barlow', 1731 (1 of 9)

Six Snipe and four herons on two plates on one for 'A New Drawing Book..of various kinds of birds, Drawn from the Life by Francis Barlow', 1731 (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
1731
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 5/16 x 7 1/4 inches (28.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18811. Study for "Reading from Torah"

Study for "Reading from Torah"
Creator:
David Bomberg, 1890–1957
Date:
ca. 1914
Materials & Techniques:
Gouache, watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 12 7/8 inches (25.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18812. View near Arwington Hall, Suffolk

View near Arwington Hall, Suffolk
Creator:
Capt. Francis Grose, 1731–1791
Date:
1767
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/16 x 14 3/4in. (26.5 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18813. Portrait of Mr. James Brindley

Portrait of Mr. James Brindley
Creator:
Robert Dunkarton, 1744–1811
Date:
1770
Materials & Techniques:
Mezzotint, first state of two with dedication printed from a separate plate
Dimensions:
Sheet: 19 1/2 x 12 7/8in. (49.5 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18814. One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
1731
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 5/16 x 7 5/16 inches (28.8 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18815. A Brig at Anchor, Trees Beyond

A Brig at Anchor, Trees Beyond
Creator:
Edward Calvert, 1799–1883
Date:
undated
Materials & Techniques:
Brown ink on medium, slightly textured, cream wove paper, mounted to moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 1 7/8 × 2 1/8 inches (4.8 × 5.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18816. The Exhibition of the Royal Academy, 1787

The Exhibition of the Royal Academy, 1787
Creator:
Print made by Pietro Antonio Martini, 1738–1797
Date:
1787
Materials & Techniques:
Engraving and etching on medium, slightly textured, cream paper
Dimensions:
Sheet: 14 1/2 × 20 9/16 inches (36.9 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18817. South West View of Norwich Castle October 20, 1775

South West View of Norwich Castle October 20, 1775
Creator:
Capt. Francis Grose, 1731–1791
Date:
1775
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 12in. (19.4 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18818. Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
1731
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 5/16 x 7 5/16 inches (28.8 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18819. The Society of Dilettanti

The Society of Dilettanti
Creator:
Print made by William Say, 1768–1834
Date:
1821
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 20 5/8 x 15in. (52.4 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18820. A View of the Iron Bridge, in Coalbrook Dale, Shropshire

A View of the Iron Bridge, in Coalbrook Dale, Shropshire
Creator:
Francis Chesham, 1749–1806
Date:
1788
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 7/8 x 21 1/2in. (40.3 x 54.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18821. The Inside of a Smelting House at Broseley, Shopshire

The Inside of a Smelting House at Broseley, Shopshire
Creator:
Wilson Lowry, 1762–1824
Date:
1788
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 7/8 x 22in. (40.3 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18822. A Woodland Nymph

A Woodland Nymph
Creator:
Edward Calvert, 1799–1883
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper, mounted to brown card
Dimensions:
Sheet: 2 1/2 x 3 3/4in. (6.4 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18823. A View of the Iron Bridge

A View of the Iron Bridge
Creator:
James Fittler, 1758–1835
Date:
1788
Materials & Techniques:
Engraving
Dimensions:
Image: 13 7/8 x 20 5/8in. (35.2 x 52.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18824. A View of Lincoln Hill, with the Iron Bridge in the Distance

A View of Lincoln Hill, with the Iron Bridge in the Distance
Creator:
James Fittler, 1758–1835
Date:
1788
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18825. A View of the Mouth of a Coal Pit near Broseley in Shropshire

A View of the Mouth of a Coal Pit near Broseley in Shropshire
Creator:
Francis Chesham, 1749–1806
Date:
1788
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 7/8 x 21 1/2in. (40.3 x 54.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18826. An Exact Survey of the Beautiful House, Garden and Park of the Earl of Pembroke

An Exact Survey of the Beautiful House, Garden and Park of the Earl of Pembroke
Creator:
J. Bennet, active 1754–1765
Date:
1754
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 3/4 x 21 1/2in. (34.9 x 54.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18827. Langley Park, Norfolk: Elevation

Langley Park, Norfolk: Elevation
Creator:
John Sanderson, active 1730; died 1774
Date:
1757
Materials & Techniques:
Pen and black, brown, and gray ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 18 3/16 inches (28.7 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18828. No.1 Passage of the Mondego at Pena Cova by the 3rd Division of allied Army, 1810

No.1 Passage of the Mondego at Pena Cova by the 3rd Division of allied Army, 1810
Creator:
T. St. Clair, active 1810–1815
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18829. An Iron Work for Casting of Cannon

An Iron Work for Casting of Cannon
Creator:
Wilson Lowry, 1762–1824
Date:
1788
Materials & Techniques:
Engraving
Dimensions:
Image: 13 5/8 x 20 3/8in. (34.6 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18830. The Arches Near the East Gate, Bury St. Edmunds Suffolk

The Arches Near the East Gate, Bury St. Edmunds Suffolk
Creator:
Capt. Francis Grose, 1731–1791
Date:
1777
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18831. No.3 City of Coimbra on the Mondego in 1810

No.3 City of Coimbra on the Mondego in 1810
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18832. No.4 Town of Poinbal. Evacuated by the French on the Morning of 11 March 1811

No.4 Town of Poinbal. Evacuated by the French on the Morning of 11 March 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18833. No.5 Sabugal on the River Coa French pickets in the foreground the Allies preparing to cross the River.

No.5 Sabugal on the River Coa French pickets in the foreground the Allies preparing to cross the River.
Creator:
Charles Turner, 1774–1857
Date:
1810-1815
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18834. Landscape: Man Carrying Faggots

Landscape: Man Carrying Faggots
Creator:
Gainsborough Dupont, 1754–1797
Date:
undated
Materials & Techniques:
Oil and graphite on moderately textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 14 13/16in. (28.6 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18835. No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro

No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18836. No. 7 Distant View of Cuidad Rodrigo from Oak Wood near the Village Espeja March 1811

No. 7 Distant View of Cuidad Rodrigo from Oak Wood near the Village Espeja March 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18837. No.6 Battle of Fuontes d'Ouoro, 5th July 1811

No.6 Battle of Fuontes d'Ouoro, 5th July 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18838. Languard Fort on the River Orwell

Languard Fort on the River Orwell
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11in. (22.2 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18839. Cottagers at the Bottom of Mt. Vesuvius

Cottagers at the Bottom of Mt. Vesuvius
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18840. No.8 The March of the 3rd. Division through the Sierra de Estiella or de Neve, May 16, 1811

No.8 The March of the 3rd. Division through the Sierra de Estiella or de Neve, May 16, 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18841. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 7/16 inches (23 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18842. View of Lambeth from Milbank

View of Lambeth from Milbank
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1795
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18843. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18844. View of Lambeth Palace in Surrey

View of Lambeth Palace in Surrey
Creator:
Taylor, active 1790
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18845. Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury

Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury
Creator:
William Angus, 1752–1821
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18846. Lambeth Palace

Lambeth Palace
Creator:
William Bernard Cooke, 1778–1855
Date:
1822
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18847. Richard III: Act IV, Scene III, Tower of London

Richard III: Act IV, Scene III, Tower of London
Creator:
Print made by William Skelton, 1763–1848
Date:
1795
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18848. The Archiepiscopal Palace of Lambeth

The Archiepiscopal Palace of Lambeth
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18849. Lambeth Palace

Lambeth Palace
Creator:
William Bernard Cooke, 1778–1855
Date:
1810
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18850. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1803
Materials & Techniques:
Etching
Dimensions:
Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18851. Lambeth Palace, Surrey

Lambeth Palace, Surrey
Creator:
Sparrow, active 1773–1787
Date:
1778
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18852. A View of Lambeth House from the River Thames

A View of Lambeth House from the River Thames
Creator:
Pierce Tempest, 1653–1717
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18853. Lambeth Palace

Lambeth Palace
Creator:
Edward Francis Finden, 1791–1857
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18854. Dido and Aeneas

Dido and Aeneas
Creator:
William Woollett, 1735–1785
Date:
1787
Materials & Techniques:
Line engraving and etching
Dimensions:
Plate: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18855. Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3)

Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 17in. (25.4 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18856. A Spy!!! or the Blessings of a Convention Bill

A Spy!!! or the Blessings of a Convention Bill
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 5/8 x 8 3/8in. (29.5 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18857. St. Nicholas's Island off Mount Edgecombe

St. Nicholas's Island off Mount Edgecombe
Creator:
Capt. Francis Grose, 1731–1791
Date:
1768
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 14 1/2in. (21.6 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18858. No Reform, No Reform

No Reform, No Reform
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 11 3/4in. (21.3 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18859. The Wet Party or the Bogs of Flanders, a New Song

The Wet Party or the Bogs of Flanders, a New Song
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 13in. (20.6 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18860. Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army

Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 13 3/4in. (23.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18861. A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger

A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 5/8 x 9in. (29.5 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18862. Strong Symptoms of Loyalty

Strong Symptoms of Loyalty
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18863. Strong Symptoms of Loyalty

Strong Symptoms of Loyalty
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 7/8in. (21.6 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18864. Preparing for Action or an English Man of War engaging Two Dutch Doggers

Preparing for Action or an English Man of War engaging Two Dutch Doggers
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18865. The Solicitor General for the French Republic

The Solicitor General for the French Republic
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/8 x 9 7/8in. (33.3 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18866. The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men

The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men
Creator:
Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 14 7/8in. (21.9 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18867. Pray Remember us Poor Children

Pray Remember us Poor Children
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/4 x 9 3/4in. (29.8 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18868. John Bull in a Rage, forcing nic Frog to Fight against his Will

John Bull in a Rage, forcing nic Frog to Fight against his Will
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 13 3/8in. (20.3 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18869. Reflections on the French Revolution

Reflections on the French Revolution
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 1/8 x 10 5/8in. (35.9 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18870. A Right Honorable (sic) Alias a sans Culotte

A Right Honorable (sic) Alias a sans Culotte
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 3/4 x 11 3/8in. (32.4 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18871. Binsey Church, Oxford

Binsey Church, Oxford
Creator:
Capt. Francis Grose, 1731–1791
Date:
1775
Materials & Techniques:
Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18872. The Near in Blood, the Nearer Bloody

The Near in Blood, the Nearer Bloody
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18873. Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!

Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 7/8 x 9 1/4in. (35.2 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18874. The Present State of Liliput or No Tax on Blindmens Dogs

The Present State of Liliput or No Tax on Blindmens Dogs
Creator:
Isaac Cruikshank, 1764–1811
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18875. The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in

The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in
Creator:
Isaac Cruikshank, 1764–1811
Date:
1790
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/16 x 13in. (20.8 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18876. The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho

The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 15 1/2in. (23.8 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18877. A General Fast in Consequence of the War!!!

A General Fast in Consequence of the War!!!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794?
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 1/4in. (21.6 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18878. Oh! Dear What can the Matter Be

Oh! Dear What can the Matter Be
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/4 x 8 3/4in. (31.1 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18879. Binsey Church, Oxford

Binsey Church, Oxford
Creator:
Capt. Francis Grose, 1731–1791
Date:
1775
Materials & Techniques:
Pen and black ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18880. The Auckward Squad

The Auckward Squad
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 5/8in. (21.6 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18881. A Ward of Chancery

A Ward of Chancery
Creator:
Isaac Cruikshank, 1764–1811
Date:
1792
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18882. The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3)

The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 14 3/4in. (21.6 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18883. No. 10 Troop bivoacked below the village of the villa Velha, 19th May 1811

No. 10 Troop bivoacked below the village of the villa Velha, 19th May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18884. No. 9 The Frontier of Pina Macor. Portugese Troops on the March to Costello Branco, 18th May 1811

No. 9 The Frontier of Pina Macor. Portugese Troops on the March to Costello Branco, 18th May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18885. Lambeth, His Grace the Lord Archbishop of Canterbury Palace

Lambeth, His Grace the Lord Archbishop of Canterbury Palace
Creator:
Johannes Kip, 1653–1722
Date:
1697
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18886. The Republican - Attack

The Republican - Attack
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18887. No. 11 The Passage of the Tagus by the 3rd Division at Villa Velha, 20 May 1811

No. 11 The Passage of the Tagus by the 3rd Division at Villa Velha, 20 May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18888. No.12 Badajos during the Siege of June 1811

No.12 Badajos during the Siege of June 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18889. For Japanning, Plate 1

For Japanning, Plate 1
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
1757
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 × 10 7/8 inches (17.4 × 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18890. Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3)

Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 15in. (21.3 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18891. The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen

The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 7/8 x 8 3/4in. (32.7 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18892. St. Catherine's Castle at Fowey, Cornwall

St. Catherine's Castle at Fowey, Cornwall
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 19 1/2in. (30.5 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18893. Portraits of the Royal Academicians

Portraits of the Royal Academicians
Creator:
Charles Bestland, 1763–ca. 1837
Date:
1802
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 25 3/4 x 31 7/8in. (65.4 x 81cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18894. Fatal Effect of the French Defeat - Hanging (and) Drowning

Fatal Effect of the French Defeat - Hanging (and) Drowning
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 13 3/8in. (23.5 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18895. Cool Arguments!!!

Cool Arguments!!!
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching with watercolor on wove paper
Dimensions:
Sheet: 15 9/16 x 11 5/8in. (39.5 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18896. Half Seas Over, Alias the Hopes of the Family

Half Seas Over, Alias the Hopes of the Family
Creator:
Isaac Cruikshank, 1764–1811
Date:
1793
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 5/8 x 10 1/4in. (34.6 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18897. Pine Apples Raised and Sold by Henry Scott, Gardener at Weybridge

Pine Apples Raised and Sold by Henry Scott, Gardener at Weybridge
Creator:
Francois Vivares, 1709–1780
Date:
1754
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 18 1/2in. (27.9 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18898. Pershore Abbey, Worcestershire

Pershore Abbey, Worcestershire
Creator:
Capt. Francis Grose, 1731–1791
Date:
1791
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

18899. Doctor Sangrado Relieving John Bull of the Yellow Fever

Doctor Sangrado Relieving John Bull of the Yellow Fever
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 14 7/8in. (21.6 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18900. The Fortune Teller

The Fortune Teller
Creator:
John Smith, the mezzotinter, 1652–1743
Date:
c.1700
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 4 x 7in. (10.2 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection