Cricket played by the Gentlemens Club, Whiteconduit House
1784
19009
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
19010
George Louis Palmella Busson Du Maurier, 1834–1896
Women and their Garments Artistically Described
1874
19011
Edward Duncan, 1803–1882
The First Thames Steamboat: Pearl
undated
19012
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
19013
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
19014
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
19015
Daniel Maclise, 1806–1870
An Elephant, walking to left
undated
19016
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
19017
Bill Brandt, 1904–1983
Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel
1940
19018
Bill Brandt, 1904–1983
People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939
ca. 1939
19019
Bill Brandt, 1904–1983
Henry Moore
1946
19020
Bill Brandt, 1904–1983
Alley in Bermondsey, Ca. 1930s
ca. 1970s
19021
Alvin Langdon Coburn, 1882–1966
George Bernard Shaw
1957
19022
Print made by James McNeill Whistler, 1834–1903
Monitors
1887
19023
Francis Bedford, 1816–1894
Gibeon, El Jib, Palestine
1862
19024
Print made by James McNeill Whistler, 1834–1903
Return to Tilbury
1887
19025
John Downman, 1750–1824
Portrait of Lady Marjorie Jenkins
1798
19026
Joseph Farington, 1747–1821
Sketchbook of Joseph Farington, containing illustrations of the English Lake Country, prepared for Gray's Journal
c.1798
19027
George Moutard Woodward, ca. 1760–1809
Sketchbook of George M. Woodward
19028
James Gillray, 1756–1815
Gillray Caricatures
19029
James Gillray, 1756–1815
The Injured Countess
1786-1788
19030
James Gillray, 1756–1815
Sawney in the Bog-House
1779
19031
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume III
between 1780 and 1788
19032
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
19033
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume II
between 1780 and 1788
19034
James Gillray, 1756–1815
The Fall of Phaeton
1788
19035
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
19036
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
19037
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
19038
James Gillray, 1756–1815
Patience on a Monument
1791
19039
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
19040
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
19041
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
19042
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
19043
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
19044
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
19045
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
19046
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
19047
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
19048
James Gillray, 1756–1815
Wha Wants Me?
1792
19049
James Gillray, 1756–1815
National Conveniences
1796
19050
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
19051
James Gillray, 1756–1815
Fashionable Jockeyship
1796
19052
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
19053
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
19054
James Gillray, 1756–1815
Brisk Cathartic
1804
19055
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
19056
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
19057
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
19058
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
19059
James Gillray, 1756–1815
The Grand - Signior retiring
1796
19060
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
19061
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
19062
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
19063
James Gillray, 1756–1815
Palemon and Lavinia
1805
19064
James Gillray, 1756–1815
Evacuation of Malta
1803
19065
Giovanni Piranesi, 1720–1778
Giardino Colonna nel clivo del Quirinale
undated
19066
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
19067
Giovanni Piranesi, 1720–1778
Palazzo Pontificio sul Quirinale
undated
19068
Thomas Rowlandson, 1756–1827
The Launching of a Ship
ca. 1800
19069
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
19070
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny
1793
19071
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
19072
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
19073
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
19074
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
19075
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
19076
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
19077
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
19078
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
19079
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
19080
Patrick Procktor, 1936–2003
IXOUS
1995
19081
Peter Sedgley, born 1930
Quatre Foil
1982
19082
Amos Green, 1735–1807
Views in England, Scotland and Wales
1803
19083
Benjamin Robert Haydon, 1786–1846
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
19084
John Varley, 1778–1842
John Sell Cotman
1810
19085
John Varley, 1778–1842
Anthony Vandyke Copley Fielding
1810
19086
Print made by Day & Co., 1824–1913
North side of the Star Chamber, Westminster
ca. 1845
19087
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
19088
Print made by John Thomas Smith, 1766–1833
Four Illustrations of Westminster
1804
19089
Print made by John Woods, active 1836–1860
Interior of the Star Chamber, Westminster
1848
19090
Print made by Andrew Picken, 1815–1845
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
ca. 1835
19091
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
19092
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
19093
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
19094
Print made by James Basire the younger, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
19095
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
19096
Print made by Robert William Billings, 1813–1874
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
19097
Print made by unknown artist
Part of the Front of the Vestibule
1843
19098
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
19099
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
19100
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West