A View of Hopping Hill Ware on the River Derwent belonging to His Grace the Duke of Devonshire
19002
Francois Vivares, 1709–1780
A North West View of Haddon, an Ancient Seat belonging to his Grace the Duke of Rutland
19003
Francois Vivares, 1709–1780
A View of the Petrifying Spring commonly called The Dropping well, at Knaresborough in Yorkshire..
19004
Francois Vivares, 1709–1780
A View of Hagley Park, belonging to Sir Thomas Lyttelton Bart
1748
19005
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
19006
Francois Vivares, 1709–1780
A View of Anchor Church...Seat of Sir Robert Burdett Bart
19007
James Mason, 1710–1783
A View in Exton Park belonging to the Rt. Hon. Earl of Gainsborough
19008
Francois Vivares, 1709–1780
A View in Lime Park
19009
Charles Grignion, 1717–1810
A Perspective View of the Foundling Hospital with Emblematic Figures
1749
19010
Francois Vivares, 1709–1780
A View of Amazing Rock in Craven Yorkshire, witha Rivlet flowing from the bottom called Malham Cove in the Lordship of Thomas Lister, Esq
19011
Francois Vivares, 1709–1780
A View in Craven Yorkshire of a beautiful and Romantic Natural Casade in Bolton Park, belonging to the Rt. Hon. Earl of Burlington
19012
John Le Keux, 1783–1846
York House. The North and East Fronts as seen from the Stableyard
1827
19013
John Le Keux, 1783–1846
York House. The South and West Fronts as seen from the Garden
1827
19014
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
19015
Paul Fourdrinier, 1698–1758
Design for the Mansion House of the Rt. Hon. The Lord Mayor
1737
19016
John Roffe, 1769–1850
York House. Plan of the Basement Story
1827
19017
John Raphael Smith, 1752–1812
Portrait of Richard Arkwright
1801
19018
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
19019
Richard Earlom, 1743–1822
An Iron Forge
1773
19020
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
19021
Samuel William Reynolds, 1773–1835
Garrick, In the Character of Abel Drugger
1825
19022
Augustus Edwin John, 1878–1961
Alick Shepeler
undated
19023
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
1768
19024
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
19025
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
19026
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
19027
James Gillray, 1756–1815
Destruction of the French Collossus
1798
19028
unknown artist
The Northern Colossus, Or Earl of Toadstool Arm'd with a Poll Axe
1786
19029
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
19030
Print made by Richard Earlom, 1743–1822
Life School at the Royal Academy
1773
19031
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
19032
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
19033
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
19034
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
19035
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
19036
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
19037
Print made by Thomas Rowlandson, 1756–1827
A New Insect
1784
19038
Augustus Edwin John, 1878–1961
The Chemise
undated
19039
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
19040
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
19041
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
19042
Augustus Edwin John, 1878–1961
Dorelia Asleep
1903
19043
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
19044
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
19045
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
19046
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
19047
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
19048
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
19049
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
19050
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
19051
James Gillray, 1756–1815
A Man of Importance
1799
19052
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
19053
James Gillray, 1756–1815
Independence
1799
19054
James Gillray, 1756–1815
A Portrait ------------
1799
19055
Augustus Edwin John, 1878–1961
Dorelia
undated
19056
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
19057
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
19058
Isaac Weld, 1774–1856
Studies of Roman Saddles
ca. 1818
19059
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
19060
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
19061
Augustus Edwin John, 1878–1961
Study of Gwen John
ca. 1900
19062
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
19063
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison: Aerial Perspective
undated
19064
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
19065
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison
ca. 1830
19066
unknown artist
George III's Visit to Portsmouth
ca. 1794
19067
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon, 1931 or 1932
undated
19068
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
19069
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
19070
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
19071
James Gillray, 1756–1815
Patience on a Monument
1791
19072
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
19073
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
19074
John Young, 1755–1825
Chevy Chase
1813
19075
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon
1931 or 1932
19076
John Young, 1755–1825
Chevy Chase
1813
19077
Peltro W. Tomkins, 1760–1840
Three Actors in a Play
1785
19078
John Young, 1755–1825
The Surrender of Callais
1815
19079
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Vestibule of St. Peter at Rome
1765 to 1767
19080
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Vestibule of St. Mary at Rome
1765 to 1767
19081
John Young, 1755–1825
The Surrender of Callais
1815
19082
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of the New Prison at Rome
1765 to 1767
19083
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
19084
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
19085
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Temple of Bacchus at Rome
1765 to 1767
19086
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of a Church
1765 to 1767
19087
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of a Sepulchrale Church
1765 to 1767
19088
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
19089
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
19090
Richard Bernard Godfrey, 1728–op.1794
Ships in Distress
1796
19091
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
19092
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
19093
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
19094
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
19095
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
19096
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
19097
James Gillray, 1756–1815
The Royal Academy
1786
19098
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
19099
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)