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unknown artist Mid-Day
unknown artist
Mid-Day
1799
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken "Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
George Alken Foxhunting: Full Cry
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
Henry Thomas Alken A Gentleman Riding With a Groom, and Coversing
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
Henry Thomas Alken "Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
George Alken Exercising a Racehorse
George Alken, 1794–active 1837
Exercising a Racehorse
undated
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Henry Thomas Alken "Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken A Charging Mameluke Firing a Pistol
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
Thomas Rowlandson An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"
Thomas Rowlandson, 1756–1827
An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"
Henry Thomas Alken "Scraps", No. 28: Skittle Alley With Players and Spectators
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
Henry Thomas Alken "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Henry Thomas Alken "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
Thomas Bowles A View of Somerset House with St. Mary's Church in the Strand London
Thomas Bowles, ca. 1712–died 1753
A View of Somerset House with St. Mary's Church in the Strand London
Henry Thomas Alken "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
Henry Thomas Alken "Scraps", No. 39: Mounted Hussars
Henry Thomas Alken, 1785–1851
"Scraps", No. 39: Mounted Hussars
1823
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Turbaned Cavalryman Standing Beside a Horse
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman Standing Beside a Horse
undated
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Henry Thomas Alken Turbaned Cavalryman on a Horse
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
Henry Thomas Alken Knight in Armour Standing by a Plumed and Caparisoned Horse
Henry Thomas Alken, 1785–1851
Knight in Armour Standing by a Plumed and Caparisoned Horse
undated
Henry Thomas Alken Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
Henry Thomas Alken Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
Henry Thomas Alken Turbaned Cavalryman, Right Arm with Curved Sword Upraised
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
Charles Robert Cockerell Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
Henry Thomas Alken Head and Neck of a Frightened Horse, Left Profile
Henry Thomas Alken, 1785–1851
Head and Neck of a Frightened Horse, Left Profile
undated
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
Alphonse Legros In the Skirts of the Forest
Alphonse Legros, 1837–1911
In the Skirts of the Forest
1880
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Fall
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Home
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
Henry Thomas Alken Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
William Ward John Crichton Stuart, second Marquess of Bute
William Ward, 1766–1826
John Crichton Stuart, second Marquess of Bute
Henry Thomas Alken Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
Henry Thomas Alken Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
Henry Thomas Alken Morning Ride
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
John Collet Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
John Collet Stable Boy Holding a Horse in a Landscape
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
Isaac Cruikshank The Cuckold Departs for the Hunt
Isaac Cruikshank, 1764–1811
The Cuckold Departs for the Hunt
ca. 1800
Sawrey Gilpin Horse Standing, Side View Facing Right
Sawrey Gilpin, 1733–1807
Horse Standing, Side View Facing Right
undated
Sawrey Gilpin Chestnut Mare and Foal
Sawrey Gilpin, 1733–1807
Chestnut Mare and Foal
undated
George Jones A Camel, Facing Left, Sept. 1856
George Jones, 1786–1869
A Camel, Facing Left, Sept. 1856
1856
George Jones A Camel, Facing Left, Sept. 3, 1850
George Jones, 1786–1869
A Camel, Facing Left, Sept. 3, 1850
1850
Sir Thomas Lawrence The Duke of Wellington Riding Copenhagen
Possibly Sir Thomas Lawrence, 1769–1830
The Duke of Wellington Riding Copenhagen
undated
Inigo Jones A Plumed Saddle-Horse
Attributed to Inigo Jones, 1573–1652
A Plumed Saddle-Horse
ca. 1640
Thomas Rowlandson A Crowded Race Meeting
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
Paul Sandby The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
James Seymour A Greyhound, Facing Left
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
James Seymour A Racehorse, Bridled and Saddled
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
James Seymour Two Horses Trotting in Harness
James Seymour, 1702–1752
Two Horses Trotting in Harness
undated
James Seymour Schooling Horses: Three Studies on a Page
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
James Seymour 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
James Seymour Kindly, with Jockey Up
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
James Seymour Horse, With Rider Lightly Sketched, Walking to Left
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
James Seymour Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
James Seymour Foxhunter, with Jockey Up
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
James Seymour Sloven, with Jockey Up, Galloping to Right
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
James Seymour Coursing - After the Kill
James Seymour, 1702–1752
Coursing - After the Kill
undated
James Seymour Flying Childers and Grooms
James Seymour, 1702–1752
Flying Childers and Grooms
undated
James Seymour A Hound Tethered to a Tree Stump
James Seymour, 1702–1752
A Hound Tethered to a Tree Stump
undated
James Seymour Saddled Horse, with a Crest Branded on His Flank, Walking to Right
James Seymour, 1702–1752
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
James Seymour Conqueror Going to Start
James Seymour, 1702–1752
Conqueror Going to Start
undated
James Seymour Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
Arthur James Stark A Shepherd with Flock Beneath a Large Tree
Arthur James Stark, 1831–1902
A Shepherd with Flock Beneath a Large Tree
undated
James Seymour Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
James Seymour Hind Legs and Tail of a Horse
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
John Frederick Tayler Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
John Frederick Tayler Four Hooded Falcons
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
William Makepeace Thackeray A Mail Coach in a Hilly Landscape
William Makepeace Thackeray, 1811–1863
A Mail Coach in a Hilly Landscape
undated
James Barenger The Saddling Enclosure, Epsom
James Barenger, 1780–after 1831
The Saddling Enclosure, Epsom
undated
Louis Philippe Boitard Dosing a Racehorse
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
Peter Tillemans A Match at Newmarket
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
Hablot Knight Browne "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
Peter Tillemans A Saddled Horse, Facing Left
Peter Tillemans, 1684–1734
A Saddled Horse, Facing Left
undated
Hablot Knight Browne "Hark": Startled Horse and Alert Rider
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
Hablot Knight Browne "You're Not Going to Follow, Belle, Are You?"
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
John Vanderbank "The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
Hablot Knight Browne The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
James Ward Ralph John Lambton on His Hunter, "Undertaker"
James Ward, 1769–1859
Ralph John Lambton on His Hunter, "Undertaker"
ca. 1815
Paul Maze The Royal Horse Guards (The Blues)
Paul Maze, 1887–1979
The Royal Horse Guards (The Blues)
undated
Hablot Knight Browne The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
Hablot Knight Browne The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
James Ward Arctic Dog, Facing Right
James Ward, 1769–1859
Arctic Dog, Facing Right
undated
Sir Alfred J. Munnings The Artist at his Easel
Sir Alfred J. Munnings, 1878–1959
The Artist at his Easel
undated
Benjamin West Rider Galloping to Left
Benjamin West, 1738–1820
Rider Galloping to Left
undated