The Matrimonial Mania - or - Poor Jonny Ridden to Death
1818
21504
William Heath, 1795–1840
HOGARTHS roast beef REALISED
1810
21505
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
21506
Thomas Rowlandson, 1756–1827
The Westminster Watchman
1784
21507
James Gillray, 1756–1815
National Discourse
1780
21508
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
21509
unknown artist
The Sweating Sickness; or, the Imaginary Malady
1799
21510
Thomas Rowlandson, 1756–1827
The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit
1805
21511
unknown artist
Small Blunders or Irish Bulls
1795
21512
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
21513
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
21514
Pieter Schenck I, 1660–1719
Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow
1710
21515
Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica, of Fort William Estate, with part of Roaring River belonging to Mr. William Beckford, Esq.r near Savannah la Marr
1778
21516
Print made by William Elliot, active 1774, died 1792
A View of the Great Cohoes Falls, on the Mohawk River
1768
21517
James Seymour, 1702–1752
Horse Walking to Left
undated
21518
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
21519
James Seymour, 1702–1752
King Charles I of England, Mounted
undated
21520
James Seymour, 1702–1752
A Horse Lying Down
undated
21521
Print made by James McNeill Whistler, 1834–1903
Dry Dock, Southampton
1887
21522
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
21523
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
21524
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
21525
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
21526
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
21527
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
21528
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
21529
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
21530
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
21531
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
21532
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
21533
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
21534
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
21535
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
21536
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
21537
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
21538
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
21539
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
21540
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
21541
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
21542
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
21543
Attributed to John Carter, 1748–1817
Springing of groins
1815
21544
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
21545
Print made by James Basire the younger, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
21546
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
21547
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
21548
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
21549
Print made by James Dobie, 1849–1911
Fishing Boats at Hastings
1882
21550
Thomas Riley, active 1880–1892
The First Born
1882
21551
Print made by William Strang, 1859–1921
Tinkers
1882
21552
Robert K. Thomas, 1816–1864
The Alt Market at Cologne
1884
21553
Thomas Rowlandson, 1756–1827
How to Ride Genteel and Agreeably Downhill
undated
21554
Thomas Rowlandson, 1756–1827
A Bit of Blood
undated
21555
Henri Toussaint, 1849–1911
Amiens
1884
21556
Thomas Rowlandson, 1756–1827
Valley of Stones, Lynton, Devon
undated
21557
Thomas Rowlandson, 1756–1827
The Arrival of a Company of Militia at an Inn
undated
21558
Thomas Rowlandson, 1756–1827
Concerto a la Catalani
undated
21559
Print made by unknown artist
Key to Life School at the Royal Academy
1794
21560
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
21561
James Stow, ca. 1770–after 1820
The Globe Theatre, Bankside, Southwark
1812
21562
Print made by Edward Goodall, 1795–1870
The Landing of Columbus
1834
21563
James Heath, 1757–1834
Rhinoceros of Africa
1789
21564
James Heath, 1757–1834
Hyoena
1790
21565
James Heath, 1757–1834
Jerboa
1789
21566
James Heath, 1757–1834
Fennec
1789
21567
James Heath, 1757–1834
Fennec
1789
21568
James Heath, 1757–1834
Ashkoko
1789
21569
James Heath, 1757–1834
Ashkoko
1789
21570
James Heath, 1757–1834
Tsaltsalya / El Adda
1789
21571
James Heath, 1757–1834
Tsaltsalya / El Adda
1789
21572
James Heath, 1757–1834
Cerastes
1789
21573
Print made by James Heath, 1757–1834
Tortoise
1789
21574
James Heath, 1757–1834
Cerastes
1789
21575
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
21576
unknown artist
Sky study
undated
21577
unknown artist
Sky study
undated
21578
unknown artist
Sky study
undated
21579
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
21580
Thomas Rowlandson, 1756–1827
Elegant Company Dancing
undated
21581
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
21582
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
21583
Thomas Rowlandson, 1756–1827
A Tour in a Cathedral
undated
21584
Thomas Rowlandson, 1756–1827
Diners in a Chop Shop
between 1800 and 1805
21585
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Gourmands at Dinner
1798
21586
Thomas Rowlandson, 1756–1827
Scene in a Monastery
undated
21587
Thomas Rowlandson, 1756–1827
Rag Fair or Rosemary Lane
undated
21588
Thomas Rowlandson, 1756–1827
Mad'elle du de l'Opera
undated
21589
Thomas Rowlandson, 1756–1827
Dr Syntax Alarmed by a Whale
1812
21590
Thomas Rowlandson, 1756–1827
A Black Leg Detected Secreting Cards
undated
21591
Paul François Arnold Cardon, called "Dornac", 1859–1941
Whistler Seated in a Chair in His Paris (rue Notre-Dame-des-Champs) Studio
1893
21592
Paul François Arnold Cardon, called "Dornac", 1859–1941
Whistler in his studio on the rue Notre-Dame-des-Champs, Paris
1893
21593
Paul François Arnold Cardon, called "Dornac", 1859–1941
Whistler Standing at a Press in His Paris (rue Notre-Dame-des-Champs) Studio
1893
21594
James McNeill Whistler, 1834–1903
Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"