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34501. West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 30 15/16 inches (52.1 × 78.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34502. Thomas Pownall, Esq., Member of Parliament

Thomas Pownall, Esq., Member of Parliament
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/8 x 15 11/16 inches (53.7 x 39.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34503. A Bheesty or Water Carrier

A Bheesty or Water Carrier
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 13/16 x 6 1/2 inches (25 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34504. Female Attendants

Female Attendants
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, smooth, beige wove paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 5/16 inches (24.4 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34505. Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1819
Materials & Techniques:
Etching with hand-coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 16 9/16 inches (31.2 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34506. A Mussalmaum Schoolmaster

A Mussalmaum Schoolmaster
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 15/16 x 6 9/16 inches (25.2 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34507. Ordbhawn or Hindoo Fakeer

Ordbhawn or Hindoo Fakeer
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34508. Nuts or Indian Jugglers

Nuts or Indian Jugglers
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 5/8 x 6 9/16 inches (24.5 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34509. A Syce or Groom

A Syce or Groom
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Chromolithograph on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 7/8 x 6 1/16 inches (25.1 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34510. A Samporea or Snake Catcher

A Samporea or Snake Catcher
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 15/16 x 5 15/16 inches (25.3 x 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34511. A View of Blackfriars Bridge and St. Paul's Cathedral

A View of Blackfriars Bridge and St. Paul's Cathedral
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1790
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34512. A Punca Bearer

A Punca Bearer
Creator:
Print made by Sir Charles D'Oyly, 1781–1845
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 15/16 x 6 1/4 inches (25.2 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34513. A View of London Bridge including the church of St. Magnus and the Monument

A View of London Bridge including the church of St. Magnus and the Monument
Creator:
Joseph Constantine Stadler, active 1780–1812
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34514. A View of Westminster Bridge including Westminster Hall and the Abbey

A View of Westminster Bridge including Westminster Hall and the Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1790
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34515. North East View of Westminster Abbey

North East View of Westminster Abbey
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1817
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34516. Karakakao Bay, Owhyee

Karakakao Bay, Owhyee
Creator:
Matthew Dubourg, active 1786–1838
Date:
1814
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34517. Southwark Iron Bridge as seen from the Bank Side

Southwark Iron Bridge as seen from the Bank Side
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1819
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34518. Governor Pitt's House, Twickenham

Governor Pitt's House, Twickenham
Creator:
Print made by James Mason, 1710–1783
Date:
1749
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34519. The Society of Dilettanti

The Society of Dilettanti
Creator:
William Say, 1768–1834
Date:
between 1800 and 1820
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 15 1/4 inches (52.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34520. Charles I and Henrietta

Charles I and Henrietta
Creator:
George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 1/8 × 30 3/4 inches (56.2 × 78.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

34521. Three Children of King Henry VII and Elizabeth of York, His Queen

Three Children of King Henry VII and Elizabeth of York, His Queen
Creator:
George Vertue, 1684–1756
Date:
1748
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 × 34 1/2 inches (58.4 × 87.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

34522. Mary, Queen of France / Charles Brandon, Duke of Suffolk

Mary, Queen of France / Charles Brandon, Duke of Suffolk
Creator:
George Vertue, 1684–1756
Date:
1748
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 3/4 × 34 inches (57.8 × 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

34523. Study: Head of a Bearded Old Man in a Cap with his Head Resting on his Hand

Study: Head of a Bearded Old Man in a Cap with his Head Resting on his Hand
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 9/16 x 5 7/8 inches (16.6 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34524. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 3 3/8 inches (10.5 x 8.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34525. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 x 3 5/16 inches (10 x 8.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34526. Edward VI and His Court

Edward VI and His Court
Creator:
George Vertue, 1684–1756
Date:
1750
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 1/8 × 34 1/2 inches (58.7 × 87.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

34527. Procession of Queen Elizabeth

Procession of Queen Elizabeth
Creator:
George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 15/16 × 27 inches (58.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

34528. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/16 x 4 3/16 inches (12.8 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34529. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 3/4 × 4 inches (12.1 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34530. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 4 inches (11.2 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34531. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/16 x 2 7/16 inches (8.7 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34532. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 9/16 x 2 11/16 inches (9.1 x 6.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34533. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 3 13/16 inches (10.5 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34534. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 x 2 5/8 inches (7.7 x 6.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34535. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 x 2 5/16 inches (7.8 x 5.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34536. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching and pen and ink wash on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 15/16 × 4 5/16 inches (12.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34537. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 6 9/16 inches (12.7 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34538. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 2 3/8 inches (8.2 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34539. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 x 2 3/16 inches (7.7 x 5.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34540. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 x 2 7/16 inches (8.2 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34541. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34542. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, orange laid paper
Dimensions:
Mount: 3 3/8 x 2 5/16 inches (8.6 x 5.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34543. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34544. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34545. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34546. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34547. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34548. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34549. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34550. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34551. Oak Door Discovered in the Speaker's State Dining Room

Oak Door Discovered in the Speaker's State Dining Room
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34552. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34553. View of St Stephen's Chapel as it appeared after the Fire in October 1834

View of St Stephen's Chapel as it appeared after the Fire in October 1834
Creator:
Print made by Frederick Mackenzie, 1788–1854
Date:
1843
Materials & Techniques:
Lithograph on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 12 1/8 × 13 3/4 inches (30.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34554. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34555. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34556. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

Plate XXVII: St Stephen's Chapel, Looking East, Westminster
Creator:
Print made by John Le Keux, 1783–1846
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34557. Plate III: Crypt under St Stephen's Chapel

Plate III: Crypt under St Stephen's Chapel
Creator:
Print made by Thomas A. Woolnoth, 1785–1857
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34558. View through the South East Window of the Crypt beneath St Stephen's, Westminster

View through the South East Window of the Crypt beneath St Stephen's, Westminster
Creator:
George Johann Scharf, 1788–1860
Date:
1852
Materials & Techniques:
Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34559. Entrance of the House of Lords with the Office of Ordnance

Entrance of the House of Lords with the Office of Ordnance
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34560. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Creator:
Print made by Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34561. The House of Commons

The House of Commons
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34562. Entrance to the House of Lords

Entrance to the House of Lords
Creator:
Attributed to William Capon, 1757–1827
Date:
1796
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34563. Parts in Stone Underhouse of Lords

Parts in Stone Underhouse of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34564. View in Basement Story under House of Lords

View in Basement Story under House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34565. Plan of the Basement Story under the House of Lords

Plan of the Basement Story under the House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34566. View of the Higher House of Parliament in England

View of the Higher House of Parliament in England
Creator:
Print made by unknown artist
Date:
ca. 1695
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34567. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34568. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34569. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/2 × 10 1/8 inches (34.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34570. Elevation of the Basement Story, House of Lords

Elevation of the Basement Story, House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34571. The Kind Proroguing Parliament

The Kind Proroguing Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 3/8 × 10 7/8 inches (18.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34572. The King on his Throne in the House of Lords

The King on his Throne in the House of Lords
Creator:
Print made by James Fittler, 1758–1835
Date:
1804
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34573. Plan of the Ground Floor, House of Lords

Plan of the Ground Floor, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink, watercolor, graphite on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 20 1/8 × 20 1/8 inches (51.1 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34574. House of Commons, the Speaker Reprimanding a Person at the Bar

House of Commons, the Speaker Reprimanding a Person at the Bar
Creator:
Print made by Henry Melville, active 1826–1841
Date:
after 1850
Materials & Techniques:
Line engraving on moderately thick, smooth cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/16 inches (27.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34575. Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords

Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
ca. 1794
Materials & Techniques:
Graphite, pen and black ink, watercolor on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 19 5/8 × 16 1/8 inches (49.8 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34576. Plan of the Upper Floor of Lord Committee Rooms

Plan of the Upper Floor of Lord Committee Rooms
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink and watercolor on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34577. Plate XXXIX: House of Commons as Fitted Up in 1835

Plate XXXIX: House of Commons as Fitted Up in 1835
Creator:
Print made by unknown artist
Date:
ca. 1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34578. Staircase at Southeast Angle, Painted Chamber, Westminster

Staircase at Southeast Angle, Painted Chamber, Westminster
Creator:
Print made by unknown artist
Date:
1835
Materials & Techniques:
Line engraving on slightly textured, moderately thick, whtie wove paper
Dimensions:
Sheet: 8 × 5 1/8 inches (20.3 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34579. The Painted Chamber, Westminster

The Painted Chamber, Westminster
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34580. Plan of Painted Chamber

Plan of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34581. Palace at Westminster

Palace at Westminster
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34582. Side Window, North, Painted Chamber

Side Window, North, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34583. North Side, Painted Chamber

North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34584. East End, Painted Chamber

East End, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34585. Door on South Side of Painted Chamber

Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34586. Wall Paintings

Wall Paintings
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34587. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34588. Paintings on the Wall by H in Plan

Paintings on the Wall by H in Plan
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34589. Vol. 6, Plate XXVII: The Painted Chamber

Vol. 6, Plate XXVII: The Painted Chamber
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34590. Details of one of the Figures

Details of one of the Figures
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34591. Vol. 6, Plate XXIX

Vol. 6, Plate XXIX
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 21 7/8 × 15 1/8 inches (55.6 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34592. Vol. 6, Plate XXVIII

Vol. 6, Plate XXVIII
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34593. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34594. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34595. Vol. 6, Plate XXXII: The Story of Hezekiah.

Vol. 6, Plate XXXII: The Story of Hezekiah.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34596. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34597. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34598. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34599. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34600. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Creator:
Print made by James Basire II, 1769–1822
Date:
after 1819
Materials & Techniques:
Hand colored engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection