Creator Gender: male - YCBA Collections Search Search Results

36101. Cockney-Sportsmen Re-charging

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36102. Coaching: The Early Delivery

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36103. Fore's Stable Scenes: The Hunting Stud

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36104. Cockney-Sportsmen finding a Hare

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Hand colored etching, with etched borders
Dimensions:: Sheet: 10 1/8 x 14 1/8in. (25.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36105. Coaching: The Right Sort

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36106. Evening or the Sportsman's Return

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1795
Materials & Techniques:: Mezzotint, printed and hand colored
Dimensions:: Sheet: 19 5/8 x 25in. (49.8 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36107. Fore's Stable Scenes: The Team

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36108. Fore's Stable Scenes: Thorough Breds

Creator:: John Harris, 1811–1865
Date:: 1846
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/4 x 26 1/2in. (43.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36109. Fores's National Sports: Racing - A False Start

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36110. Coaching: The Last Change Down

Creator:: John Harris, 1811–1865
Date:: 1863
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36111. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36112. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36113. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36114. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36115. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36116. View on Lake Maggiore at Evening

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 8 1/4 inches (15.2 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

36117. Brussels from the Paris Road

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1831
Materials & Techniques:: Watercolor, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 11/16 x 10 3/16 inches (17 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

36118. Fores's National Sports: Racing - Returning to Weigh

Creator:: John Harris, 1811–1865
Date:: 1866
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36119. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36120. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36121. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36122. The Bay of Naples from Capodimonte, Italy

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

36123. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36124. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36125. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36126. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36127. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36128. Mr. William Williams

Creator:: Frederick Tatham, 1805–1878
Date:: ca. 1830
Materials & Techniques:: Watercolor on ivory
Dimensions:: Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36129. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36130. William William's Second Wife

Creator:: Frederick Tatham, 1805–1878
Date:: ca. 1830
Materials & Techniques:: Watercolor on ivory
Dimensions:: Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36131. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36132. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

Creator:: Richard James Lane, 1800–1872
Date:: 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36133. Sir Thomas Lawrence

Creator:: Richard James Lane, 1800–1872
Date:: 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36134. Sir Thomas Lawrence P. R. A.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1830
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36135. Alphonse Legros

Creator:: Print made by Alphonse Legros, 1837–1911
Date:: undated
Materials & Techniques:: Etching on laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36136. Major General Lambert

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36137. Thomas Lawrence, Late President of the Royal Academy

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36138. Sir Godfrey Kneller

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/16 x 12 inches (45.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36139. James McArdell

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 13/16 × 12 15/16 inches (45.3 × 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36140. Daniel Maclise

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1857
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 x 14 13/16 inches (53 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36141. Philippe Mercier

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, yellow-cream laid paper
Dimensions:: Sheet: 12 1/4 × 9 7/8 inches (31.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36142. Thomas Paine

Creator:: William Sharp, 1749–1824
Date:: 1793
Materials & Techniques:: Line engraving, published state
Dimensions:: Sheet: 10 7/8 × 8 3/4 inches (27.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36143. Castle above a River, Woodcutters in the Foreground

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 20 1/4 x 33 3/4 inches (51.4 x 85.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36144. A Girl Spinning Thread

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 10 1/4 inches (36.4 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36145. King John Ratifying the Magna Charta

Creator:: William Wynne Ryland, 1732–1783
Date:: ca. 1783
Materials & Techniques:: Stipple engraving, engraver's proof
Dimensions:: Sheet: 18 5/16 x 23 5/8in. (46.5 x 60cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36146. The Swain's Amusement

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: between 1748 and 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 10 1/4 inches (36 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36147. An Elephant and a Camel

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1663
Materials & Techniques:: Etching
Dimensions:: Sheet: 5 7/8 x 8 3/8in. (14.9 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36148. Portrait of Inigo Jones

Creator:: Wenceslaus Hollar, 1607–1677
Date:: 1655
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 1/16 x 5 3/8in. (20.5 x 13.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36149. A Triton holding a Fish

Creator:: Bernard Lens II, 1659–1725
Date:: 1700
Materials & Techniques:: Pen and brown ink, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 3/4 × 11 inches (24.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36150. Portrait of Sir Edward Astley

Creator:: Thomas Worlidge, 1700–1766
Date:: 1762
Materials & Techniques:: Etching on silk
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36151. Young Male Shearing a Sheep

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36152. Ticket for the Theatre Royal, Haymarket

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 1/2 inches (13.3 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36153. Ticket for the Theatre Royal, Covent Garden

Creator:: Francesco Bartolozzi, 1728–1815
Date:: Between 1775 and 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 x 6 3/8 inches (12.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36154. Ticket for the Benefit of Mr. Sal Pietro

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Stipple engraving and Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 x 4 7/8 inches (10.8 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36155. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36156. Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Etching, stipple engraving and line engraving on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/2 × 3 3/4 inches (6.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36157. Concert Ticket For The Benefit of Madame Banti

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1795
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 6 1/4 inches (12.7 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36158. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36159. Ticket to Westminster Abbey

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1791
Materials & Techniques:: Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36160. Cupid and Psyche

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 8 7/8 inches (28.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36161. John Henderson as Iago

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 13/16 × 8 1/16 inches (27.5 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36162. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36163. Concert Ticket: Benefit Night of Luigi Borghi

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36164. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36165. Ticket for the Benefit of Mr. Giardini

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 5 5/8 inches (14.9 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36166. Ticket for the Brandenbourg House Masquerade

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca. 1797
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36167. For the Benefit of Mr. Borghi

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36168. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36169. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1770
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36170. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 x 5 1/2 inches (11.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36171. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36172. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1778
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36173. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 5 3/4 inches (16.5 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36174. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36175. For the Benefit of Mr. Guadagni

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1767
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36176. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36177. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: between 1768 and 1776
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36178. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: between 1768 and 1776
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36179. Orpheus and Eurydice

Creator:: Francesco Bartolozzi, 1728–1815
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36180. Ticket to Mr. Fierville's Ball

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1781
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36181. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: between 1769 and 1787
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36182. Hanover Square

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Line engraving and stipple engraving, printed in brown ink
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36183. Ticket for the Benefit of Mr. Giardini

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36184. Mrs. Abington as Thalia

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving printed in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 8 1/4 inches (26.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36185. Ticket to Mr. Fierville's Ball

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1781
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36186. Ticket to Mr. Fierville's Ball

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1781
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36187. Ticket to a Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 9 inches (19.1 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36188. Ticket to Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36189. Gainsborough

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/16 x 11 7/16 inches (38.5 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36190. Gainsborough

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving in black ink on moderately thick, moderatetly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 9 13/16 inches (31.8 x 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36191. Francis Grose

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 4 5/8 inches (19.4 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36192. Ticket to a Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 9 5/8 inches (21 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36193. Lady Gertrude, Marchioness of Halifax

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1776
Materials & Techniques:: Line engraving and stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36194. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 5/8 inches (39.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36195. John Dunning

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 8 3/4 inches (27.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36196. Untitled (Plate 2)

Creator:: Marc Quinn, born 1964
Date:: 1995
Materials & Techniques:: Two color soft-ground etching on 300gsm Somerset Satin white wove paper
Dimensions:: Sheet: 37 1/2 × 30 3/8 inches (95.3 × 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Charles Booth-Clibborn

36197. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

36198. Plate 10

Creator:: Adrian Wisniewski, Born 1958
Date:: 1991
Materials & Techniques:: Etching, aquatint, sugar-lift, and spitbite on 350gsm Zerkall white wove paper
Dimensions:: Sheet: 22 1/2 x 21 1/4in. (57.2 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Booth-Clibborn

36199. Mail Coach

Creator:: James Fittler, 1758–1835
Date:: ca. 1787
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 11 5/16 inches (25 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36200. The Entrance Door of East Front of Mansion House

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

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36101. Cockney-Sportsmen Re-charging

36102. Coaching: The Early Delivery

36103. Fore's Stable Scenes: The Hunting Stud

36104. Cockney-Sportsmen finding a Hare

36105. Coaching: The Right Sort

36106. Evening or the Sportsman's Return

36107. Fore's Stable Scenes: The Team

36108. Fore's Stable Scenes: Thorough Breds

36109. Fores's National Sports: Racing - A False Start

36110. Coaching: The Last Change Down

36111. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

36112. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

36113. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

36114. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

36115. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

36116. View on Lake Maggiore at Evening

36117. Brussels from the Paris Road

36118. Fores's National Sports: Racing - Returning to Weigh

36119. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

36120. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

36121. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

36122. The Bay of Naples from Capodimonte, Italy

36123. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

36124. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

36125. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

36126. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

36127. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

36128. Mr. William Williams

36129. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

36130. William William's Second Wife

36131. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

36132. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

36133. Sir Thomas Lawrence

36134. Sir Thomas Lawrence P. R. A.

36135. Alphonse Legros

36136. Major General Lambert

36137. Thomas Lawrence, Late President of the Royal Academy

36138. Sir Godfrey Kneller

36139. James McArdell

36140. Daniel Maclise

36141. Philippe Mercier

36142. Thomas Paine

36143. Castle above a River, Woodcutters in the Foreground

36144. A Girl Spinning Thread

36145. King John Ratifying the Magna Charta

36146. The Swain's Amusement

36147. An Elephant and a Camel

36148. Portrait of Inigo Jones

36149. A Triton holding a Fish

36150. Portrait of Sir Edward Astley

36151. Young Male Shearing a Sheep

36152. Ticket for the Theatre Royal, Haymarket

36153. Ticket for the Theatre Royal, Covent Garden

36154. Ticket for the Benefit of Mr. Sal Pietro

36155. Fonrose

36156. Concert Ticket: Professional Concert, 1789, First Night, Hanover Square

36157. Concert Ticket For The Benefit of Madame Banti

36158. Adelaide

36159. Ticket to Westminster Abbey

36160. Cupid and Psyche

36161. John Henderson as Iago

36162. Ticket: For the Benefit of Mr. Salpietro

36163. Concert Ticket: Benefit Night of Luigi Borghi

36164. Ticket: For the Benefit of Mr. Salpietro

36165. Ticket for the Benefit of Mr. Giardini

36166. Ticket for the Brandenbourg House Masquerade

36167. For the Benefit of Mr. Borghi

36168. Ticket for the Benefit of Mr. Giardini

36169. Ticket for the Benefit of Mr. Giardini

36170. Ticket for the Benefit of Mr. Giardini

36171. Ticket for the Benefit of Mr. Giardini

36172. Ticket for the Benefit of Mr. Giardini

36173. Ticket for the Benefit of Mr. Giardini

36174. Ticket for the Benefit of Mr. Giardini

36175. For the Benefit of Mr. Guadagni