Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?
1837
36112
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start
1837
36113
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style
1837
36114
John Harris, 1811–1865
Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling
1837
36115
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
36116
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
36117
Thomas Shotter Boys, 1803–1874
Brussels from the Paris Road
1831
36118
John Harris, 1811–1865
Fores's National Sports: Racing - Returning to Weigh
1866
36119
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
36120
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
36121
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
36122
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
36123
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
36124
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
36125
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
36126
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
36127
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
36128
Frederick Tatham, 1805–1878
Mr. William Williams
ca. 1830
36129
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
36130
Frederick Tatham, 1805–1878
William William's Second Wife
ca. 1830
36131
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
36132
Richard James Lane, 1800–1872
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
36133
Richard James Lane, 1800–1872
Sir Thomas Lawrence
1830
36134
Print made by Samuel Cousins, 1801–1887
Sir Thomas Lawrence P. R. A
1830
36135
Print made by Alphonse Legros, 1837–1911
Alphonse Legros
undated
36136
Alexander Bannerman, ca. 1730–1780
Major General Lambert
undated
36137
unknown artist
Thomas Lawrence, Late President of the Royal Academy
36138
Print made by John Faber the Younger, ca. 1695–1756
Sir Godfrey Kneller
1735
36139
Print made by Richard Earlom, 1743–1822
James McArdell
1771
36140
Print made by Charles Baugniet, 1814–1886
Daniel Maclise
1857
36141
Print made by John Faber the Younger, ca. 1695–1756
Philippe Mercier
1735
36142
William Sharp, 1749–1824
Thomas Paine
1793
36143
Peter DeWint, 1784–1849
Castle above a River, Woodcutters in the Foreground
ca. 1820
36144
Print made by John Faber the Younger, ca. 1695–1756
A Girl Spinning Thread
undated
36145
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
36146
Print made by John Faber the Younger, ca. 1695–1756
The Swain's Amusement
between 1748 and 1756
36147
Wenceslaus Hollar, 1607–1677
An Elephant and a Camel
1663
36148
Wenceslaus Hollar, 1607–1677
Portrait of Inigo Jones
1655
36149
Bernard Lens II, 1659–1725
A Triton holding a Fish
1700
36150
Thomas Worlidge, 1700–1766
Portrait of Sir Edward Astley
1762
36151
Print made by John Faber the Younger, ca. 1695–1756
Young Male Shearing a Sheep
undated
36152
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Haymarket
Between 1775 and 1800
36153
Francesco Bartolozzi, 1728–1815
Ticket for the Theatre Royal, Covent Garden
Between 1775 and 1800
36154
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Sal Pietro
1773
36155
Francesco Bartolozzi, 1728–1815
Fonrose
1798
36156
Francesco Bartolozzi, 1728–1815
Concert Ticket: Professional Concert, 1789, First Night, Hanover Square
1789
36157
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
36158
Francesco Bartolozzi, 1728–1815
Adelaide
1798
36159
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
36160
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
36161
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
36162
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
36163
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
36164
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
36165
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
36166
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
36167
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
36168
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
36169
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1770
36170
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1782
36171
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
36172
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1778
36173
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
36174
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
36175
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Guadagni
1767
36176
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
36177
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
36178
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1768 and 1776
36179
Francesco Bartolozzi, 1728–1815
Orpheus and Eurydice
36180
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
36181
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
between 1769 and 1787
36182
Print made by Francesco Bartolozzi, 1728–1815
Hanover Square
1782
36183
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1782
36184
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
36185
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
36186
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
1781
36187
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
36188
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
36189
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
36190
Print made by Francesco Bartolozzi, 1728–1815
Gainsborough
undated
36191
Print made by Francesco Bartolozzi, 1728–1815
Francis Grose
1787
36192
Print made by Francesco Bartolozzi, 1728–1815
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
36193
Print made by Francesco Bartolozzi, 1728–1815
Lady Gertrude, Marchioness of Halifax
1776
36194
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
undated
36195
Print made by Francesco Bartolozzi, 1728–1815
John Dunning
1787
36196
Marc Quinn, born 1964
Untitled (Plate 2)
1995
36197
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to