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38201. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38202. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38203. Frontispiece: Hercules Fighting the Hydra

Frontispiece: Hercules Fighting the Hydra
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38204. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38205. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38206. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38207. Untitled Landscape

Untitled Landscape
Creator:
Sir Frank Short, 1857–1945
Date:
undated
Materials & Techniques:
Graphite on very thick, smooth, cream wove paper
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

38208. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38209. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38210. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38211. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38212. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38213. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38214. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38215. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38216. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38217. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38218. Jean

Jean
Creator:
Arthur R. M. Todd, 1891–1966
Materials & Techniques:
Drypoint on laid paper
Dimensions:
Plate: 7 3/8 x 5 3/8in. (18.7 x 13.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

38219. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38220. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38221. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38222. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38223. Studies for the Instruction of Painters, two suites. Rome

Studies for the Instruction of Painters, two suites. Rome
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38224. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38225. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38226. Untitled Marine Scene with Boat

Untitled Marine Scene with Boat
Creator:
Arthur R. M. Todd, 1891–1966
Materials & Techniques:
Drypoint on laid paper
Dimensions:
Plate: 7 x 9 1/8in. (17.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

38227. Buckingham Palace, the Royal Family Hosts Eleanor Roosevelt's Visit

Buckingham Palace, the Royal Family Hosts Eleanor Roosevelt's Visit
Creator:
Cecil Beaton, 1904–1980
Date:
1942
Materials & Techniques:
Vintage gelatin silver print on photographic paper
Dimensions:
Sheet: 8 5/8 × 6 inches (21.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

38228. Lathkill Dale, Derbyshire

Lathkill Dale, Derbyshire
Creator:
John Blakemore, born 1936
Date:
1979
Materials & Techniques:
Vintage gelatin silver print on photographic paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

38229. Ancient Doorway, Magdalen College, Oxford

Ancient Doorway, Magdalen College, Oxford
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38230. Three Deer

Three Deer
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 12 1/4 × 10 3/4 inches (31.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38231. Forest in Light

Forest in Light
Creator:
John Golden Short, born ca. 1832
Date:
1870s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

38232. Buck and Doe

Buck and Doe
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/16 inches (16.2 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38233. Gypsy Camp in the Highlands

Gypsy Camp in the Highlands
Creator:
G. W. Wilson, 1823–1893
Date:
ca. 1880
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/4 inches (19.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

38234. Mr. Peanut

Mr. Peanut
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1970
Materials & Techniques:
Screen print on thick, smooth, white wove paper
Dimensions:
Sheet: 31 7/8 × 22 inches (81 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner

38235. Harvest

Harvest
Creator:
Print made by John Goto, born 1949
Date:
2000 to 2001
Materials & Techniques:
Pigment inkjet print on Somerset Velvet Enhanced white wove paper
Dimensions:
Sheet: 16 1/2 × 23 3/8 inches (41.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

38236. Plinth

Plinth
Creator:
Print made by John Goto, born 1949
Date:
2000 to 2001
Materials & Techniques:
Pigment inkjet print on Somerset Velvet Enhanced white wove paper
Dimensions:
Sheet: 16 1/2 × 23 3/8 inches (41.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

38237. Pasturelands

Pasturelands
Creator:
Print made by John Goto, born 1949
Date:
2000 to 2001
Materials & Techniques:
Pigment inkjet print on Somerset Velvet Enhanced white wove paper
Dimensions:
Sheet: 16 1/2 × 23 3/8 inches (41.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

38238. Sporta

Sporta
Creator:
Print made by John Goto, born 1949
Date:
2000 to 2001
Materials & Techniques:
Pigment inkjet print on Somerset Velvet Enhanced white wove paper
Dimensions:
Sheet: 16 1/2 × 23 3/8 inches (41.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

38239. Discourse with the Woman from Samaria (Right)

Discourse with the Woman from Samaria (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38240. The Healing of the Paralytic (Right)

The Healing of the Paralytic (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38241. The Calling of Matthew (Left)

The Calling of Matthew (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38242. Jesus Rescues St. Peter (Right)

Jesus Rescues St. Peter (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38243. The Demoniac Boy (Left)

The Demoniac Boy (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38244. Christ Rejected at the Feast of Dedication (Right)

Christ Rejected at the Feast of Dedication (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38245. The Widow's Mites (Right)

The Widow's Mites (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38246. The Entombment (Right)

The Entombment (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38247. The Ascension (Left)

The Ascension (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

38248. The Surrender of Mary Queen of Scots

The Surrender of Mary Queen of Scots
Creator:
Print made by John George Murray, active 1823–1855
Date:
1845
Materials & Techniques:
Mezzotint, etching, and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 23 3/4 × 31 1/2 inches (60.3 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

38249. Greenwich Station, London

Greenwich Station, London
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1929
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 4 × 3 inches (10.2 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Graham Howe

38250. Rubber Brokers, London

Rubber Brokers, London
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1929
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 3 × 4 inches (7.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Graham Howe

38251. Chess Players at Clapham Common, London

Chess Players at Clapham Common, London
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1933
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 3 × 4 inches (7.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Graham Howe

38252. Scouts at Waterloo Station, London

Scouts at Waterloo Station, London
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1933
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 4 × 3 inches (10.2 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Graham Howe

38253. The Elfin Oak, Kensington Gardens, London

The Elfin Oak, Kensington Gardens, London
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1933
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 4 × 3 inches (10.2 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Graham Howe

38254. The Bride

The Bride
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.

38255. The Last Furrow

The Last Furrow
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 7 3/4 × 9 7/8 inches (19.7 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.

38256. The Brook

The Brook
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 5 × 8 3/8 inches (12.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.

38257. A Primitive City

A Primitive City
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 6 1/8 × 8 1/4 inches (15.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.

38258. The Chamber Idyl

The Chamber Idyl
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 5 × 8 inches (12.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.

38259. The Cyder Feast

The Cyder Feast
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 5 × 8 3/8 inches (12.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.

38260. Sheep of this Pasture

Sheep of this Pasture
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 4 5/8 × 7 1/4 inches (11.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.

38261. The Lady and the Rooks

The Lady and the Rooks
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.

38262. Women Carrying Water Pots

Women Carrying Water Pots
Creator:
Jairam Das, active 1815–1840
Date:
between 1815 and 1840
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 8 inches (23.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

38263. Household Servants with Provisions

Household Servants with Provisions
Creator:
Jairam Das, active 1815–1840
Date:
between 1815 and 1840
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 8 inches (24.1 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

38264. Glen at Lynmouth

Glen at Lynmouth
Creator:
Francis Bedford, 1816–1894
Date:
undated
Materials & Techniques:
Albumen print on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

38265. Judith, or Cowper's Oak

Judith, or Cowper's Oak
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1803-1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38266. Hindu Fakirs Practising their Superstitious Rites

Hindu Fakirs Practising their Superstitious Rites
Creator:
Print made by Bell, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

38267. Scene at Colgong on the Ganges

Scene at Colgong on the Ganges
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

38268. A Suttee

A Suttee
Creator:
Print made by James Redaway, 1797–1858
Date:
1844
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/2 inches (20.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

38269. Mountain Temples, Lake of Aboo

Mountain Temples, Lake of Aboo
Creator:
Print made by E. Benjamin, active 1840s
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 5/8 inches (20.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

38270. Le Banyan, Rives du Gange; Pondichéry

Le Banyan, Rives du Gange; Pondichéry
Creator:
Print made by François-Louis Couché, 1782–1849
Date:
1835
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 7 inches (25.1 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

38271. Lion Lying Down

Lion Lying Down
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38272. Mountainous landscape with winding river and castle

Mountainous landscape with winding river and castle
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, cream laid paper prepared with pale brown wash
Dimensions:
Sheet: 11 3/8 x 15 1/2in. (28.9 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38273. Fir Trees in a Mountain Landscape

Fir Trees in a Mountain Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper prepared with yellow wash
Dimensions:
Sheet: 6 3/8 x 9 7/8 inches (16.2 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38274. Classical Landscape with Two Figures on Lake Shore

Classical Landscape with Two Figures on Lake Shore
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:
Sheet: 5 5/16 x 7 3/4 inches (13.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38275. Landscape with Two Figures on a Road

Landscape with Two Figures on a Road
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1745 and 1748
Materials & Techniques:
Gray wash with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38276. Newcastle Cathedral

Newcastle Cathedral
Creator:
Henry Bright, 1810–1873
Date:
undated
Materials & Techniques:
Pastel and black chalk on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/4 × 12 3/4 inches (21 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38277. Study of Rocks

Study of Rocks
Creator:
John Brett, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and scraping out on medium, textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38278. A Ruined Castle

A Ruined Castle
Creator:
Henry Bright, 1810–1873
Date:
undated
Materials & Techniques:
Black chalk and pastel on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38279. The Lake at Holkham, Norfolk

The Lake at Holkham, Norfolk
Creator:
Henry Bright, 1810–1873
Date:
1836
Materials & Techniques:
Pastel and black chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/2 inches (24.8 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38280. Cottages at Oxford

Cottages at Oxford
Creator:
Henry Bright, 1810–1873
Date:
undated
Materials & Techniques:
Graphite with stumping on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38281. St. Paul's Church, Covent Garden, after the fire

St. Paul's Church, Covent Garden, after the fire
Creator:
Edward Dayes, 1763–1804
Date:
1795
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 5 5/8 inches (8.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38282. Brechin Cathedral and round tower, Forfarshire, Scotland

Brechin Cathedral and round tower, Forfarshire, Scotland
Creator:
Edward Dayes, 1763–1804
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38283. Jedburgh Abbey, Roxburghshire

Jedburgh Abbey, Roxburghshire
Creator:
Edward Dayes, 1763–1804
Date:
1792
Materials & Techniques:
Watercolor and graphite and pen and black ink on medium, slightly textured, cream wove paper mounted to medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38284. Melrose Abbey, Roxburghshire

Melrose Abbey, Roxburghshire
Creator:
Edward Dayes, 1763–1804
Date:
1792
Materials & Techniques:
Watercolor and graphite and pen and black ink on medium slightly textured, cream wove paper, mounted to medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38285. Llanthony Abbey, Monmouthshire

Llanthony Abbey, Monmouthshire
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 9 inches (14.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38286. A Cottage near Southampton

A Cottage near Southampton
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 x 11 3/8 inches (21.9 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38287. Buildwas Abbey, Shropshire

Buildwas Abbey, Shropshire
Creator:
Edward Dayes, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38288. Hedingham Castle, Essex

Hedingham Castle, Essex
Creator:
Edward Dayes, 1763–1804
Date:
ca. 1791
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38289. Exeter Cathedral and neighboring buildings

Exeter Cathedral and neighboring buildings
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 8 1/2 inches (13.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38290. Appleby, Westmoreland

Appleby, Westmoreland
Creator:
Edward Dayes, 1763–1804
Date:
1789
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper mounted to card
Dimensions:
Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38291. Conway Castle, Caernarvonshire

Conway Castle, Caernarvonshire
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured cream laid paper mounted to thick beige card
Dimensions:
Sheet: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38292. Durham Cathedral

Durham Cathedral
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 15 3/8 inches (26.4 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38293. Elgin Cathedral, Moray

Elgin Cathedral, Moray
Creator:
Edward Dayes, 1763–1804
Date:
1792
Materials & Techniques:
Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38294. Fort Candelaria, Tenerife

Fort Candelaria, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1820
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38295. Tenerife-Women of Candelaria

Tenerife-Women of Candelaria
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38296. Tenerife - Woman of Tacoronte

Tenerife - Woman of Tacoronte
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 6 1/2 inches (20 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38297. Boatman and Medianero of Garachics, Tenerife

Boatman and Medianero of Garachics, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 7 9/16 inches (24.1 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38298. Miss Campbell

Miss Campbell
Creator:
John Downman, 1750–1824
Date:
1803
Materials & Techniques:
Black chalk, red chalk, and graphite, with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 9 1/2 inches (30.6 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38299. Portrait of a Girl Holding a Garland

Portrait of a Girl Holding a Garland
Creator:
attributed to John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with graphite on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 12 3/8 × 9 1/2 inches (31.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38300. Study of Fishermen and Gear

Study of Fishermen and Gear
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection