The Haunts of Charles Dickens: "Dullborough Town" - Eastgate, Rochester - mentioned in the "Uncommon Traveller"..
42902
Paul Braddon, 1864–1937
The Haunts of Charles Dickens: Rochester Castle - shewing remains of the castle moat..
42903
Paul Braddon, 1864–1937
The Haunts of Charles Dickens: "House of the Six Poor Travellers". charles Dickens' Xmas Tale 1854 was founded upon..
42904
Paul Braddon, 1864–1937
The Haunts of Charles Dickens: The Old Curiousity Shop - Lincoln's Inn, corner of Portsmouth St
42905
Paul Braddon, 1864–1937
The Haunts of Charles Dickens: Gad Highouse Higham Kent. To possess this house..
42906
Paul Braddon, 1864–1937
The Haunts of Charles Dickens: Tavistock House. Here Charles Dickens began "Bleak House"... 1851..1853
42907
Hubert-François Gravelot, 1699–1773
Study of a Man Standing
ca. 1757
42908
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
42909
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
42910
Richard Banks Harraden, 1778–1862
Downing College, Cambridge
1830
42911
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
42912
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
42913
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
42914
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
42915
Richard Banks Harraden, 1778–1862
Christ's College, Cambridge
ca. 1836
42916
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
42917
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
42918
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
42919
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
42920
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
42921
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
42922
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
42923
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
42924
Leon Kossoff, 1926–2019
Christ Church, Spitalfields, No. 2
1990
42925
George Percy Jacomb-Hood, 1857–1929
Portrait of Edwin Austin Abbey at Work
1898
42926
John Godfrey
Herstmonceux Castle, Sussex Pl. 2
undated
42927
John Godfrey
Herstmonceux Castle, Sussex Pl. 1
undated
42928
John Godfrey
Herstmonceux Castle Pl. I
1779
42929
Robert H. Burden, fl.1850–1890
Study of Capitals in South Transept, Chartres Cathedral
42930
Robert H. Burden, fl.1850–1890
Crucifixion in Colored Window, Chartres
42931
Robert H. Burden, fl.1850–1890
Three Studies of Colored Diapers and Borders, Chartres, on One Paper
1862
42932
Robert H. Burden, fl.1850–1890
South East View of St. Foi, Chartres
1862
42933
Robert H. Burden, fl.1850–1890
Three Studies of Colored Glass in St. Pierre, Chartres, on One Paper
42934
Robert H. Burden, fl.1850–1890
West Front of St. Andre, Chartres
1862
42935
Robert H. Burden, fl.1850–1890
Houses on Rue de la Bourdiniere, Chartres
1862
42936
Robert H. Burden, fl.1850–1890
North East View of St. Brice, near Chartres
1862
42937
Robert H. Burden, fl.1850–1890
Three Sketches of Capitals at Mantes and South Andre
1862
42938
Robert H. Burden, fl.1850–1890
Three Sketches of Towers, on Three Seperate Sheets of Paper: (a) Roof and Two Spires; (b) Clock Tower; (c) Roof Gable
42939
Robert H. Burden, fl.1850–1890
Four Sketches of Towers, on Three Pieces of Paper
42940
Robert H. Burden, fl.1850–1890
The House of Baron Morgan (?), Rue Conde
1862
42941
Robert H. Burden, fl.1850–1890
The Belfry, Amiens
1862
42942
Robert H. Burden, fl.1850–1890
Three Sketches of Windows and Capitals, Amiens
42943
Robert H. Burden, fl.1850–1890
Two Sketches on one paper, of window and font, Amiens
42944
Robert H. Burden, fl.1850–1890
Four Sketches of Panels and Bases at Notre Dame, Amiens
1862
42945
Robert H. Burden, fl.1850–1890
Two Arches in North Transept, Amiens
42946
Robert H. Burden, fl.1850–1890
Triforium, Amiens and Cross of S. Sacrament, Rouen
1862
42947
Robert H. Burden, fl.1850–1890
Chapter House at Amiens Cathedral
1862
42948
Robert H. Burden, fl.1850–1890
South West Tower at Amiens
1862
42949
Robert H. Burden, fl.1850–1890
Studies of Candle Holders, Amiens
42950
George Cruikshank, 1792–1878
Studies of 2 Men in Profile
42951
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
42952
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
42953
Henry Shaw, 1800–1873
Greek Armour
undated
42954
unknown artist
Plan and Apse of Roman Church
undated
42955
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
42956
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
42957
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
42958
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
42959
Henry Phillip Hope, active 1799–1818
Paysage
undated
42960
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
42961
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
42962
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
undated
42963
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
undated
42964
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
42965
Henry Phillip Hope, active 1799–1818
Fille Greque
undated
42966
Thomas Hope, 1769–1831
Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
1818
42967
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
42968
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
42969
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
42970
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
42971
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
42972
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
42973
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
42974
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation sur le Quai, and Premiere Etage: Plan
undated
42975
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
42976
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
42977
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
42978
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
42979
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
42980
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
42981
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42982
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42983
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42984
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42985
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42986
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42987
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42988
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42989
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42990
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42991
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42992
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42993
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42994
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
42995
Giles Hussey, 1710–1788
Study of head from classical figures
between 1730 and 1768
42996
Giles Hussey, 1710–1788
Study of head of man with helmet
between 1730 and 1768
42997
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
42998
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
42999
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
43000
Giles Hussey, 1710–1788
Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell