Sketches of men, possibly studies for illustrations
undated
51706
George Housman Thomas, 1824–1868
Soldier in uniform
undated
51707
Francis Carruthers Gould, 1844–1925
Vanity Fair - Businessmen and Empire Builders. 'The Lord Harry'. The Hon. Henry Lorton Bourke. 30 August 1890
1890
51708
George Housman Thomas, 1824–1868
Studies of mounted soldier
undated
51709
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
51710
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
51711
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
51712
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
51713
F. T. Dalton, active 1895
Vanity Fair - Clergy. 'a fashiuonable Canon.' Canon Robert Eyton. 19 May 1898
1898
51714
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
51715
George Housman Thomas, 1824–1868
Color Guard Order (Soldier wearing busby)
undated
51716
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
51717
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
51718
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
51719
James Gillray, 1756–1815
Half Natural
1799
51720
James Gillray, 1756–1815
Pen-etration
1799
51721
George Housman Thomas, 1824–1868
Studies of heads
1866
51722
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
51723
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
51724
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
51725
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
51726
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
51727
George Housman Thomas, 1824–1868
Study of hands, sleeves and male profile
undated
51728
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
51729
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
51730
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
51731
George Housman Thomas, 1824–1868
Study for figure in oil painting, "Haymaking"
undated
51732
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
51733
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
51734
James Gillray, 1756–1815
Hope
1802
51735
James Gillray, 1756–1815
Despair
1802
51736
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
51737
James Gillray, 1756–1815
Forming a Line on the Parade
1801
51738
James Gillray, 1756–1815
Bologna Sausages, or Opposition Flux'd
1788
51739
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
51740
James Gillray, 1756–1815
Cooling the Brain - or - The Little Major, Shaving the Shaver
1789
51741
George Housman Thomas, 1824–1868
Sketch of lovers fleeing at night
undated
51742
James Gillray, 1756–1815
An Angel Gliding on a Sunbeam Into Paradise. Down Thither, Prone in Flight, Lo! Schwelly Speeds, and With Her Brings, The Gems, and Spoils of Heaven. Milton
1791
51743
James Gillray, 1756–1815
A Birmingham Toast, as Given on the 14th of July By The Revolution Society
1791
51744
James Gillray, 1756–1815
The Magnanimous Minister Chastising Prussian Perfidy - Vide the "Morning Chronicle." April 28th
1806
51745
George Housman Thomas, 1824–1868
Sketch of Man in Ermine-trimmed Clothes
undated
51746
James Gillray, 1756–1815
The French Consular Triumvicate Settling the New Constitution. With a Peep at the Constitutional-Pidgeon-Holes of the Abbe Seiyes - In the Back Ground
1797
51747
James Gillray, 1756–1815
Captain Townshend
1800
51748
George Housman Thomas, 1824–1868
Back view of man on horseback
undated
51749
James Gillray, 1756–1815
A Military Sketch of a Gift Stick, or Poker Emblazoned. (A Portrait of General Cathcart)
1800
51750
James Gillray, 1756–1815
Liliputian Substitutes, Equiping for Public Services
1801
51751
James Gillray, 1756–1815
To Skiffy - Skipt on, With His Wonted Grace. Vide Birthday Ball
1800
51752
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
51753
James Gillray, 1756–1815
Lordly Elevation
1802
51754
James Gillray, 1756–1815
Governor Wall's Ghost
1802
51755
James Gillray, 1756–1815
A Bouquet of the Last Century
1802
51756
James Gillray, 1756–1815
A Standing - Dish at Boodle's: Vide a Deuced Good Cocoa - Tree Pun. - (Sir Frank Standish)
1800
51757
James Gillray, 1756–1815
Going to Market
1791
51758
James Gillray, 1756–1815
The Discarded Viceroy Silenced
1782
51759
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
51760
James Gillray, 1756–1815
The Devil to Pay; or Neptune Reposing after Fording the Jordan
1791
51761
James Gillray, 1756–1815
John Bull Baited by the Dogs of Excise
1790
51762
William M. Larkins, 1901–1974
Old Bruges
51763
William M. Larkins, 1901–1974
Old Bruges
51764
William M. Larkins, 1901–1974
Old Bruges
51765
William M. Larkins, 1901–1974
Le Quai de Rosaire (Preparatory drawing I)
51766
James Gillray, 1756–1815
Meeting of the Monied Interest: - Constitutional Opposition to e/y 10 pr. cent: - i.e. John Bull's Friends Alarm'd by the New Tax (from: Caricature, vol. 1)
1798
51767
William M. Larkins, 1901–1974
Le Quai de Rosaire (Preparatory drawing II)
51768
William M. Larkins, 1901–1974
Le Quai de Rosaire
51769
Thomas Sanders, active 1775–1781
The South West View of Worcester, near Bromwych Farm
51770
William M. Larkins, 1901–1974
The Cloth Hall
51771
William M. Larkins, 1901–1974
Le Quai de Rosaire
51772
William M. Larkins, 1901–1974
Le Quai de Rosaire
51773
William M. Larkins, 1901–1974
Le Quai de Rosaire
51774
William M. Larkins, 1901–1974
Le Quai de Rosaire
51775
William M. Larkins, 1901–1974
Le Quai de Rosaire
51776
William M. Larkins, 1901–1974
Le Quai de Rosaire
51777
William M. Larkins, 1901–1974
The Cloth Hall
51778
William M. Larkins, 1901–1974
The Cloth Hall
51779
Liborio Prosperi, 1854–1928
Vanity Fair: Musicians; 'English Tenor', Mr. Edward Lloyd, June 25, 1892
1892
51780
William M. Larkins, 1901–1974
The Cloth Hall
51781
Liborio Prosperi, 1854–1928
Vanity Fair: Musicians; 'Cavalleria Rusticana', Pietro Mascagni, August 24, 1893
1893
51782
Reg Butler, 1913–1981
A Collection of 14 lithographs, 1952-54
1952-1954
51783
Print made by Stephen Buckley, born 1944
Untitled
1982
51784
Print made by Stephen Buckley, born 1944
Untitled
1977
51785
A. G. Witherby, Active 1894–1901
Vanity Fair: Policemen; 'Marylebone', A.C. Plowden, April 11, 1901
1901
51786
A. G. Witherby, Active 1894–1901
Vanity Fair: Policemen; 'A Model Magistrate', Albert de Rutzen, August 16, 1900