Sporting Anedotes. The Sporting Butcher, alais Lord Marrowbones and His Man. Plate 5
1833
51808
Henry Thomas Alken, 1785–1851
Set of four: Sporting Illustrations. 1. The Wood
1837
51809
Henry Thomas Alken, 1785–1851
Set of four: 1. Training
ca. 1817
51810
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
51811
Robert Havell, 1769–1832
The Devonport Mall near Amesbury, going Post through an Avalanche of Snow
1837
51812
John Harris, 1811–1865
Fore's Contrasts: The Driver of 1832 ...The Driver of 1852
1852
51813
George Hunt, active 1820–1840
Partridge Shooting
1836
51814
Charles Hunt, 1803–1877
Set of four: Steeple Chasing Illustrations
51815
William Henry Simmons, 1811–1882
Shooting: 1. Rabbit
1852
51816
Print made by unknown artist
The Royal Hunt
1786
51817
James Barenger, 1780–after 1831
Phenomena, the Celebrated Trotting Mare, Aged 25 Years May 1813
1813
51818
G. T. Payne, active 1837–1850
The Amesbury Champion Coursing Meeting
1850
51819
Attributed to Jeremiah Bridges, fl.1751
[Anatomical Study of a Horse]. 'To His Grace the Duke of Northumberland..Inscribed by Joseph Barber
51820
Valentine Green, 1739–1813
Fox Hunting: Arthur Wentworth of Bulmer near Castle Howard, Yorkshire
1767
51821
Edward Duncan, 1803–1882
Set of four: 1. Partridge Shooting
1825
51822
Charles Hunt, 1803–1877
Brighton Hurdle Race, Dec. 20th 1833: The Start
1833
51823
George Hunt, active 1820–1840
Preparing to Start
between 1820 and 1840
51824
George Hunt, active 1820–1840
Coaching: Stage
1824
51825
George Hunt, active 1820–1840
Coaching: Waggon
1824
51826
Richard Gilson Reeve, 1803–1889
Morning, or Hounds Coming out of Kennell
1820
51827
John Harris, 1811–1865
Harry Hieover on Tilter
1852
51828
William Clerk, ? 19th c.
Fox Hunting: 'Breaking cover'
undated
51829
George Housman Thomas, 1824–1868
Man in cap, probably a portrait of Jim Lush
undated
51830
Jean Baptiste Guth, active 1890s
Vanity Fair - Architects and Engineers. 'French Warfare'. M. Charles Louis de Saulces de Freycinet. 18 April 1891
1891
51831
George Housman Thomas, 1824–1868
Study of Queen Victoria's Mount, Alma, for the oil painting, "Queen Victoria and the Prince Consort at Aldershot"
undated
51832
George Housman Thomas, 1824–1868
Inspection of guard, Koningsburg, Prussia, study for watercolor, "The Coronation of the King and Queen of Prussia on 18th October 1861"
undated
51833
George Housman Thomas, 1824–1868
Boy Whistling
undated
51834
George Housman Thomas, 1824–1868
Man writing (similar to man in an illustration by Thomas in "Vicar of Wakefield," p.120)
undated
51835
George Housman Thomas, 1824–1868
Study of a scene from the Coronation of the King and Queen of Prussia, Konigsberg
undated
51836
George Housman Thomas, 1824–1868
Portrait of old woman
undated
51837
George Housman Thomas, 1824–1868
Stable to the left of a backyard
undated
51838
George Housman Thomas, 1824–1868
Jockey on horseback
undated
51839
George Housman Thomas, 1824–1868
Studies of hands and a young man
undated
51840
Liborio Prosperi, 1854–1928
Vanity Fair - Businessmen and Empire Builders. 'telephones'. Mr. James Brand. 26 May 1888
1888
51841
George Housman Thomas, 1824–1868
Soldier piping
undated
51842
George Housman Thomas, 1824–1868
Studies for illustration, probably for Trollope's "Last Chronicles of Barset"
undated
51843
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
51844
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
51845
Liborio Prosperi, 1854–1928
Vanity Fair - Businessmen and Empire Builders. 'Sir Andrew Barclay Walker'. 7 June 1890
1890
51846
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
51847
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
51848
George Housman Thomas, 1824–1868
Head of horse
undated
51849
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
51850
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
51851
George Housman Thomas, 1824–1868
Mounted soldiers with wagon, circa. Crimean war period
undated
51852
George Housman Thomas, 1824–1868
Three male heads and a horse's head
undated
51853
James Gillray, 1756–1815
Political Dreamings! - Visions of Peace! Prospective Horrors
1801
51854
James Gillray, 1756–1815
French-Taylor, Fitting John Bull - With a "Jean-de-Bry"
1800
51855
James Gillray, 1756–1815
The Lubber's - Hole, - Alias - The Crack'd Jordan
1791
51856
James Gillray, 1756–1815
A Good Shot, or Billy Ranger the Gamekeeper, in a Fine Sporting Country. (Lord Grenville)
1792
51857
Ken Currie, born 1960
Story from Glasgow
1989
51858
James Gillray, 1756–1815
Guy Vanx Discovered in his Attempt to Destroy the King and the House of Lords. "His Companions Attempting to Escape - N.B. His Associates were all Taken Afterwards and Executed."
1791
51859
James Gillray, 1756–1815
Opposition Coaches
1788
51860
James Gillray, 1756–1815
Opposition Coaches
1788
51861
James Gillray, 1756–1815
Honi Soit Qui Mal Y Pense (Shame on Him Who Evil Thinks)
51862
James Gillray, 1756–1815
The Westminster Hunt
1788
51863
James Gillray, 1756–1815
The Westminster School, or Dr. Busby Settling Accounts with Master Billy and His Playmates
1785
51864
James Gillray, 1756–1815
Twas Nobody Saw the Lover's Leap and Let the Cat Out of the Bag
1786
51865
James Gillray, 1756–1815
A Tom Tit Twittering on an Eagle's Back-side
1786
51866
James Gillray, 1756–1815
Out of Fits - or the Recovery to the Satisfaction of All Parties
1786
51867
James Gillray, 1756–1815
Hudibrass and His ' Squire (Fox and Burke)
1784
51868
James Gillray, 1756–1815
Britania's Assassination - or - The Republicans Amusement
1782
51869
James Gillray, 1756–1815
Guy Vanx
1782
51870
James Gillray, 1756–1815
The Lord of the Vineyard
1783
51871
James Gillray, 1756–1815
Rodney Introducing De Grasse
1782
51872
James Gillray, 1756–1815
There's More Ways Than One - Vide, Coalition Expedients
1788
51873
James Gillray, 1756–1815
Questions & Commands; or The Mistaken Bad Road to HE-R-F-RD: A Sunday Evenings Amusement
1788
51874
William M. Larkins, 1901–1974
The Cloth Hall (with additional sketches and notations in the margins)
51875
William M. Larkins, 1901–1974
Old Bruges
undated
51876
William M. Larkins, 1901–1974
Old Bruges
51877
William M. Larkins, 1901–1974
Old Bruges
51878
William M. Larkins, 1901–1974
Old Bruges
51879
Lucian Freud, 1922–2011
Woman with an Arm Tattoo
1996
51880
William M. Larkins, 1901–1974
Old Bruges
51881
William M. Larkins, 1901–1974
Old Bruges
51882
James Gillray, 1756–1815
Amsterdam in a Dam'd Predicament, - or - The Last Scene of the Republican Pantomine
1787
51883
James Gillray, 1756–1815
Election-Troops, Bringing in Their Accounts, to the Pay-Table
1788
51884
James Gillray, 1756–1815
The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)
1796
51885
James Gillray, 1756–1815
The Giant - Factotum Amusing Himself (Pitt)
1797
51886
William M. Larkins, 1901–1974
Old Bruges
51887
William M. Larkins, 1901–1974
Old Bruges
51888
William M. Larkins, 1901–1974
Old Bruges
51889
William M. Larkins, 1901–1974
The Cloth Hall
51890
William M. Larkins, 1901–1974
Le Quai de Rosaire
51891
William M. Larkins, 1901–1974
Le Quai de Rosaire
51892
William M. Larkins, 1901–1974
Le Quai de Rosaire
51893
William M. Larkins, 1901–1974
Le Quai de Rosaire
51894
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Stanford, the Seat of Sir Edward Winnington, Baronet