Don Quiote at a ball in the house of Don Antonio..
published 1754
52115
Jacques Etinne Thierry, 1750–1832
L'Hiver
published 1754
52116
Louis Simonneau, 1654–1727
The Chaste Suzanne
published 1754
52117
Simon François Ravenet, 1706–1774
La Chasse a l'Oiseau
published 1754
52118
unknown artist
Les Bons Amis
published 1754
52119
Print made by Paul Angier, active 1749
A View of Roman Ruins
1749
52120
Thomas Major, 1714–1799
A Mill, No.5
published 1754
52121
Henry Roberts, 1803–1876
Cow standing in Profile looking over its near Shoulder (Plate 6)
52122
Claes Berghem, 1620–1683
Plate 1 for: A Book of Sheep and Goats (from the Original of Berghem)
52123
Claes Berghem, 1620–1683
Plate 3 for: A Book of Sheep and Goats (from the Original of Berghem)
52124
Claes Berghem, 1620–1683
Plate ?, Two Goats and Two Kinds, from: A Book of Sheep and Goats (from the Original of Berghem)
52125
Print made by Sutton Nicholls, active 1725
Two three-masted Ship in a Storm
52126
Claes Berghem, 1620–1683
Plate ? (Three Sheep and One Lamb) from: A Book of Sheep and Goats from the Original of Bergham
52127
Sutton Nicholls, active 1725
Two three masted Ships anchored in Calm Sea
52128
Sutton Nicholls, active 1725
Three Masted Ship with Three tiers of Guns and a Barge Behind
52129
Sutton Nicholls, active 1725
One three masted Ship with five tiers of Guns and Sails up, One Three Masted Ship seen from the Bow and Stern at Once
52130
Sutton Nicholls, active 1725
Two three-masted Ships firing Broadsides at each Other
52131
unknown artist
Sir Walter Scott, Bart
52132
Attributed to Henry Roberts, ca. 1710–1790
Landscape with Animals beneath a rugged cliff
ca. 1745
52133
unknown artist
Allegory of Age
undated
52134
Gilbert Spencer, 1892–1979
The Ten Commandments V
1934
52135
Hedley Fitton, 1859–1929
Pont St. Etienne, Limoges
52136
William Lee Hankey, 1869–1952
Minding the Flocks
1920
52137
Print made by William Miller, 1796–1882
An Old Manor House
1833
52138
Wilfrid Huggins, 1873–1938
Monastery of San Frutuoso, Rivera de Levante
1913
52139
Print made by John Baptist Jackson, 1701–1780
The Mystic Marriage of St. Catherine
ca. 1740
52140
David Law, 1831–1901
Knaresborough Castle
52141
Print made by Ernest Stephen Lumsden, 1883–1948
Worshippers
1919
52142
Samuel William Reynolds, 1773–1835
Sir John Leicester Bart
1800
52143
Edmund Ashfield, active 1669–1690?
Portrait of a Nobleman
between 1670 and 1675
52144
Edmund Ashfield, active 1669–1690?
Portrait of a Nobleman's Wife
between 1670 and 1675
52145
Print made by David Lucas, 1802–1881
The Lock
1834
52146
Thomas Gaugain, 1748–1812
An Airing in Hyde Park
1796
52147
Louisa Augusta Greville, 1743–active 1762
Clerical figure with three balls balanced between his hands
ca. 1762
52148
Louisa Augusta Greville, 1743–active 1762
Pastoral scene with river, cattle and woman conversing with a traveller
1762
52149
Print made by Louisa Augusta Greville, 1743–active 1762
Landscape with a Youth Driving a Flock of Sheep
1761
52150
Valentine Green, 1739–1813
Ragland Castle, Monmouthshire
1778
52151
Valentine Green, 1739–1813
Jupiter and Io
1785
52152
Valentine Green, 1739–1813
A Philosopher Shewing an Experiment on the Air Pump
1769
52153
Print made by Sir Frank William Brangwyn, 1867–1956
Tramps Resting
1882-1956
52154
Print made by Stephen Buckley, born 1944
Untitled
1993
52155
Domenico Cunego, 1726–1803
Priam redeems the Dead Body of Hector
52156
Print made by Jean Marie Delatre, 1746–1840
The Death of Mark Antony
1805
52157
Luke Sullivan, 1705–1771
A View of Cliefden in Buckingham, the seat of the Rt. Hon. the Earl of Inchiquin
1759
52158
Innicenzo Geremia, active 1807
Rural Repose
1804
52159
Thomas Sanders, active 1775–1781
The South View of the City of Worcester, from Digley Fields
52160
Thomas Sanders, active 1775–1781
A View of Droitwich from Dodder Hill
52161
Print made by Stephen Buckley, born 1944
Ten Colour Etchings Portfolio
1979
52162
George Housman Thomas, 1824–1868
Head of a young girl and girl with pigtails
undated
52163
George Housman Thomas, 1824–1868
Organ grinder
undated
52164
George Housman Thomas, 1824–1868
Sketch of woman, possibly study for sculpture
undated
52165
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
52166
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
52167
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
52168
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
52169
Leslie Matthew 'Spy' Ward, 1851–1922
Politicians - Vanity Fair - 'The Fisherman's Friend'. Mr. H.S. Foster. c.1907
ca. 1907
52170
George Philip Reinagle, ca.1802–1835
H.M. Brigs 'Black Jake' Lt. Wm. Ramsay, Tender to H.M.S. Dryad, engaging the Spanish Slave Brig Maranerito in the fight off Biafra, April 26th 1831
1832
52171
Thomas Sanders, active 1775–1781
The North View of the City of Worcester, from the Porto Bello Henwick-Hall
52172
Print made by Leslie Matthew 'Spy' Ward, 1851–1922
Politicians - Vanity Fair - North Paddington. Mr. John Aird. June 20, 1891
1891
52173
Robert Dighton, 1752–1814
Mr. Deputy Dumpling and Family Enjoying a Summer Afternoon
1781
52174
George Housman Thomas, 1824–1868
Three people greeting a soldier
undated
52175
George Housman Thomas, 1824–1868
Man astride a horse drinking from a stream
undated
52176
George Housman Thomas, 1824–1868
Studies of cats
undated
52177
George Housman Thomas, 1824–1868
Head of a Prussian soldier
undated
52178
George Housman Thomas, 1824–1868
Thin man in top hat on horseback with sketch of male head
undated
52179
George Housman Thomas, 1824–1868
Man in profile with two women
undated
52180
George Housman Thomas, 1824–1868
Sketch of rocks
undated
52181
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
52182
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
52183
George Housman Thomas, 1824–1868
Male face, marked "Mr. Crawley" for "Vanity Fair" or "Last Chronicles of Barset"
undated
52184
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
52185
George Housman Thomas, 1824–1868
Male figures, possibly studies for sculpture
undated
52186
Print made by Isaac Cruikshank, 1764–1811
An Abyssinian Breakfast
1791
52187
George Housman Thomas, 1824–1868
Horses feeding in stable
undated
52188
George Housman Thomas, 1824–1868
Study of leaves
undated
52189
George Housman Thomas, 1824–1868
State Carriage Horses, Berlin (Horse with detail of harness)
undated
52190
Print made by Henry Fuseli, 1741–1825
Heavenly Ganymede
1804, published 1807
52191
George Housman Thomas, 1824–1868
Sketch of a horse, and detail of a horse's eye
undated
52192
George Housman Thomas, 1824–1868
Three harnessed horses, with man mounted on one pulling wagon
undated
52193
George Housman Thomas, 1824–1868
Sketches of a girl, a woman, and two male heads
undated
52194
George Housman Thomas, 1824–1868
Portrait of Mr. A. Oliver
undated
52195
George Housman Thomas, 1824–1868
Men riding horseback
undated
52196
George Housman Thomas, 1824–1868
Sketches of men spitting; possibly an illustration for "Last Chronicles of Barset"
undated
52197
George Housman Thomas, 1824–1868
Tree trunks
undated
52198
George Housman Thomas, 1824–1868
Soldiers on horseback
undated
52199
George Housman Thomas, 1824–1868
Study of Christ surrounded by angels, possibly a depiction of The Ascension