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Francesco Bartolozzi Medallion: Profile of Woman facing Right (numbered XXIV)
Francesco Bartolozzi, 1728–1815
Medallion: Profile of Woman facing Right (numbered XXIV)
Francesco Bartolozzi Medallion: Man with Wreath of Laurels (numbered XVII)
Francesco Bartolozzi, 1728–1815
Medallion: Man with Wreath of Laurels (numbered XVII)
Francesco Bartolozzi Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
Francesco Bartolozzi, 1728–1815
Medallion: Profile of a Woman wearing an Ivy Wreath facing Right
undated
Francesco Bartolozzi Medallion: Profiles of two Bearded Men facing each Other
Francesco Bartolozzi, 1728–1815
Medallion: Profiles of two Bearded Men facing each Other
undated
Francesco Bartolozzi Medallion: Head of a Man with Short Hair (Lettered AEXIOE)
Francesco Bartolozzi, 1728–1815
Medallion: Head of a Man with Short Hair (Lettered AEXIOE)
undated
Francesco Bartolozzi Medallion: Bust of Woman with bared Shoulder and an Arrow or Spear
Francesco Bartolozzi, 1728–1815
Medallion: Bust of Woman with bared Shoulder and an Arrow or Spear
undated
Francesco Bartolozzi Medallion: Fantastic Head of an Animal (? Canine) wearing a Collar Lettered (VIXEI7O1E1)
Francesco Bartolozzi, 1728–1815
Medallion: Fantastic Head of an Animal (? Canine) wearing a Collar Lettered (VIXEI7O1E1)
undated
Francesco Bartolozzi Medallion: Head and Shoulders of a Man in Profile Helmet and Armour with Grotesque Faces on It
Francesco Bartolozzi, 1728–1815
Medallion: Head and Shoulders of a Man in Profile Helmet and Armour with Grotesque Faces on It
undated
Francesco Bartolozzi Ticket? Two Medallions linked by Mercury's Staff, Left Medallion Lettered: "Georgius III...", Right Medallion lettered Academ "Institut"
Francesco Bartolozzi, 1728–1815
Ticket? Two Medallions linked by Mercury's Staff, Left Medallion Lettered: "Georgius III...", Right Medallion lettered Academ "Institut"
Francesco Bartolozzi Fragment of a Frieze from Temple at Ephesus
Francesco Bartolozzi, 1728–1815
Fragment of a Frieze from Temple at Ephesus
1764
Francesco Bartolozzi Specchio son L'Acque a Rustica Beltade
Francesco Bartolozzi, 1728–1815
Specchio son L'Acque a Rustica Beltade
Francesco Bartolozzi Da' L'esca un picciol rivo a sobria mensa
Francesco Bartolozzi, 1728–1815
Da' L'esca un picciol rivo a sobria mensa
Francesco Bartolozzi Ruins, Three Men on the Left
Francesco Bartolozzi, 1728–1815
Ruins, Three Men on the Left
Francesco Bartolozzi Ruins, Three Figures and a Lamb in the Center
Francesco Bartolozzi, 1728–1815
Ruins, Three Figures and a Lamb in the Center
Francesco Bartolozzi Ruins, Woman riding a Horse and Man Driving a Cow in Foreground
Francesco Bartolozzi, 1728–1815
Ruins, Woman riding a Horse and Man Driving a Cow in Foreground
Francesco Bartolozzi Ruins, Woman leaning against Horse talking to Man sitting on a Stone
Francesco Bartolozzi, 1728–1815
Ruins, Woman leaning against Horse talking to Man sitting on a Stone
Francesco Bartolozzi Woman Picnicing on River Bank with Men Bathing
Francesco Bartolozzi, 1728–1815
Woman Picnicing on River Bank with Men Bathing
Francesco Bartolozzi Classical Landscape with Deer on the Left and Travellers on the Right
Francesco Bartolozzi, 1728–1815
Classical Landscape with Deer on the Left and Travellers on the Right
1763
Francesco Bartolozzi Laban searching for his Idols
Francesco Bartolozzi, 1728–1815
Laban searching for his Idols
unknown artist Plan of the Building in Hyde Park for the Exhibition of 1851
unknown artist
Plan of the Building in Hyde Park for the Exhibition of 1851
1850
Samuel William Reynolds Thomas Girtin
Samuel William Reynolds, 1773–1835
Thomas Girtin
Thomas Stothard Battle Scene (probably intended for Hume's "History of England")
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
undated
Thomas Stothard Battle Scene (probably intended for Hume's "History of England")
Thomas Stothard, 1755–1834
Battle Scene (probably intended for Hume's "History of England")
undated
Thomas Stothard A Family Group at a Cottage Door
Thomas Stothard, 1755–1834
A Family Group at a Cottage Door
undated
Francesco Bartolozzi Free-Masons Hall, The Gods decending on a Library Table on which are Globes and Scientific Instruments
Print made by Francesco Bartolozzi, 1728–1815
Free-Masons Hall, The Gods decending on a Library Table on which are Globes and Scientific Instruments
1786
unknown artist Lambeth Palace in 1647
unknown artist
Lambeth Palace in 1647
Martin Hardie The Groote Kerk: Doredrecht
Martin Hardie, 1875–1952
The Groote Kerk: Doredrecht
1912
George Hunt Stage Coach
George Hunt, active 1820–1840
Stage Coach
1827
Charles Hunt [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
Thomas Vialls British, Neoclassical frame
Perhaps Thomas Vialls, 1719–1781
British, Neoclassical frame
4th quarter of 18th century
Joseph Green Jr. British, Artist's frame: Pre-Raphaelite
Joseph Green Jr., 1840–1870
British, Artist's frame: Pre-Raphaelite
1861
Thomas Allwood British, 'Carlo Maratta' frame
attributed to Thomas Allwood, ca. 1750–ca.1800
British, 'Carlo Maratta' frame
4th quarter of 18th century
Thomas Vialls British, 'Carlo Maratta' frame
Perhaps Thomas Vialls, 1719–1781
British, 'Carlo Maratta' frame
3rd quarter of 18th century
Ernest Wheatley British, Neoclassical style frame
Ernest Wheatley
British, Neoclassical style frame
20th century
Bourdier French Régence 'Duveen' frame
Bourdier, 19th century
French Régence 'Duveen' frame
late 19th to early 20th century
Robert Adam British, Neoclassical frame
Design Robert Adam, 1728–1792
British, Neoclassical frame
2nd half of 18th century
Thomas Allwood British, Neoclassical frame
Original pattern by Thomas Allwood, ca. 1750–ca.1800
British, Neoclassical frame
early 19th century
Isaac Gosset British, Neoclassical frame
Perhaps Isaac Gosset, 1713–1799
British, Neoclassical frame
late 18th century
Bourdier French, Rococo Revival frame
Bourdier, 19th century
French, Rococo Revival frame
early 20th century
Richard Fisher of York British, Rococo frame
Perhaps Richard Fisher of York, ca. 1705–ca. 1770
British, Rococo frame
2nd and 3rd quarters of 18th century
Joseph Green Jr. British, Artist's frame
probably Joseph Green Jr., 1840–1870
British, Artist's frame
3rd quarter of 19th century
Isaac Gosset British, Rococo Trophy frame
Perhaps Isaac Gosset, 1713–1799
British, Rococo Trophy frame
mid-18th century
Thomas Allwood British, Neoclassical frame
Perhaps Thomas Allwood, ca. 1750–ca.1800
British, Neoclassical frame
late 18th century
James Richards British, Palladian frame
James Richards, 1721–1767
British, Palladian frame
1730
Emile Joseph Remy British 'Lely' frame
Emile Joseph Remy, ca. 1868–1949
British 'Lely' frame
20th century
Robert Adam British, Neoclassical frame
workshop of Robert Adam, 1728–1792
British, Neoclassical frame
4th quarter of 18th century
Robert Adam British, Neoclassical frame
workshop of Robert Adam, 1728–1792
British, Neoclassical frame
4th quarter of 18th century
Sir Edwin Henry Landseer Landscape with sheep and donkeys
Sir Edwin Henry Landseer, 1802–1873
Landscape with sheep and donkeys
s&d: EL 1818
Sir Edwin Henry Landseer Fighting dogs getting wind
Sir Edwin Henry Landseer, 1802–1873
Fighting dogs getting wind
1818
Sir Edwin Henry Landseer Anatomical study of a dog's skull
Sir Edwin Henry Landseer, 1802–1873
Anatomical study of a dog's skull
s&d: EL 1820
Sir Edwin Henry Landseer Anatomical study of dog's head
Sir Edwin Henry Landseer, 1802–1873
Anatomical study of dog's head
1819-1821
Thomas Hosmer Shepherd View of Exeter 'Change
Thomas Hosmer Shepherd, 1792–1864
View of Exeter 'Change
1829